A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Young FBI agent Clarice Starling is assigned to help find a missing woman to save her from a psychopathic serial killer who skins his victims. Clarice attempts to gain a better insight into the twisted mind of the killer by talking to another psychopath Hannibal Lecter, who used to be a respected psychiatrist. FBI agent Jack Crawford believes that Lecter, who is also a very powerful and clever mind manipulator, has the answers to their questions and can help locate the killer. However, Clarice must first gain Lecter's confidence before the inmate will give away any information. Written by
Sami Al-Taher <firstname.lastname@example.org>
After Lecter was moved from Baltimore, the plan was to be dress him in a yellow or orange jumpsuit. Anthony Hopkins convinced Jonathan Demme and costume designer Colleen Atwood that the character would seem more clinical and unsettling if he was dressed in pure white. Hopkins has since said the got the idea from his fear of dentists. See more »
The biologist identifies the moth found behind the murder victim's soft palate as Acherontia styx, the Deaths Head moth. The Deaths Head moth used in the poster is actually Acherontia atropos. (A third Deaths Head moth is called Acherontia lachesis.) While A. styx is native to Asia, as identified by the biologist, A. atropos is native to the Middle East and Mediterranean. See more »
The Silence of the Lambs, having accomplished the rare feat of winning all five of the major Academy Award categories, is a remarkable achievement in filmmaking. Gruesome, pulpish material was transformed by dedicated participants on all levels of production, and a film that would have failed in the hands of many others wound up becoming a modern masterpiece. Taut direction and a superb screenplay might be the best arguments for the film's power, but the flashiest are certainly delivered in the bravura performances of Hopkins and Foster. Their interplay -- and remember, they only share a handful of scenes together -- is nothing short of riveting.
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