A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
In the year 1971, San Francisco faces the terror of a maniac known as Scorpio- who snipes at innocent victims and demands ransom through notes left at the scene of the crime. Inspector Harry Callahan (known as Dirty Harry by his peers through his reputation handling of homicidal cases) is assigned to the case along with his newest partner Inspector Chico Gonzalez to track down Scorpio and stop him. Using humiliation and cat and mouse type of games against Callahan, Scorpio is put to the test with the cop with a dirty attitude. Written by
The movie's most famous line is often misquoted. A lot of people mistakenly quote the line as "Do you feel lucky, punk?", while the actual line is "You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" See more »
Before Harry clicks on the empty chamber for the bank robber, you hear and see him pull the hammer back to fire in single-action mode. However, when the camera faces Harry and he actually does pull the trigger, it is in double action, indicated by the fact that you see the cylinder spin again. See more »
Well where are you going?
I'll tell the pilot when I get on the plane. No alerts, nothing.
I guarantee you you will not be molested in any way.
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This was the first of the always-entertaining "Dirty Harry" cop series and it was a good one - maybe the best of the series.
One of Harry's famous lines was in this opener: "Do ya feel lucky, punk?" Speaking of punks, Andy Robinson, who played the villain, never got famous as Clint Eastwood ("Harry") certainly became but he was tremendous in this film. He didn't even have to utter a line: he just looked deranged! Great casting.
Looking back, the one thing I really appreciate about this film as opposed to the rest of them in this series was the absence of Harry's annoying superiors constantly on his case. He actually got support from his bosses in this movie.
The film as a big hit because people were already tired of all the liberal preaching of the 1960s in which we were supposed to feel sympathy for the criminal instead of the victim. This series was on the side of the cops, not the crooks, which is probably why the sick film critics never liked Dirty Harry.
This is one solid crime story with no boring spots and no sappy sub-plots with romances, either. And it's always nice to enjoy the interesting San Francisco skyline.
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