A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Sexual jolts disrupt Manhattan physician Bill Harford's equilibrium. At an elegant Christmas party, two "models" hit on him, he watches a Lothario try to pick up his tipsy wife, he aids a woman sprawled naked in a bathroom after an overdose. The next night, his wife reveals sexual fantasies with a stranger; a dead patient's daughter throws herself at him; as he walks, brooding, six teen boys hurl homophobic insults at him; a streetwalker takes him to her flat; he interrupts men having a sex party with a girl barely in her teens. His odyssey, which next takes him into a world of wealthy sex play at a masked ball of hedonism, threatens his life, his self-respect, and his marriage. Written by
The film was "pushed" two stops in processing, enabling Stanley Kubrick to film using existing source lighting (table lamps, overhead lights et cetera) whenever possible. The light level remained low even when lighting had to be supplemented with Lowell or Chinese paper ball lamps as fill or key lights. See more »
In the pool room scene, the red ball changes places three times to right in the middle in front of the pocket and to either side after that. See more »
Blame It on My Youth
Performed by Brad Mehldau
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
Music by Oscar Levant
Lyrics Edward Heyman
Published by Polygram International Publishing Inc. See more »
There is no denying that Stanley Kubrick is one of the greatest filmmakers to ever live. He may not have made many films, but every single one of them is a masterpiece. That is not something that can be said about many other directors. He is a true artist. And it is because of that word, "art", that his work is often misunderstood. Rather than create films which reveal everything that the audience needs to know through the dialogue or the action, Kubrick layers his films with meaning. He does this through all aspects of the film.. the music, the images, the dialogue, and expressions. And by the end of the film, nothing is left clear, because he wants you to think about what you have seen, and come up with your own meaning for the film. The problem with this is that most people don't go to see films to think, they just want to see the next "Armageddon" or "Waterboy". So, if "Eyes Wide Shut" fails at the box-office, or is badly criticized by movie-goers, it has nothing to do with the film itself, but is more reflective of the movie-goers, and their inability to see further than what is presented to them on the screen. Life experience and a philosophical mind is also required to fully understand and enjoy this film. If you have ever thought of what role sex plays in your relationship, and what love and commitment really mean, you will understand this film. If you have ever considered what the difference between love and sex is, you will understand this film. If you have ever truly felt lust, you will understand this film. Be prepared to think.
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