The story of Henry Hill and his life through the teen years into the years of mafia, covering his relationship with wife Karen Hill and his Mob partners Jimmy Conway and Tommy DeVitto in the Italian-American crime syndicate.
In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (email@example.com)
When Anton drives his car and two boys ride their bikes and chatter behind him. When we see them through the back window of his car, they're passing a beige pick-up truck and are somewhere in the middle of the street. In the next shot, showing them in the back view mirror, they appear to be on the left side of the road and passing a red car. The pickup truck is nowhere to be seen. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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This film has no ending. I mean it. The third act has no resolution, no climax, no tying up of threads, no questions answered, no drama, no action, no character-arc completion, just... nothing. It's made all the more terrible by the fact that the first two acts are very well done and worth watching. For almost two hours we are led on an intelligent, tense cat and mouse chase, then suddenly - POOF, the Coen brothers make all the good stuff go away in a single moment. The viewer is left thinking two things: "what the F**K?" and "I was enjoying that until..." It's a bit like lighting the fuse on a really big firework, standing back - tense with anticipation - watching it sail up into the air and then... it fizzles into the night sky without so much as a sound. A dud. A complete and utter dud.
You don't need any spoiler alerts here as there is no story resolution. Aside from one character, you actually aren't even told what happens to any of the other people you just invested two hours in. Oh, and by the way, don't follow that bag of money, because you never even find out who gets it. Don't follow that good guy vs. bad guy plot line, because neither of them ever confront the other - oh except on a telephone call about two thirds of the way in. Don't follow that... Oh wait, there aren't any other subplots to follow anyway.
I suppose I can't entirely blame the Coens as I'm aware this came from a novel. I haven't read the novel but if it ends as unsatisfyingly as the movie did then this man has no business calling himself a storyteller.
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