After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by
Colin Tinto <email@example.com>
Early in the film, when the policeman covers Joey Doyle's body with a newspaper, one of the pages shows photos of Joe DiMaggio and Marilyn Monroe with the headline "Mr. and Mrs." DiMaggio and Monroe married on January 14, 1954. See more »
In the last scene, as Brando makes his way to the warehouse, after being beaten up by Cobb and the goons, the chalk writing on the sign changes from "8:00 am (plus two lines), to: "5 full crew & 5 Extras" See more »
You take it from here, Slugger.
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Opening credits are shown over a bamboo-type mat background. See more »
Gripping, powerful drama of corrupt unions for dock workers and how one man Terry Malloy (Marlon Brando) fights back.
This movie is a definite must-see. The story is pretty simple and has been done before but the script is superb and all the actors are at the height of their powers. Brando is unbelievable as Malloy--he portrays his innocence and hurt so easily--I actually started to get a lump in my throat when he comes to grips about the corruption. Rod Steiger is great in a small role as his brother. The taxicab sequence between him and Brando has become a legend--rightfully. Lee J. Cobb is frightening as the leader of it all. Eva Marie Saint (in her first theatrical role) is gorgeous and just great as a woman who falls in love with Brando. The scenes between them are incredible. There's also superb direction by Elia Kazan--this is possibly his best work. The only debit here is Karl Malden as the priest--he overplays it way too much and got on more nerves. But that's about it.
This movie is one of those rare instances where everything clicked together perfectly. A HUGE hit in its day. Don't miss this one!
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