Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.
Directors:
Joel Coen,
Ethan Coen
Stars:
William H. Macy,
Frances McDormand,
Steve Buscemi
The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Director:
Martin Scorsese
Stars:
Robert De Niro,
Jodie Foster,
Cybill Shepherd
In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (kchishol@rogers.com)
Carson Wells mentions to Stephen Root's character that one floor in a building seems to be missing. This may refer to the fact that most buildings do not have a thirteenth floor, which many considered an unlucky number. Building owners often rename the floor 14, or give the floor some other use and rename it a letter. The novel implies that the floor in question - the 17th - isn't listed in the building's directory for security purposes, and is thus "missing". It is possible they use this "missing" floor to process the Mexican Brown Dope. See more »
Goofs
The weapon Moss picks up in the drug dealers truck is a Heckler and Koch SP89, so named because it was introduced to the American market in 1989. It was also a unique variation and was not sold in that form outside the US but modified specifically to conform with US gun laws. See more »
Quotes
[first lines]
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Las mañanitas
Traditional
Performed by Lola Beltrán
Courtesy of Warner Music Mexico SA de CV
By Arrangement with Warner Music Group Film & TV Licensing See more »
I don't remember being so scared in a movie theater since "Don't Look Now" Here the Coen Brothers take everything a step further with exhilarating ease. The terror was genuine and not because we were rooting for Josh Brolin or anybody in particular. The terror was personal, Joel and Ethan Coen made that terror visceral and tangible. It has to do with our own nightmares. Josh Brolin was a perfect piece of casting because in a way he doesn't have many personal colors. He's one of the bunch, one of us and we could put ourselves in his shoes. That is the art of film narrative expressed in a way that we've never experienced before. I heard people old enough to have seen Hitchcock's "Psycho" in the theaters and what glued them to the screen was their own fear. Well, that's what I've experienced here. Javier Bardem is superb, considering that he's the reason for the fear. He carries a human/inhuman kind of strength and we know he'll get us, sooner or later and if we consider the ending of the film, he might still do. Worthy Oscar winners, all of it and all of them.
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I don't remember being so scared in a movie theater since "Don't Look Now" Here the Coen Brothers take everything a step further with exhilarating ease. The terror was genuine and not because we were rooting for Josh Brolin or anybody in particular. The terror was personal, Joel and Ethan Coen made that terror visceral and tangible. It has to do with our own nightmares. Josh Brolin was a perfect piece of casting because in a way he doesn't have many personal colors. He's one of the bunch, one of us and we could put ourselves in his shoes. That is the art of film narrative expressed in a way that we've never experienced before. I heard people old enough to have seen Hitchcock's "Psycho" in the theaters and what glued them to the screen was their own fear. Well, that's what I've experienced here. Javier Bardem is superb, considering that he's the reason for the fear. He carries a human/inhuman kind of strength and we know he'll get us, sooner or later and if we consider the ending of the film, he might still do. Worthy Oscar winners, all of it and all of them.