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No Country for Old Men (2007)

8.1
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Ratings: 8.1/10 from 507,430 users   Metascore: 91/100
Reviews: 1,475 user | 476 critic | 37 from Metacritic.com

Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

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Title: No Country for Old Men (2007)

No Country for Old Men (2007) on IMDb 8.1/10

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Top 250 #170 | Won 4 Oscars. Another 159 wins & 88 nominations. See more awards »

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Cast

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Storyline

In rural Texas, welder and hunter Llewelyn Moss discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh, on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

One opportunity can change your life. One mistake can destroy it. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

21 November 2007 (USA)  »

Also Known As:

Sin lugar para los débiles  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£1,257,183 (UK) (18 January 2008)

Gross:

$74,273,505 (USA) (4 April 2008)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Josh Brolin was making Grindhouse (2007) when he was turned on to role of Moss. He asked the film's director Robert Rodriguez if he could borrow a video camera for his audition tape, and he ended up having his audition elaborately shot with the theatrical camera they were using, directed by Quentin Tarantino, and with Marley Shelton as Carla Jean. When the Coens saw Brolin's tape, their response was that they loved the lighting. See more »

Goofs

The weapon Moss picks up in the drug dealers truck is a Heckler and Koch SP89, so named because it was introduced to the American market in 1989. It was also a unique variation and was not sold in that form outside the US but modified specifically to conform with US gun laws. See more »

Quotes

[first lines]
Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Connections

Featured in Siskel & Ebert: Episode dated 3 November 2007 (2007) See more »

Soundtracks

Las mañanitas
Traditional
Performed by Lola Beltrán
Courtesy of Warner Music Mexico SA de CV
By Arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

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User Reviews

 
Tangible Fear As Art
4 March 2008 | by (New Zealand) – See all my reviews

I don't remember being so scared in a movie theater since "Don't Look Now" Here the Coen Brothers take everything a step further with exhilarating ease. The terror was genuine and not because we were rooting for Josh Brolin or anybody in particular. The terror was personal, Joel and Ethan Coen made that terror visceral and tangible. It has to do with our own nightmares. Josh Brolin was a perfect piece of casting because in a way he doesn't have many personal colors. He's one of the bunch, one of us and we could put ourselves in his shoes. That is the art of film narrative expressed in a way that we've never experienced before. I heard people old enough to have seen Hitchcock's "Psycho" in the theaters and what glued them to the screen was their own fear. Well, that's what I've experienced here. Javier Bardem is superb, considering that he's the reason for the fear. He carries a human/inhuman kind of strength and we know he'll get us, sooner or later and if we consider the ending of the film, he might still do. Worthy Oscar winners, all of it and all of them.


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