A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A doctor becomes obsessed with having a sexual encounter after his wife admits to having sexual fantasies about a man she met and chastising him for dishonesty in not admitting to his own fantasies. This sets him off into unfulfilled encounters with a dead patient's daughter and a hooker. But when he visits a nightclub, where a pianist friend Nick Nightingale is playing, he learns about a secret sexual group and decides to attend one of their congregations. However, he quickly learns he is in well over his head and finds he and his family are threatened. Written by
John Sacksteder <email@example.com>
While V.H.S. and region 2 D.V.D. editions sold in Great Britain, Germany and France have always been completely uncensored the original region 1 D.V.D. contained the U.S. theatrical cut which contained computer-generated people in the foreground obscuring some of the more explicit sexual action during the orgy sequence. However, the U.S. version of 2007 double D.V.D. special edition (encoded, as now appears to be Warner Bros. standard practice, for regions 1, 2, 3 & 4) contains the full uncensored European theatrical print, making it the first time Stanley Kubrick's final cut has been made directly available in any form to customers in the U.S. See more »
When Bill and Victor talk by the pool table, Victor's glass changes positions. See more »
One of the most under-rated films of the decade, Eyes Wide Shut is a brilliant masterpiece, from the very opening of the film to its very end. Kubrick succeeds in what many good filmmakers failed before him- and conveys a beautiful imagery of our state of dreams, full of sexual symbolism and other dream-like symbols (notice the stop signs in the streets in front of Tom Cruise), and creates a feeling of total wandering; although consistent, due to the fact that every scene and dialogue is vital and neccecary for the film's development.
Moreover, Kubrick's use of music is even more genius than always, and Ligeti's motif from Musica Ricercarta shows us the repetitive nature of dreams, together with a feeling that we don't know where to go next.
And of course there is a note of marriage life, men's sexuality (and the attempt to deny women's sexuality) and the very fine acting of Cruise and Kidman, which was a postlude of there own relationship.
For me, this is the finest, most perfect film of Kubrick, and therefore one of the best films of all. A must see! 10/10
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