A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
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This slow-paced gem is about the civilizing influence of Italy on beleaguered Londoners both male and female and has its own civilizing influence on the viewer. It's almost like taking a ... See full summary »
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Jean Pierre Lefebvre
J. Léo Gagnon,
A doctor becomes obsessed with having a sexual encounter after his wife admits to having sexual fantasies about a man she met and chastising him for dishonesty in not admitting to his own fantasies. This sets him off into unfulfilled encounters with a dead patient's daughter and a hooker. But when he visits a nightclub, where a pianist friend Nick Nightingale is playing, he learns about a secret sexual group and decides to attend one of their congregations. However, he quickly learns he is in well over his head and finds he and his family are threatened. Written by
John Sacksteder <firstname.lastname@example.org>
Due to Stanley Kubrick's fear of travel virtually the entire film was shot in and near London (despite the movie's New York setting). Elaborate street sets built at Pinewood Studios were used for all the scenes showing Tom Cruise walking around the city. See more »
Reflected in the bedpost during the love making scene. See more »
Eyes Wide Shut is ill-suited for the summer movie corridor. It has no explosions, no running, shouting, or a single gunshot. What it has are long scenes in which characters talk to one another. Slowly and carefully. The problem is that the film is marketed as having white-hot sex scenes and plenty of gratuitous nudity, while it has neither. There is plenty of naked flesh, don't get me wrong, but in exactly the opposite way that the ads make it appear. This is not a movie about being sexy and naked -- it's a movie about how flesh is just another part of being human, so what is all the fuss about? The marketing campaign is misleading, and led to disappointment in the audience that I saw the movie with, who were just looking for some skin.
The tension in the plot and the issues that the film discusses aren't telegraphed to the audience, they're hinted at in the dialog. There is no neat resolution at the end, life simply goes on. You may watch the whole film and think "that wasn't about anything!" Then think about what you've seen and realize it has a great deal to say.
The film is a meditation on sexuality and how it relates to marriage, death, and money. It's a fascinating commentary on modern life, and a rare movie that dares to examine sex as impassionately as any other issue.
The directing and cinematography alone would be worth the price of admission without the social commentary. The sets are an integral part of the movie; they breathe and glow and live. Kubrick was a master director, and he uses long shots and dissolves to great effect. Cruise and Kidman are at their best, and the supporting cast is also strong. It's Kubrick's magic work with the camera that holds the film together.
All in all, definitely worth seeing for the un-uptight. It's possible to watch this film and actually think about it for hours afterward. That's something you won't get with the Wild, Wild West.
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