An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
In rural Texas, welder and hunter Llewelyn Moss discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh, on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (email@example.com)
An unforeseen expense for the film was the make-up department buying in expensive fake blood at $800 a gallon. Joel Coen realized why they were spending so much when it came to film the scene where Llewelyn stumbles across the aftermath of a shootout with lots of extras lying around dead in the dust. Ordinary fake blood (made with sugar) would have meant the extras would have been crawling with bugs and ants, while the insects had no interest in the expensive stuff. See more »
When Chigurh enters Llewelyn's trailer and takes the milk from the fridge, you can see a bottle of Dawn Dish Detergent using the current logo. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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This film really gripped me, but not in any spectacular way, more for the un/ethical values that often creep through the film at quite inopportune times. Despite the violence -although credibly a restrained use of foul-language- the film cannot really be said to be brutal, and instead examines the sinful natures of two men, who both mete out the seven equally, and never really balance the moral with the ethical value of life over the pursuit of death; instead they pursue their own agendas without regard to society or the law. By the close of the film it could equally be argued the law is culpable in sharing the pie of sin.
Another intriguing element is that none of the main protagonists actually meet face-to-face, despite the cat and mouse battle between Bardem and Brolin. This may reflect the changing state of crime in the US, at least on film. In classic cowboy film the two protagonists would ultimately end face to face, or be overwhelmed by the forces of good and admonished from our conscience. But in NCFOM the law in the shape of Tommy Lee Jones is reduced to an ineffective theologian mulling over the changing nature of society in the face of law, and as such most of the revealing discourse comes through Jones.
There are subtle elements to the film that carry the tale beyond the end, and often cause you to view the film to reason the logic for such simple elements such as when both characters desperately seek to purchase a shirt to evade a critical moment. All of which proves Joel and Ethan Cohen are becoming incredible talents in Hollywood, and their determination to do something new with script often translates into intriguing and dramatic film.
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