A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills scoffs at his efforts to get inside the mind of a killer... Written by
Mark Fleetwood <email@example.com>
Originally, Morgan Freeman drew his pistol with his finger on the trigger. Police officers that were on the set as technical advisors quickly corrected him, as that is not correct police procedure. See more »
The level of the wine glasses when Somerset is over for dinner changes. When the camera is on the Mills, Mrs. Mills glass is higher than Somerset's glass. When the camera is on Somerset, the levels are both lower and equal. See more »
Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
Yeah, just look at all the passion on that wall.
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SPOILER: Kevin Spacey's name is not included in the opening titles to keep the John Doe intrigue going. To compensate, he is listed twice in the closing credits: once before the credits start rolling and once in the rolling credits in order of appearance. See more »
After the Alien-debacle Fincher proved all the critics wrong. This film is one of the best in a genre that hasn't been very innovative for a long time.
Everyone know's the story by now, so I won't waste time telling it. This film was trend setting with it's dark, gritty look and opening sequence. We still see it copied in movies and TV-series today. Everything is great about this film. I guess if anything, the weakest link in the film is Pitt, who is grossly overshadowed by Freeman. But let's not look for flaws when there really aren't any. The script is intelligent and uncompromising. The direction is innovative en daring. The production-design and cinematography are top-notch.
Fincher is one of the big boys in Tinseltown these days. Seven is the reason why.
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