A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Sexual jolts disrupt Manhattan physician Bill Harford's equilibrium. At an elegant Christmas party, two "models" hit on him, he watches a Lothario try to pick up his tipsy wife, he aids a woman sprawled naked in a bathroom after an overdose. The next night, his wife reveals sexual fantasies with a stranger; a dead patient's daughter throws herself at him; as he walks, brooding, six teen boys hurl homophobic insults at him; a streetwalker takes him to her flat; he interrupts men having a sex party with a girl barely in her teens. His odyssey, which next takes him into a world of wealthy sex play at a masked ball of hedonism, threatens his life, his self-respect, and his marriage. Written by
The thirteen-and-a-half minute billiard room scene between Tom Cruise and Sydney Pollack took about three weeks of filming with nearly 200 takes. The greeting scene at the party early in the picture took only two hours with around 16 takes. See more »
After being followed while walking, Bill enters a restaurant. As seen from outside, the street is completely deserted. But from inside, as Bill enters, you can see people walking by outside the door. See more »
One of the most under-rated films of the decade, Eyes Wide Shut is a brilliant masterpiece, from the very opening of the film to its very end. Kubrick succeeds in what many good filmmakers failed before him- and conveys a beautiful imagery of our state of dreams, full of sexual symbolism and other dream-like symbols (notice the stop signs in the streets in front of Tom Cruise), and creates a feeling of total wandering; although consistent, due to the fact that every scene and dialogue is vital and neccecary for the film's development.
Moreover, Kubrick's use of music is even more genius than always, and Ligeti's motif from Musica Ricercarta shows us the repetitive nature of dreams, together with a feeling that we don't know where to go next.
And of course there is a note of marriage life, men's sexuality (and the attempt to deny women's sexuality) and the very fine acting of Cruise and Kidman, which was a postlude of there own relationship.
For me, this is the finest, most perfect film of Kubrick, and therefore one of the best films of all. A must see! 10/10
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