An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
In rural Texas, welder and hunter Llewelyn Moss discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh, on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (email@example.com)
Score music is used quite sparsely throughout the film, blending elusively into the background. Some can be heard during Bell's opening narration, during Chigurh's quarter speech, when Bell shows up at the aftermath of the motel shootout towards the end of the film, and the closing credits. See more »
In the gas station scene, when Anton places the empty peanut wrapper on the counter, you can see the nutrition information on the label. This information was not on food wrappers in 1980. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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I don't remember being so scared in a movie theater since "Don't Look Now" Here the Coen Brothers take everything a step further with exhilarating ease. The terror was genuine and not because we were rooting for Josh Brolin or anybody in particular. The terror was personal, Joel and Ethan Coen made that terror visceral and tangible. It has to do with our own nightmares. Josh Brolin was a perfect piece of casting because in a way he doesn't have many personal colors. He's one of the bunch, one of us and we could put ourselves in his shoes. That is the art of film narrative expressed in a way that we've never experienced before. I heard people old enough to have seen Hitchcock's "Psycho" in the theaters and what glued them to the screen was their own fear. Well, that's what I've experienced here. Javier Bardem is superb, considering that he's the reason for the fear. He carries a human/inhuman kind of strength and we know he'll get us, sooner or later and if we consider the ending of the film, he might still do. Worthy Oscar winners, all of it and all of them.
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