Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
Unable to convince the ruling council of Krypton that their world will destroy itself soon, scientist Jor-El takes drastic measures to preserve the Kryptonian race: He sends his infant son Kal-El to Earth. There, gaining great powers under Earth's yellow sun, he will become a champion of truth and justice. Raised by the Kents, an elderly farm couple, Clark Kent learns that his abilities must be used for good. The adult Clark travels to Metropolis, where he becomes a mild-mannered reporter for the Daily Planet...and a caped wonder whose amazing feats stun the city: Superman! Meanwhile, Lex Luthor, the world's greatest criminal mind, is plotting the greatest real estate swindle of all time. Can't even the Man of Steel stop this nefarious scheme? Written by
Gregory A. Sheets <firstname.lastname@example.org>
The "subway" train that runs over Detective Harry is not a subway train; it is a standard New Haven commuter train that is powered by an FL-9 dual mode diesel-electric/straight electric locomotive. Subway systems generally do not use diesel locomotives for revenue service, only for work trains so the 3rd rail can be deenergized. Due to the risk of pollution; they use electrical-powered train cars. Some commuter train routes do have trains traveling through extended tunnels like a subway normally would (such as in the Grand Central Station area of New York, where this scene was filmed) and these often use dual mode or straight electric locomotives and/or self propelled electric MU cars. See more »
In the decade of the 1930s, even the great city of Metropolis was not spared the ravages of the worldwide depression. In times of fear and confusion, the job of informing the public was the responsibility of the Daily Planet, a great metropolitan newspaper whose reputation for clarity and truth had become the symbol for hope in the city of Metropolis...
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the credits rise from bottom to top with a 3D like haze behind them, to appear as though they are flying. See more »
In 1976 a pair of father/son producers were trying to find the perfect way to score a box office success. Then they thought of a new way to produce a Superhero movie. Alas, Superman was the most famous Superhero at the time and the rights were acquired. Then a director and writer were required. This is when they went to first Guy Hamilton, and then Richard Donner. Alas, Donner won the acclaim and the Newman's were on board for writing a script. After months of screen testing and such, a Superman was found and cast-that of a young New York native Christopher Reeve, who fit the bill and filled the role well. Then a gorgeous woman was needed for the part of Lois Lane, no more gorgeous than the manic, energetic actress Margot Kidder, who was then known for small movie roles such as The Great Waldo Pepper and Sisters. Gene Hackman and Marlon Brando had already signed on before alot of the cast was cast. And to make a long story short, Superman: The Movie was filmed! A great film indeed, with then state of the art special effects to make your views and experiences soar high! Christopher Reeve does a terrific job as the man of steel who learns of a plot to destroy the west coast. Gene Hackman was perfect for the role of Lex Luthor, the villain who wants to own his own territory of the would be new coast of California( Costa Del Lex!) Margot Kidder was just right as the gorgeous Lois Lane who falls in love with Superman but gives Clark Kent lessons on life, while Jackie Cooper is great as Perry White. Ned Beatty and Valerie Perrine do good performances as well as supporting dim witted characters. The script had to be re worked for a couple of times because of being too hammy, and so Donner brought in the wonderful Tom Mank. who did a great job of modifying the script to a more down to earth level. Great musical score by John Williams. T.V. version ran 191 minutes in full length on the famous California tele channel KCOP. But all was not well in paradise. Richard Donner was in opposing thoughts with producers Alexander and Ilya Salkind, and so a mediator was brought in, that of Richard Lester, directer of the Three and Four Musketeers, and the Beatles films. This went on whilst Superman and Superman II were being filmed back to back. Then, in a sudden chance to get Superman released before the year 1979, the cast and crew stopped filming Superman II to finish the first film. And so it was done, but at was price...
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