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Se7en (1995)

8.7
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Ratings: 8.7/10 from 816,163 users   Metascore: 65/100
Reviews: 1,016 user | 189 critic | 22 from Metacritic.com

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his modus operandi.

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Title: Se7en (1995)

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Top 250 #23 | Nominated for 1 Oscar. Another 27 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Dead Man at 1st Crime Scene (as Andy Walker)
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Bob Mack ...
Peter Crombie ...
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Workman at Door of Somerset's Office
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Cab Driver
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George the Night Guard at the Library
William Davidson ...
First Guard at the Library (as Roscoe Davidson)
Bob Collins ...
Second Guard at the Library
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Storyline

A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills scoffs at his efforts to get inside the mind of a killer... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Plot Synopsis

Taglines:

Detective Somerset is looking for a way out. Detective David Mills is looking for a way in. Now, they're caught in a game with a price of sin is death. See more »


Motion Picture Rating (MPAA)

Rated R for grisly afterviews of horrific and bizarre killings, and for strong language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

22 September 1995 (USA)  »

Also Known As:

Seven  »

Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend:

£11,434,343 (UK) (19 January 1996)

Gross:

$100,125,340 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Denzel Washington turned down the part that went to Brad Pitt, telling Entertainment Weekly that the film was too "dark and evil." Washington later regretted his decision upon seeing a screening. See more »

Goofs

The amount of the name that is left on the door when the janitor is scraping it off. See more »

Quotes

[first lines]
Detective Taylor: Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
William Somerset: Yeah, just look at all the passion on that wall.
See more »

Crazy Credits

Credits roll down instead of up, contrary to common movie procedure. See more »

Connections

Referenced in Never Sleep Again: The Elm Street Legacy (2010) See more »

Soundtracks

Suite No. 3 in D Major, BWV 1068 Air
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Stuttgarter Kammerorchester / Karl Münchinger (as Karl Muchinger)
Courtesy of The Decca Record Company Ltd., A Division of PolyGram
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Somerset's World
13 August 1999 | by (Dallas, TX) – See all my reviews

Seldom does a film elucidate the culpability of our culture,of our society, in the mayhem and madness we often find in everyday life. According to Se7en, our culture is drifting through darkness. The mouthpiece for this thematic undercurrent is Somerset, a literate man who also happens to be a detective, a man who can read a clue ("This isn't going to be a happy ending") or Dante's Inferno with equal aplomb. He even provides the film's final thematic statement with a quote from Hemingway. His quirkiness, perhaps the outgrowth of a brilliant mind, is no worse than that of any prophet or seer of old, those harbingers of Biblical insight whom others always find kooky and offbeat. He is not well loved for his cynical, pessimistic outlook (such that his consuming motivation is to retire and get out of town). However, by the end it becomes clear that it is Somerset who sees our dark world with the prophet's particular clarity. (It is left to his partner Mills to find this out the hard way).

Working on us to reinforce this world as Somerset sees it is the film's astounding mise-en-scene, a disturbing film-noir setting developed by director David Fincher and cinematographer Darius Khondji. Flashlights barely illuminate the slimy walls of the roach-infested tenement of one victim and the dark bedroom of another. Rain pours down in buckets. Bird's-eye-view shots of downtown (the city is never named- a generic, everyman's kind of place) show dingy, sooty rooftops and grimy streets. Only the film's closing scene is in bright sunlight, which by then only serves as ironic counterpoint to what we see happening.

This is Somerset's vision; both inhabited and described by him. He finds a surprising fellow traveler in, not his partner, but the elusive killer John Doe. Doe shares the vision and provides an unsettling echo to the rumblings and teachings of Somerset. If one looks at life through the Somerset lens, one must admit that John Doe has a valid point. He and Somerset have arrived at the same conclusion, the difference between them being how they have responded. (Somerset longs to escape to some otherworldly realm in the country. Doe has taken action.)

Though gripping and fast moving, this is not an action film. It holds our interest through the workings of horror and mystery: a stark, film-noir detective piece. Except for one tense pursuit through halls and alleys in pouring rain, as well as the bit of ending action, there is surprisingly little violence. We see each murder, save two, after the fact, as a crime scene. This only makes the final act that much more suspenseful.

This is a very tight film. Elements within: dialogue, actions, lighting, setting, all of these tend to reinforce one another to paint a solid picture. It is a perverse logic that makes the final and seventh sin complete perfectly the circle of events begun with the first.


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