Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.
Directors:
Joel Coen,
Ethan Coen
Stars:
William H. Macy,
Frances McDormand,
Steve Buscemi
Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Bee Vang,
Christopher Carley
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Director:
Tom Hooper
Stars:
Colin Firth,
Geoffrey Rush,
Helena Bonham Carter
A young F.B.I. cadet must confide in an incarcerated and manipulative killer to receive his help on catching another serial killer who skins his victims.
Director:
Jonathan Demme
Stars:
Jodie Foster,
Anthony Hopkins,
Lawrence A. Bonney
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
R. Lee Ermey,
Vincent D'Onofrio
In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (kchishol@rogers.com)
Joel Coen and Ethan Coen share the record of four Oscar nominations for a single person for the same film (in this case, shared by the two) with Orson Welles' four nominations for Citizen Kane (1941) and Warren Beatty's for Reds (1981). The Coens' four nominations are for Best Picture (as producers with Scott Rudin), Best Director, Best Adapted Screenplay, and Best Editing (under the pseudonym Roderick Jaynes). Welles was nominated both Best Picture (also as producer) and Best Director, as well as Best Original Screenplay (won, and shared with Herman J. Mankiewicz), and Best Actor. On the other hand, Beatty was nominated for Best Picture (also as producer), Best Director (won), Best Original Screenplay with Trevor Griffiths and Best Actor. See more »
Goofs
When Chigurh blows out the lock at Moss's trailer, the cut-out ring on the paneling across from the door was already there before the lock hit it. See more »
Quotes
[first lines]
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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"You don't have to do this," repeated words in this lingering film, which really does not feel like a typical Coen Brothers film to me. Fargo, had its quirky character and its grotesque moments, but this film is all about a subdued natured intermixed with quick action. For what I expected, I got some of it, but also a bit more of a subdued air and timing than I expected. It would do things in spurts, action at the beginning then a lull and more thunder. It worked great for keeping one on edge, which Brolin did, excellently in the lead role lying awake thinking too hard. Jones too was good in a strong supporting role as a close to retirement sheriff who is on the outside shaking his head at the carnage and mayhem unleashed by the simple finding and taking of a satchel full of money.
The real gem and glue of the film though is Javier Bardem's menacing character who has his own brand of justice, which is extremely harsh and well insane. Even the one who claims to know him cannot even begin to stop or even slow him down. Bardem whom I have not had the pleasure of seeing in anything before is gold and like no other before looks to have the supporting actor award locked up in this performance. His presence is felt, even when he does not show up. That is something I have not seen in film well since probably The Third Man and Orson Welles' character Harry Lime.
I cannot really describe the film that well so I will suffice to say that is best modern western tale I have seen since The Three Burials of Melquiades, which also happened to have Tommy Lee Jones and was directed by him to boot. Another thing I noted was the lack of strong score. The filmmakers just seemed to let the sounds of the creaking boots and the desert landscape speak for the film. It felt natural and a bit menacing.
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"You don't have to do this," repeated words in this lingering film, which really does not feel like a typical Coen Brothers film to me. Fargo, had its quirky character and its grotesque moments, but this film is all about a subdued natured intermixed with quick action. For what I expected, I got some of it, but also a bit more of a subdued air and timing than I expected. It would do things in spurts, action at the beginning then a lull and more thunder. It worked great for keeping one on edge, which Brolin did, excellently in the lead role lying awake thinking too hard. Jones too was good in a strong supporting role as a close to retirement sheriff who is on the outside shaking his head at the carnage and mayhem unleashed by the simple finding and taking of a satchel full of money.
The real gem and glue of the film though is Javier Bardem's menacing character who has his own brand of justice, which is extremely harsh and well insane. Even the one who claims to know him cannot even begin to stop or even slow him down. Bardem whom I have not had the pleasure of seeing in anything before is gold and like no other before looks to have the supporting actor award locked up in this performance. His presence is felt, even when he does not show up. That is something I have not seen in film well since probably The Third Man and Orson Welles' character Harry Lime.
I cannot really describe the film that well so I will suffice to say that is best modern western tale I have seen since The Three Burials of Melquiades, which also happened to have Tommy Lee Jones and was directed by him to boot. Another thing I noted was the lack of strong score. The filmmakers just seemed to let the sounds of the creaking boots and the desert landscape speak for the film. It felt natural and a bit menacing.