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Million Dollar Baby (2004)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
28 January 2005 (USA)
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Tagline:
Beyond his silence, there is a past. Beyond her dreams, there is a feeling. Beyond hope, there is a memory. Beyond their journey, there is a love.
Plot:
A hardened trainer/manager works with a determined woman in her attempt to establish herself as a boxer. full summary | full synopsis
Awards:
Won 4 Oscars.
Another 45 wins
&
29 nominations
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NewsDesk:
(282 articles)
DreamWorks Puts 'Real Steel' In Their Ring
(From Cinematical. 24 November 2009, 6:03 AM, PST)
Freeman Honoured At Bono's Film Festival
(From WENN. 11 November 2009, 8:11 AM, PST)
(From Cinematical. 24 November 2009, 6:03 AM, PST)
Freeman Honoured At Bono's Film Festival
(From WENN. 11 November 2009, 8:11 AM, PST)
User Comments:
It's a knockout ...
more (1024 total)
Cast
(Cast overview, first billed only)| Clint Eastwood | ... | Frankie Dunn | |
| Hilary Swank | ... | Maggie Fitzgerald | |
| Morgan Freeman | ... | Eddie Scrap-Iron Dupris | |
| Jay Baruchel | ... | Danger Barch | |
| Mike Colter | ... | Big Willie Little | |
| Lucia Rijker | ... | Billie 'The Blue Bear' | |
| Brian F. O'Byrne | ... | Father Horvak (as Brian O'Byrne) | |
| Anthony Mackie | ... | Shawrelle Berry | |
| Margo Martindale | ... | Earline Fitzgerald | |
| Riki Lindhome | ... | Mardell Fitzgerald | |
| Michael Peña | ... | Omar | |
| Benito Martinez | ... | Billie's Manager | |
| Bruce MacVittie | ... | Mickey Mack | |
| David Powledge | ... | Counterman at Diner | |
| Joe D'Angerio | ... | Cut Man |
Additional Details
Also Known As:
Rope Burns (USA) (working title)
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MPAA:
Rated PG-13 for violence, some disturbing images, thematic material and language.
Parents Guide:
Runtime:
132 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Taiwan:PG-12 |
Canada:14 (Nova Scotia) |
Canada:14A (Manitoba) |
Canada:PG (Alberta/British Columbia/Ontario) |
Malaysia:18SG |
Iceland:14 |
Spain:13 |
Portugal:M/16 |
India:UA |
Argentina:16 |
Australia:M |
Canada:13+ (Quebec) |
Chile:14 |
Finland:K-11 |
France:U |
Germany:12 |
Hong Kong:IIB |
Ireland:16 |
Japan:PG-12 |
Netherlands:12 |
New Zealand:M |
Norway:15 |
Philippines:PG-13 |
Singapore:PG |
South Korea:12 |
Sweden:11 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
Switzerland:14 (canton of Zurich) |
UK:12A |
USA:PG-13 |
Ireland:15 (video rating) |
Brazil:12
Filming Locations:
Company:
Fun Stuff
Trivia:
The last film to date to be nominated for every major Academy Award, including Best Picture.
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Goofs:
Crew or equipment visible: When Maggie is training with Frankie in the ring, you can see the power pack on her back.
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Quotes:
[first lines]
Eddie Scrap-Iron Dupris: [Narrating] Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.
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Eddie Scrap-Iron Dupris: [Narrating] Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.
more
Movie Connections:
Referenced in "The Simpsons: Million Dollar Abie (#17.16)" (2006)
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Soundtrack:
Blue Diner
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FAQ
A Note Regarding SpoilersHow does the movie end?
What did Frankie do to his daughter that he couldn't forgive himself for?
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more (1024 total)
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Flawlessly written, acted and directed, MILLION DOLLAR BABY is being hymned and wreathed by the critics as the best film of 2004. They're absolutely right. "An old master's new masterpiece," the NEW YORK TIMES said in a review that was more of an open love letter to Eastwood than anything remotely resembling a critical analysis of the film itself. For once such honey-tongued critical adulation is fully merited. Dark, edgy, subtle and at times emotionally devastating, MILLION DOLLAR BABY represents the apotheosis of Eastwood's art - the most lucid and intelligently limned expression of his philosophy of the outsider, the noble loners whose personal codes of honour set them both above and apart from the compromised, corrupt societies they inhabit. The Boxing Ring As Metaphor For Life is a hoary trope almost as old as Hollywood itself, employed to varying effect in films as diverse as THE CHAMP, GOLDEN BOY, REQUIEM FOR A HEAVYWEIGHT, THE GREAT WHITE HOPE, FAT CITY, ROCKY and RAGING BULL. In MILLION DOLLAR BABY, though, Eastwood the director brings a fresh eye and an entirely fresh approach to both the setting and characterisations, virtually re-inventing this venerable sub-genre rather than simply recycling its conventions. Eastwood the actor is in fine form - a commanding if increasingly weather-beaten presence - as gym owner Frankie Dunn. A case study in loneliness, Dunn's creased face is a map of places you'd rather not go to and disappointment has clearly been a life-long companion. Co-stars Hilary Swank and the magnificent Morgan Freeman, playing Frankie's unlikely protegee Maggie Fitzgerald and friend "Scrap-Iron" Dupris, give what are without question the best performances of their respective careers: deftly underplayed, their roles provide emotionally overwhelming impacts more powerful than anything glimpsed in the film's riotous fight sequences. Forming an iron triangle forged from mutual dependence, Dunn and Dupris school the impulsive but untutored Maggie in both the techniques of boxing and the tradecraft of survival in a world pre-disposed to pulverise individualism. The canvas-floored square ring becomes the arena in which all three characters confront their various demons, battling for both victory and personal redemption. Paul Haggis' screenplay is itself a masterwork, improving on its source material without betraying the concise but compelling situations and superbly drawn characters found in F.X. Toole's short stories. And, finally, Eastwood the composer's elegiac but unobtrusive score is a minor classic of its kind, a requiem to both lost souls and lost causes. MILLION DOLLAR BABY is not only the best film released in 2004 it is also the most fully realised and richly textured major studio movie of the decade.