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The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
A police detective, a bank robber, and a high-power broker enter high-stakes negotiations after the criminal's brilliant heist spirals into a hostage situation.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Written by
Colin Tinto <cst@imdb.com>
Joseph Bono has a small role as a gangster in both Goodfellas and Raging Bull. Guido, Bono's character in Raging Bull, only has a couple of lines. During the pool scene, Guido hears about a guy who was hitting on Vickie. He says, "That's the same guy..? I gotta break his legs... No, I'll catch him." In Goodfellas, Bono has a cameo as a mobster named Mikey Franzese, who appears briefly as the camera pans through the Bamboo Lounge near the start of the movie. Mikey's only line was: "I haven't saw that guy. Yeah, I wanna see him." See more »
Goofs
Early in the movie, when young Henry's father beats him with a belt, the boy clearly has some sort protective padding under his shirt. See more »
"GoodFellas" may be the most important film of the 1990s in the fact that its incredible success led to some of the other great movies of the decade. Films like "The Silence of the Lambs", "The Crying Game", "Pulp Fiction", "The Usual Suspects", "Fargo", and "L.A. Confidential" would have likely never been made as well as they were without the influence of Scorsese's "GoodFellas". The film is an intense study of a Mafia family over a 30-year stretch. Ray Liotta plays the half-Irish, half-Sicilian kid from Brooklyn whose only dream is to be a gangster. Although Liotta's story is at the heart of "GoodFellas", it is the supporting cast that is the film's calling card. Robert DeNiro gives one of his greatest performances, Paul Sorvino is quietly effective, and Lorraine Bracco (in an Oscar-nominated role) does the best work of her career. However, it is Joe Pesci (in his well-deserved Oscar-winning turn) who steals every scene as the one who does the "dirty work". This is probably the definitive film in a decade that produced many film-noir styled classics. 5 stars out of 5.
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"GoodFellas" may be the most important film of the 1990s in the fact that its incredible success led to some of the other great movies of the decade. Films like "The Silence of the Lambs", "The Crying Game", "Pulp Fiction", "The Usual Suspects", "Fargo", and "L.A. Confidential" would have likely never been made as well as they were without the influence of Scorsese's "GoodFellas". The film is an intense study of a Mafia family over a 30-year stretch. Ray Liotta plays the half-Irish, half-Sicilian kid from Brooklyn whose only dream is to be a gangster. Although Liotta's story is at the heart of "GoodFellas", it is the supporting cast that is the film's calling card. Robert DeNiro gives one of his greatest performances, Paul Sorvino is quietly effective, and Lorraine Bracco (in an Oscar-nominated role) does the best work of her career. However, it is Joe Pesci (in his well-deserved Oscar-winning turn) who steals every scene as the one who does the "dirty work". This is probably the definitive film in a decade that produced many film-noir styled classics. 5 stars out of 5.