A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
After his wife, Alice, tells him about her sexual fantasies, William Harford sets out for a night of sexual adventure. After several less than successful encounters, he meets an old friend, Nick Nightingale - now a musician - who tells him of strange sex parties when he is required to play the piano blindfolded. All the men at the party are costumed and wear masks while the women are all young and beautiful. Harford manages to find an appropriate costume and heads out to the party. Once there, however, he is warned by someone who recognizes him, despite the mask, that he is in great danger. He manages to extricate himself but the threats prove to be quite real and sinister. Written by
Baby Did a Bad Bad Thing
Performed by Chris Isaak
Courtesy of Reprise Records
By Arrangement with Warner Special Products
Music and lyrics by Chris Isaak
Published by C. Isaak Music Publishing Co. 1995 See more »
Compelling, complex observation of fidelities and fantasies
With the exception of a late-occurring scene of deadening over-explanation wholly unnecessary to the film on every level (and rather unusual for Kubrick), Eyes Wide Shut is utterly sensational, and represents another gleaming jewel in the master filmmaker's already studded crown. Cruise and Kidman surpass all of their previous work, turning in spectacular performances infused with nuances only hinted at prior to this outing. Their real-life union appears to bring every bit of unique tension Kubrick intended, as the movie wholly depends on the verisimilitude of the central couple's relationship. Kubrick's tone fulfills all the promise of the title, consistently delivering an elevated texture of almost uncanny imagination perpetually hovering between fantasy and reality. The director additionally mines many of his familiar thematic concerns, including deceit, paranoia, and blinding frustration. Eyes Wide Shut is certain to be as closely scrutinized as many of Kubrick's other films (particularly because it is his final work), and its thoughtful and challenging treatment of such lightning-rod topics as marital honesty, sexual jealousy, and the perceived risks of disclosing one's fantasies (even to the single person you trust more than any other) is sure to draw some people in while pushing others away.
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