A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills scoffs at his efforts to get inside the mind of a killer... Written by
Mark Fleetwood <email@example.com>
An edited-out sequence near the beginning had Somerset looking over the country home he's planning on moving into. He uses his switchblade to cut loose a rose on a fragment of silk wallpaper and carries it with him throughout the movie. The rose falls out of his jacket as he is taking off his gun before eating with the Mills family. (This touch was edited out, too. Both sequences are in the supplementary section of the Criterion laserdisc.) The rose is briefly visible in the opening scene, sitting atop a handkerchief on Somerset's dresser. See more »
When Somerset returns to gluttony's apartment he cuts a police "keep out" sign to let him in. This sign is on the inside of the apartment when it should be on the outside of the door. It would be impossible for this sign to be placed on the inside unless someone remained in the apartment. See more »
Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
Yeah, just look at all the passion on that wall.
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The opening credits are done over broken, blurred images of John Doe removing the skin from his fingertips and sewing it into his journals. See more »
This movie is from start to finish a well produced and directed film. The performances in this movie are outstanding. Brad Pitt, once again, makes his role a stand-out performance by putting his versatile acting skills into his interpretation of Detective David Mills. Morgan Freeman is well-cast. His brooding acting style fits the character (Detective William Somerset) like a glove, and Gwyneth Paltrow gives her best performance EVER in the role of Brad Pitt's supportive wife/lover (Tracy Mills). And of course, Kevin Spacey who plays the diabolical yet misunderstood serial killer.
The movie is suspenseful and in parts very exciting. There is a "Pseudo-Noir" quality to this movie that really fits in well with the content of the film (Serial Killing). It has it's philosophical moments that anyone who thinks a lot about the state of the world today can appreciate. It makes subtle moral judgements without insulting any beliefs that the viewer may have and it also generates debate for any post-film coffee/drinks gathering.
Andrew Kevin Walker (Screenplay) has taken the subject of the Seven Deadly Sins and he really puts a great new twist on these themes. As a writer, I really could appreciate the depth that he goes into with these ideas. The movie gives us just enough information to be entertained and informed yet not bombarded and made bored with too much philosophy. In this respect, the film doesn't "preach" any special meaning even though the film's moral statements are still maintained. This film can be enjoyed on so many levels and I really enjoyed the third act. One of the best pieces of storytelling and scriptwriting ever.
Outstanding performances from everyone involved (And yes, of course, David Fincher does a wonderful job) Say no more. *****
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