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No Country for Old Men (2007)

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Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

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(screenplay), (screenplay) | 1 more credit »
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167 ( 79)
Top Rated Movies #170 | Won 4 Oscars. Another 155 wins & 131 nominations. See more awards »

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Cast

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Storyline

In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

In the open country you can find anything, but every fortune leaves a trail. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

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Release Date:

21 November 2007 (USA)  »

Also Known As:

Sin lugar para los débiles  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$1,226,333 (USA) (2 November 2007)

Gross:

$74,273,505 (USA) (4 April 2008)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The credited editor for this film, Roderick Jaynes, is a pseudonym for Joel Coen and Ethan Coen, who have co-edited, co-directed, and co-written all of their movies since Blood Simple. (1984) New York magazine reported that they devised the pseudonym when Guild membership rules would not allow two co-credited editors on the same film. Jaynes was nominated for an Oscar for editing Fargo (1996) and "No Country for Old Men", but he has never won one. Joel Coen told New York magazine that if Jaynes had won the Oscar, the Academy would have allowed the award presenter to accept the award on "his" behalf. See more »

Goofs

After Anton crashes, when he gives the boy the $100 bill for his shirt. First the bill is a $100 then changes to a $1, then back to a $100. See more »

Quotes

[first lines]
Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Connections

Featured in Hollywood's Top Ten: Movie Villains (2010) See more »

Soundtracks

Young Men Dead
(uncredited)
Written by The Black Angels, Christian Bland, Alex Maas Stephanie Bailey, Jennifer Raines , 'Kyle Hunt' and 'Nate Ryan'
Performed by The Black Angels
Courtesy of Light In The Attic Records
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Frequently Asked Questions

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User Reviews

 
Simply spectacular
29 October 2007 | by (United Kingdom) – See all my reviews

If you like films that literally take your breath away, then this goes to the top of the list.

As stated elsewhere, Javier Bardem is so spectacularly evil and menacing that, if I were Mrs Bardem, I'd be worried about him coming home at night. The man exuded controlled evil, and I found myself not breathing when he came onto screen, yet couldn't take my eyes from him

  • a truly mesmerising presence.




Tommy Lee Jones turns in a belter of a performance, and mention should also be made of Kelly MacDonald who nails a faultless Texan accent alongside a multi-layered performance (despite the paucity of her screen time).

Beautifully shot, as you would expect, and with some (welcome) moments of humour amongst the gore, this is a very very fine film. Miss it at your peril, because when those little golden men are being handed out next year in LA, I predict a lot of them will be going to this film. A belter.


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