The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners' success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Written by
Colin Tinto <email@example.com>
Joe Pesci's Oscar acceptance speech is the sixth shortest in the Academy's history. All Pesci said was "it's my privilege, thank you," later admitting that he didn't say very much because he genuinely felt that he didn't have a chance of winning. (The shortest acceptance speeches are "Thank you", made by Patty Duke in 1963 when she won Best Supporting Actress Actor for The Miracle Worker (1962), "Thank you," made by Louie Psihoyos in 2010 when he won Best Documentary for The Cove (2009), Gloria Graham and Alfred Newman both said "Thank you very much" in 1963, and William Holden who said "Thank you. Thank you," in 1954. "Thank you. Very much indeed," was all that Alfred Hitchcock said when he won an Honorary Oscar in 1968, putting him one letter longer than Pesci.) See more »
Karen's sweater has dirt on the shoulder after Henry's fight. At the door, the sweater is clean. See more »
This is one hell of a film about the mobsters, based on a true story and coming from one of the great directors of all time. This is about Henry Hill, the narrator of the story, an Irish simple person who gets involved with the Mafia at a very young age and continues his life through it. There is no major plot in this film, just isolated incidents one of which was the turning point of Hill's life. Scorsese, as brilliant as he ever was, shows violence, sex and drugs etc in his own trademark style. And his actors helps him to make this film one of the classics.
Robert DeNiro is not present in much of the film, nor his acting leaves too much impression. The three actors who really did their best job here are Ray Liotta, Joe Pesci and Lorraine Bracco. I hate to say that most youngsters today don't know too much about Liotta or how talented he was. I asked my younger brother about him and he said, "The man who did the voice on GTA: Vice City?". This is partly because Liotta did not get too many big roles after that, especially in recent years. But here he is just brilliant as Hill. It's Pesci's one of the best too. Playing a mad mobster with dark sense of humor wasn't his usual type. And Lorraine Bracco becomes the perfect lead female in such type of films.
The film's got smart screenplay and excellent cinematography. And I don't know how many times Scorsese will be denied his Academy recognition. I hate to see a lifetime achievement award as his first Oscar. But things are going like that.
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