The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Written by
Colin Tinto <firstname.lastname@example.org>
After the real Henry Hill's death on June 12, 2012 Ray Liotta claimed that he only had a few meetings with Hill and never got to know him well. See more »
When Henry and Karen are on their date at the Copa, they are drinking champagne from large flute glasses. While a 4oz flute that had been introduced in the 1930s, Henry and Karen should have been drinking from coupe style glasses as large flutes did not become popular until the mid-seventies. See more »
"GoodFellas" may be the most important film of the 1990s in the fact that its incredible success led to some of the other great movies of the decade. Films like "The Silence of the Lambs", "The Crying Game", "Pulp Fiction", "The Usual Suspects", "Fargo", and "L.A. Confidential" would have likely never been made as well as they were without the influence of Scorsese's "GoodFellas". The film is an intense study of a Mafia family over a 30-year stretch. Ray Liotta plays the half-Irish, half-Sicilian kid from Brooklyn whose only dream is to be a gangster. Although Liotta's story is at the heart of "GoodFellas", it is the supporting cast that is the film's calling card. Robert DeNiro gives one of his greatest performances, Paul Sorvino is quietly effective, and Lorraine Bracco (in an Oscar-nominated role) does the best work of her career. However, it is Joe Pesci (in his well-deserved Oscar-winning turn) who steals every scene as the one who does the "dirty work". This is probably the definitive film in a decade that produced many film-noir styled classics. 5 stars out of 5.
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