After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by
Colin Tinto <email@example.com>
The idea for the film began with an expose series written for The New York Sun by reporter Malcolm Johnson. The 24 articles won him a Pulitzer Prize and were reinforced by the 1948 murder of a New York dock hiring boss which woke America to the killings, graft and extortion that were endemic on the New York waterfront. Budd Schulberg was captivated by the subject matter, devoting years of his life to absorbing everything he could about the milieu. He became a regular fixture on the waterfront, hanging out in West Side Manhattan and Long Island bars, interviewing longshore-union leaders and getting to know the outspoken priests from St Xavier's in Hell's Kitchen. See more »
Towards the end of the film when Terry confronts John Friendly at the little club house on the river, a Coke machine on the porch appears and disappears between cuts. See more »
You take it from here, Slugger.
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Opening credits are shown over a bamboo-type mat background. See more »
Gripping, powerful drama of corrupt unions for dock workers and how one man Terry Malloy (Marlon Brando) fights back.
This movie is a definite must-see. The story is pretty simple and has been done before but the script is superb and all the actors are at the height of their powers. Brando is unbelievable as Malloy--he portrays his innocence and hurt so easily--I actually started to get a lump in my throat when he comes to grips about the corruption. Rod Steiger is great in a small role as his brother. The taxicab sequence between him and Brando has become a legend--rightfully. Lee J. Cobb is frightening as the leader of it all. Eva Marie Saint (in her first theatrical role) is gorgeous and just great as a woman who falls in love with Brando. The scenes between them are incredible. There's also superb direction by Elia Kazan--this is possibly his best work. The only debit here is Karl Malden as the priest--he overplays it way too much and got on more nerves. But that's about it.
This movie is one of those rare instances where everything clicked together perfectly. A HUGE hit in its day. Don't miss this one!
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