Winchester '73 (1950) 7.7
The journey of a prized rifle from one ill-fated owner to another parallels a cowboy's search for a murderous fugitive. Director:Anthony Mann |
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Winchester '73 (1950) 7.7
The journey of a prized rifle from one ill-fated owner to another parallels a cowboy's search for a murderous fugitive. Director:Anthony Mann |
|
| 0Share... |
| Cast overview, first billed only: | |||
| James Stewart | ... | ||
| Shelley Winters | ... | ||
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Dan Duryea | ... |
Waco Johnny Dean
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Stephen McNally | ... | |
| Millard Mitchell | ... |
High Spade
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Charles Drake | ... | |
| John McIntire | ... | ||
| Will Geer | ... | ||
| Jay C. Flippen | ... | ||
| Rock Hudson | ... | ||
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John Alexander | ... | |
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Steve Brodie | ... | |
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James Millican | ... | |
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Abner Biberman | ... | |
| Tony Curtis | ... |
Doan
(as Anthony Curtis)
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In a marksmanship contest, Lin McAdam wins a prized Winchester rifle, which is immediately stolen by the runner-up, Dutch Henry Brown. This "story of a rifle" then follows McAdams' pursuit, and the rifle as it changes hands, until a final showdown and shoot-out on a rocky mountain precipice. Written by Herman Seifer <alagain@aol.com>
For the viewer who comes upon it long after its making, "Winchester '73" has something in common with "Casablanca." While you watch it, you get this feeling that you're looking at a string of clichés encountered so often in the genre; then you realise that the clichés became clichés only after being copied from this particular film, and that they were so widely copied because this film was so great. In other words, it's a seminal work.
"Winchester '73" is a joy to watch. The broad lines of the plot are somewhat predictable, but mostly because you've seen them copied so many times in later movies, and nevertheless it still contains a number of twists which surprise you. The dialogue, the pacing and Mann's direction are excellent. Stewart shines in particular, and if you're a fan this is a "must-see," but he is not alone in delivering a good performance. Remarkably, many of the most thoughtful and/or witty lines go to minor characters. Because this makes these characters (much) more than cardboard cutouts, it lent additional realism to the film.
This is a remarkably underrated film, and well worth keeping an eye out for. The DVD also contains an interview with Stewart which provides some background on the film.