Author of "The Friedkin Connection: A Memoir", published by Harper.
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(1980)] It's just a murder mystery, with the gay leather scene as a backdrop. On another level it's about identity: do any of us really know who it is sitting next to us, or looking back at us in the mirror? But the vitriol that the film was greeted with still confounds me.
His two most famous films, The French Connection
(1971) and The Exorcist
(1973), both begin in a foreign country, in which something in that country is brought over to America and then dealt with by American "authorities" in that field. "The French Connection" has drugs coming from France and then dealt with by American narcotics officers; "The Exorcist" has a demonic presence (from an idol) ...