The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Wanting to learn from the best, aspiring boxer Maggie Fitzgerald wants Frankie Dunn to train her. At the outset he flatly refuses saying he has no interest in training a girl. Frankie leads a lonely existence, alienated from his only daughter and having few friends. Maggie's rough around the edges but shows a lot of grit in the ring and he eventually relents. Maggie not only proves to be the boxer he always dreamed of having under his wing but a friend who fills the great void he's had in his life. Maggie's career skyrockets but an accident in the ring leads her to ask Frankie for one last favor. Written by
"Rope Burns: Stories From the Corner," a collection of short stories based on the experiences of long-time fight manager and cut-man Jerry Boyd, writing under the pen name F.X. Toole, was published in 2000 by Harper Collins. Toole was 70 at the time and had been writing and battling rejection letters for forty years. "Rope Burns" was his first published work. Soon after its publication he was commissioned to write his first novel, an epic story set on the Texas-Mexico border. He died on 2 September 2002 at age 72, just before his novel was finished. "Rope Burns" was dedicated to Jerry's partner and longtime friend Dub Huntley. See more »
When Frankie & Maggie leave Maggie's hometown of Theodosia, MO, they pass a road sign with "160" inside a Missouri outline, the correct sign for Missouri State Highway 160. However, the main highway through real-life Theodosia (in far southern Missouri, just north of the Arkansas border and east of Branson) is U.S. Highway 160. See more »
Eddie Scrap-Iron Dupris:
Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.
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The Warner Brothers logo is the classic shield version, shown in a color palette (mainly black and white, with a dark green tint) matching the "feel" of the movie, and is static instead of the modern 3D animated sequence. See more »
Sure to be a contender for the Academy's Best Picture of the Year
Saw "Million Dollar Baby" in Manhattan last night. Clint Eastwood, one of the all-time most famous actors -- and directors -- has more than enough money where he could choose to pull the strings on block-buster, mindless action pictures, ala Jerry Bruckheimer, or comic books. Or, hell, in his twilight years he could just lay back and enjoy his millions. But no. He has chosen instead to make quieter, lower-budget, heart-felt, character driven films like "The Unforgiven" "True Crime" "Mystic River" and now Million Dollar Baby. And the world is a better place for it. Eastwood uses his multiple talents to make films that have something valuable to say. In the emotionally powerful, Million Dollar Baby, he tells an allegorical tale of boxing to subtly express themes of hope, redemption, sacrifice, persistence, and belief in one's self. The movie emphasizes that failure is a more honorable and personally fulfilling trait than never having tried, while also frowning upon laziness and leeching off others. But see the movie and judge for yourself. I personally consider great films as the ones where I leave the theater with a better understanding of human nature, or a desire to improve the world by even a little bit. Eastwood's latest more than succeeds on those counts.
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