After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by
Colin Tinto <firstname.lastname@example.org>
When Elia Kazan and his original screenwriter Arthur Miller originally showed the script to Columbia Pictures boss Harry Cohn, Columbia executives objected to the script as being "anti-union", as they feared union retaliation. Cohn recommended that union officials be changed to communists. See more »
In the opening scene, when Joe talks to Terry, Joe's mouth doesn't match what he is saying. See more »
You take it from here, Slugger.
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Opening credits are shown over a bamboo-type mat background. See more »
"Im just a bum sitting in a motor home on a film set, Brando said, and they come looking for ZEUS".
I think Brando was a guy who was perfect in the moment. All his power and shortcomings can be revealed in a single sentence. Other's might have been great and still more will be. But there's just something about him.
For me, Brando has always been the ultimate male. Simply put, bruiting desire. Brando represents the very definition of method acting, even though he was said to have hated the phrase. Being able to reach inside yourself and pull something out that kicks everyone in the ass. He was truly one of a kind. They say sometimes beautiful people are born under a dark cloud. I think Brando was born under a rain of thunderbolts. He was powerful and tragic.
On The Waterfront is basically a showcase for Brando. Everything coming together. This film is truly one for the ages.
I guess the only thing really wrong with this life is time.
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