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Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his modus operandi.

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Top Rated Movies #22 | Nominated for 1 Oscar. Another 25 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dead Man at 1st Crime Scene (as Andy Walker)
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Bob Mack ...
Peter Crombie ...
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Workman at Door of Somerset's Office
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Cab Driver
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George the Night Guard at the Library
William Davidson ...
First Guard at the Library (as Roscoe Davidson)
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Storyline

A film about two homicide detectives' (Morgan Freeman and (Brad Pitt desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" (Kevin Spacey) sermonizes to Detectives Somerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Somerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills (Pitt) scoffs at his efforts to get inside the mind of a killer... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Plot Synopsis

Taglines:

Earnest Hemingway once wrote, "The world is a fine place and worth fighting for." I believe the second part. See more »


Motion Picture Rating (MPAA)

Rated R for grisly afterviews of horrific and bizarre killings, and for strong language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

22 September 1995 (USA)  »

Also Known As:

Seven  »

Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend:

£11,434,343 (UK) (19 January 1996)

Gross:

$100,125,340 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

An edited-out sequence near the beginning had Somerset looking over the country home he's planning on moving into. He uses his switchblade to cut loose a rose on a fragment of silk wallpaper and carries it with him throughout the movie. The rose falls out of his jacket as he is taking off his gun before eating with the Mills family. (This touch was edited out, too. Both sequences are in the supplementary section of the Criterion laserdisc.) The rose is briefly visible in the opening scene, sitting atop a handkerchief on Somerset's dresser. See more »

Goofs

While it is raining on the car, the people on the street are not using umbrellas or other devices to shield themselves from rain. See more »

Quotes

[first lines]
Detective Taylor: Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
William Somerset: Yeah, just look at all the passion on that wall.
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Crazy Credits

The opening credits are done over broken, blurred images of John Doe removing the skin from his fingertips and sewing it into his journals. See more »

Connections

Spoofed in Screen Wars: Episode #2.1 (2007) See more »

Soundtracks

In the Beginning
Written by Dorcas Cochran, Kay Twomey, Ben Weisman, and Fred Wise
Performed by The Statler Brothers
Courtesy of Mercury Records Nashville, A Division of PolyGram
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Frequently Asked Questions

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User Reviews

Superbly crafted drama delves into darkest corners of the psyche
16 August 1999 | by (Fargo, North Dakota) – See all my reviews

David Fincher's bleak, relentless, and ultimately terrifying crime thriller Seven transcends other films of the genre with incredible plotting (the sort Hitchcock might employ were he alive and making films in the 1990s) and scalding intelligence. With only a small handful of minor flaws -- the overly familiar retiring cop/young cop pairing; the awful "I'm taking you off the case!" cliche seemingly required by the genre; one giant lapse in logic in the downward spiral toward the conclusion that cannot be revealed without ruining the script's gruesome surprise -- Seven typically keeps its viewers imprisoned in their seats with a combination of morbid fascination and abject fear. Despite attempts by studio executives to alter Andrew Kevin Walker's ending, the filmmaking team prevailed and audiences experienced that rare treat of mainstream cinema: an uncompromising vision.


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