A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills scoffs at his efforts to get inside the mind of a killer... Written by
Mark Fleetwood <email@example.com>
While filming the scene where Mills chases John Doe in the rain, Brad Pitt fell and his arm went through a car windscreen, requiring surgery. This accident was worked into the script of the film. Ironically, the original script did call for Pitt's Det. Mills character to be injured during this sequence--but to something other than his hand. See more »
The phone on Detective Mills' desk changes several times when he enters his new office. See more »
Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
Yeah, just look at all the passion on that wall.
See more »
SPOILER: Kevin Spacey's name is not included in the opening titles to keep the John Doe intrigue going. To compensate, he is listed twice in the closing credits: once before the credits start rolling and once in the rolling credits in order of appearance. See more »
Superbly crafted drama delves into darkest corners of the psyche
David Fincher's bleak, relentless, and ultimately terrifying crime thriller Seven transcends other films of the genre with incredible plotting (the sort Hitchcock might employ were he alive and making films in the 1990s) and scalding intelligence. With only a small handful of minor flaws -- the overly familiar retiring cop/young cop pairing; the awful "I'm taking you off the case!" cliche seemingly required by the genre; one giant lapse in logic in the downward spiral toward the conclusion that cannot be revealed without ruining the script's gruesome surprise -- Seven typically keeps its viewers imprisoned in their seats with a combination of morbid fascination and abject fear. Despite attempts by studio executives to alter Andrew Kevin Walker's ending, the filmmaking team prevailed and audiences experienced that rare treat of mainstream cinema: an uncompromising vision.
105 of 135 people found this review helpful.
Was this review helpful to you?