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Clint Eastwood is an enormously capable filmmaker who, like any filmmaker who works non-stop, is capable of turning out films that are polished and considered and carefully calibrated, and equally capable of turning out nearly inert movies that are forgettable and barely register. What I find most interesting about his career is the way it took him a while to win critics over to his side, but once he did, he's been almost untouchable ever since. Any other filmmaker coming off of "Jersey Boys" would have been greeted on their next film with open skepticism, but it's a real sign of just how esteemed Eastwood is that he could release that film to near-universal indifference at the start of the summer, and yet his next film can be greeted like an event that sends seismic waves through the already-crowded Oscar season. One of the things that I tend to avoid »
- Drew McWeeny
Directed by: Clint Eastwood
Running Time: 2 hrs 14 mins
Due Out: November 11, 2014
Own “Jersey Boys” on Blu-ray Combo Pack, DVD, and Digital HD on 11/11
Plot: (courtesy Warner Bros. Home Entertainment) “Jersey Boys” tells the story of four young men from the wrong side of the tracks in New Jersey who came together to form the iconic 1960s rock group The Four Seasons. The story of their trials and triumphs are accompanied by the songs that influenced a generation, including “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Dawn,” “Rag Doll,” “Bye Bye Baby,” “Who Loves You,” and many more.
These classic hits are now being embraced by a new generation of fans through the stage musical, which has been running on Broadway for more than eight years and has also enjoyed successful tours around the globe. »
- Nick Allen
Want to know what's in contention for Best Picture? Look to Best Film Editing. No category except Best Director has as much overlap with the top category as of late. Is that how things will turn out this year? Let's take a look… That aside, the branch is also fond of suspense films, action films and war films. Musicals (if they are big players overall) and films with non-linear narratives tend to have a leg up, too. We don't tend to see film editors racking up nods like we do other disciplines, though. Michael Kahn is the all-time nominations leader with eight. And don't get me wrong – that's a lot of nominations. But compared to "all time" figures in every other crafts category, it's on the low side. So with that out of the way, what can we bank on this year? William Goldenberg won this category two years ago »
- Gerard Kennedy
Thanks to Christopher Nolan‘s new film, Interstellar, two Oscar winners are making the leap into space. Both Matthew McConaughey and Anne Hathaway are following their golden roles by tackling sci-fi. And they’re not the first A-List actors to dip their toes into the genre.
Many performers have taken the sci-fi jump, to varying degrees of success. For some, it’s a flat performance that gets lost in the stars, and for others, it’s brought on even more accolades. Because the world of sci-fi is so deep and so vast, we’re focusing on roles that involve some sort of space travel — whether it be to the Moon or through a wormhole. Find out how Ben Affleck, Jodie Foster, and other Oscar winners did at traveling through space.
Oscar-winning Role: The Bridge on the River Kwai (1957)
As Obi-Wan Kenobi, Guinness became »
- Stacy Lambe
Born in Memphis, raised in Mississippi, four years in the Air Force, acted off- and then on-Broadway, spent the '70s on The Electric Company, spent the early '80s on Another World, earned one Oscar nomination as the street smart one in Street Smart, earned another Oscar nomination as the one who wasn't Miss Daisy in Driving Miss Daisy, stole Robin Hood from Kevin Costner, almost stole Unforgiven from Clint Eastwood: This is what Morgan Freeman did for his first 57 years on this planet. Technically. But even if you know that Freeman had been a working actor for close to three decades beforehand, »
- Darren Franich
It was a good run, Liam Neeson. The 62-year-old who was Oskar Schindler and Alfred Kinsey spent the last seven years kicking the crap out of much younger bad guys in bone-crushing B-movies, best epitomized by the Taken films. But as of this past weekend, there's a new sheriff in town. Two-time Oscar winner Denzel Washington, one of the biggest movie stars of the past 25 years, and almost always, the coolest guy in the room, delivered his 12th No. 1 film, The Equalizer. Directed by Antoine Fuqua (Training Day), The Equalizer is a Neeson-ized adaptation of the 1980s CBS detective drama series that starred Edward Woodward. »
- Jeff Labrecque
After all, it’s not as if The Equalizer—a 1980s CBS detective drama starring Edward Woodward as a Good Samaritan retired intelligence agent—was a brand that still lured audiences. Antoine Fuqua’s violent action movie with Denzel Washington exists in an entirely different universe, the brutal and vengeful cinematic neighborhood of Charles Bronson, Liam Neeson, and Washington himself. Call it The Equalizer or call it Man on Fire 2—this is a Denzel action film, first and last.
The film doesn »
- Jeff Labrecque
“If you’re looking for ransom, I can tell you that I don’t have any money. What I do have, are a very particular set of skills, skills I have acquired over a very long career, skills that make me a nightmare for people like you.” – Bryan Mills (Liam Neeson), Taken
When Liam Neeson was playing telephone with bad guys in 2008’s Taken, he was not just introducing himself to those who had nixed his daughter’s attempt to stalk U2 guitarist The Edge. He was inaugurating a new action hero archetype built of aged wisdom and burrowed brawn, the middle-aged vigilante assassin. (Vigilante applied here because as “one who undertakes law enforcement without legal authority,” while “assassin” fits to associations of precise violent skills.)
The success of Neeson’s mission as ex-cia guy Mills, that is, the hundreds of millions of dollars Taken took, confirmed the vitality of a middle-aged vigilante assassin, »
- Nick Allen
Quirky is possibly the best word to describe Emma Thompson‘s BAFTA Screenwriters’ Lecture, hilariously delivered tonight in London. It included a physical demonstration of her writing process; pearls of wisdom shared with the filmmaker attendees; and an anecdote about how a period sketch she wrote featuring a Victorian-era virgin encountering a penis led to her penning Sense And Sensibility.
The event, a Thompson-directed variation on a regular series of screenwriter conversations, continued a mini-season of high-wattage names visiting the British Academy, which started with James Schamus on Thursday and David Fincher on Friday. And Thompson tapped her acting and sketch comedy background to give the sell-out crowd a good show.
She was already on stage as the audience started filing in, dressed down in denim overalls and a thick navy coat so that few noticed her at first. She sat barefoot at a tiny writing desk, and in between scribbling on a notepad, »
- Joe Utichi, Special To Deadline
Emma Thompson discussed her screenwriting process, differences between the genders and her appreciation for Clint Eastwood and Billy Wilder at a BAFTA and BFI screenwriters lecture in London on Saturday night. Eastwood has always been "a great hero" of hers, she said. "I grew up on westerns." Since she grew up watching them with her father every night, she said "I was very much influenced by that form." Speaking at the BFI Southbank location, she recalled when she won an Oscar for her work in Howards End (1992), while Eastwood won for Unforgiven. She said the actor put his
- Georg Szalai
Back To The Future Part III isn't the most popular film in the trilogy. But Simon argues this sci-fi western deserves more love...
I don't think I'm going out on much of a limb by saying that, in general, Back To The Future Part III is the least talked about film in the trilogy. It shouldn't be, in my personal view, but it's the one that generally puts technology on the back burner, introduces a love story, and visually is the most different.
Personally, I've never thought the labelling of Back To The Future Part III as the least liked film in the series - as some have - is particular fair, though. My 10-year old would go even further. It's his favourite of the lot.
So why then do some not warm to it as much? Well, let's deal with that, before I go onto the film in more detail. »
With November Man out, excitement for Pierce Bosnan’s return to spying is at an all-time high for many James Bond fans. November Man, based on the seventh installment of Bill Granger’s book series called There Are No Spies, is about ex- CIA agent Peter Devereaux (Pierce Bosnan). While living a quiet life in Switzerland, Devereaux is ejected out of retirement for one last mission. Although the concept of the “one last mission/job” is not a new concept for Hollywood, it definitely has its place in cinema history, branching out to a wide range of reasons why our beloved characters are being pulled back into their past lives. From a retiree’s last gig, to the bad-boy-gone-good-and-then-bad-again mission, to the revenge premise, mythology of the ex-professional can surely delight and excite us to champion our heroes for one last fight. Here are scenes from ten incredible “one last job” films, »
- Christopher Clemente
Clint Eastwood's Jersey Boys adaptation may not have blown up the box office when it released earlier this Summer, but if you're a fan of the broadway show it's based on, you're more than likely going to want to pick up this title when it releases in November. Warner Bros. has revealed exactly when you'll be able to pick this blu-ray up, and what all is included on the disc. Come inside to learn more!
Based on the Tony Award-winning musical, “Jersey Boys” arrives onto Blu-ray Combo Pack, DVD and Digital HD on November 11 from Warner Bros. Home Entertainment. Directed by Oscar® winner Clint Eastwood (“Million Dollar Baby,” “Unforgiven”), “Jersey Boys” is an inspiring drama featuring The Four Seasons’ songs that influenced a generation.
- email@example.com (Jordan Maison)
Is Old Man Logan the cinematic future for Hugh Jackman’s Wolverine? Rob hopes so…
Despite playing a character that has lived for centuries in Marvel comics, Hugh Jackman is in the unfortunate position of gradually becoming too old to play Wolverine. Whilst it’s generally accepted that Wolverine does in fact age, it’s at a far more reduced rate than Hugh Jackman, who has no mutant powers (that we know of).
In X-Men: Days Of Future Past, this issue was faced (sort-of) head-on by making future Wolverine slightly grey-haired, like a cross between his younger self and Reed Richards, thereby suggesting that Wolverine’s anti-aging gene (which he could surely sell for amazing money to the cosmetics industry) was beginning to let up in the X-Men movie universe’s future timeline. A decent effort was made to hide the age of Hugh Jackman’s 1970s Wolverine, and, to be honest, »
With the awards season on the horizon, now is as good a time as any to look back on the movies that won favor with the Academy. Earlier this year, a supercut emerged highlighting the Best Picture Oscar winners of the 2000s, and now video editor Miguel Branco has turned his eye to the 1990s, with a fresh video celebrating the movies that defined a decade. And indeed, the 1990s seemed to mostly be defined by the epic drama, with "Dances With Wolves," "Braveheart, "Schindler's List" and "The English Patient" taking home Oscar gold. But the Academy took chances too, honoring Jonathan Demme's horror "Silence Of The Lambs," Clint Eastwood's western "Unforgiven" and Sam Mendes' "American Beauty" as well. Take a look a the full video below, and let us know if these winners still stand the test of time, or if you would have chosen differently. »
- Kevin Jagernauth
With James Franco’s recent test footage for his not-to-be Blood Meridian film adaptation now online, it’s time to think about what we want from a movie version of the landmark novel. Franco shot that test footage a few years ago and showed it to Scott Rudin, who owns the rights to the novel, but Rudin seems to have turned him down—and should continue to do so.
- Jacob Shamsian
★★☆☆☆Released to widespread critical and audience acclaim back in 1992, Clint Eastwood's Oscar-winning revenge tale Unforgiven is fondly remembered as a valiant last stand by an American movie genre that had been slowly dying a death for decades. The West, as it transpired, had been well and truly won, despite several sporadic attempts to spur the old horse back into life (see Open Range, the Coen brothers' True Grit and, most recently, Quentin Tarantino's revisionist Django Unchained). Now, 22 years on from Eastwood's original offering, director Lee Sang-il presents Yurusarezaru mono (2013), a loose remake transposed to nineteenth century feudal Japan, with cowboys replaced by samurai. »
- CineVue UK
• Oscar winner Matthew McConaughey has reportedly signed on to play former CIA agent Edwin Wilson in The Company Man. The film, written by Andrew Cypiot, will tell the true story of Wilson, who was convicted in 1983 of illegally selling weapons to Libya, but had all charges overturned in 2003 after years of imprisonment. The True Detective Emmy nominee is said to also be in the process of finding a director for the film. [Deadline]
• Sandra Bullock is about to throw one big Tupperware party. The Oscar winner will star as Brownie Wise in Tupperware Unsealed, based on writer Bob Kealing’s non-fiction »
- Jake Perlman
Is anybody alive out there? One … two … three … four! Okay, so impressions don’t come across too well when you’re merely writing it out – but I’m really excited about this little piece of news. That was a Bruce Springsteen gimmick earlier if you hadn’t already guessed, and, speaking of which, we are happy to report that the Boss is making news with his latest music video for the song Hunter of Invisible Game.
The New Jersey rocker has made his directorial debut alongside long-standing collaborator Thom Zimny (who worked on documentaries about the Born to Run and Darkness on the Edge of Town albums) with a 10-minute short film which takes its name from the song in question.
- Dale Barham
Chicago – The sonorous and familiar voice of Morgan Freeman was in Chicago on June 7th, 2014, as the Gene Siskel Film Center presented “A Candid Conversation with Morgan Freeman” to benefit the theater. The event, at The Ritz-Carlton Chicago, raised more than $350,000 for the Film Center’s programming budget.
The Academy Award winning actor – for “Million Dollar Baby” – is well known for his authoritative narrative voice and heroic presence in films such as “The Shawshank Redemption”, ”Deep Impact,” “Unforgiven,” “Seven,” “The Dark Knight” and “Last Vegas.” He began his career on stage and on the 1970s PBS TV show, “Electric Company,” and has built his resume after his 1989 roles in “Driving Miss Daisy” and “Glory.” He even recently had an animation voiceover role in “The Lego Movie.”
Joe Arce of HollywoodChicago.com was at the Red Carpet before the “Conversation, »
- firstname.lastname@example.org (Adam Fendelman)
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