A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Sexual jolts disrupt Manhattan physician Bill Harford's equilibrium. At an elegant Christmas party, two "models" hit on him, he watches a Lothario try to pick up his tipsy wife, he aids a woman sprawled naked in a bathroom after an overdose. The next night, his wife reveals sexual fantasies with a stranger; a dead patient's daughter throws herself at him; as he walks, brooding, six teen boys hurl homophobic insults at him; a streetwalker takes him to her flat; he interrupts men having a sex party with a girl barely in her teens. His odyssey, which next takes him into a world of wealthy sex play at a masked ball of hedonism, threatens his life, his self-respect, and his marriage. Written by
One of the most under-rated films of the decade, Eyes Wide Shut is a brilliant masterpiece, from the very opening of the film to its very end. Kubrick succeeds in what many good filmmakers failed before him- and conveys a beautiful imagery of our state of dreams, full of sexual symbolism and other dream-like symbols (notice the stop signs in the streets in front of Tom Cruise), and creates a feeling of total wandering; although consistent, due to the fact that every scene and dialogue is vital and neccecary for the film's development.
Moreover, Kubrick's use of music is even more genius than always, and Ligeti's motif from Musica Ricercarta shows us the repetitive nature of dreams, together with a feeling that we don't know where to go next.
And of course there is a note of marriage life, men's sexuality (and the attempt to deny women's sexuality) and the very fine acting of Cruise and Kidman, which was a postlude of there own relationship.
For me, this is the finest, most perfect film of Kubrick, and therefore one of the best films of all. A must see! 10/10
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