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Gladiator (2000)

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When a Roman general is betrayed and his family murdered by an emperor's corrupt son, he comes to Rome as a gladiator to seek revenge.

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(story), (screenplay) | 2 more credits »
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341 ( 167)
Top Rated Movies #46 | Won 5 Oscars. Another 53 wins & 101 nominations. See more awards »

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Cast

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Storyline

Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge. Written by Chris "Morphy" Terry

Plot Summary | Plot Synopsis

Taglines:

The Gladiator Who Defied An Empire See more »


Motion Picture Rating (MPAA)

Rated R for intense, graphic combat | See all certifications »

Parents Guide:

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Details

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Release Date:

5 May 2000 (USA)  »

Also Known As:

The Gladiators  »

Filming Locations:

 »

Box Office

Budget:

$103,000,000 (estimated)

Opening Weekend:

$34,819,017 (USA) (5 May 2000)

Gross:

$187,670,866 (USA) (13 April 2001)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Extended Edition)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Richard Harris, who plays Marcus Aurelius, was originally set to play Commodus in The Fall of the Roman Empire (1964) (but left the film due to artistic differences with director Anthony Mann and was replaced by Christopher Plummer). See more »

Goofs

During the chariot battle, when Juba takes off his helmet to kill a Roman, the spike on the helmet wobbles around wildly, indicating that it is made of rubber. See more »

Quotes

Maximus: [after swiftly dispatching another gladiator] Are you not entertained? Are you not entertained? Is this not why you are here?
Crowd: Spaniard, Spaniard, Spaniard...
See more »

Crazy Credits

Both the Dreamworks & Universal logos are altered to appear gold in color so they match the opening theme of Maximus walking through a wheatfield. See more »

Connections

Referenced in De Avond van de Filmmuziek (2014) See more »

Soundtracks

Pavor
Written by Walter Maioli and Nathalie Van Ravenstein (as Natalia Van Ravenstein)
Performed by Synaulia
Courtesy of Amiata Media Srl.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Cecil B DeMille eat your heart out
2 May 2000 | by (Australia) – See all my reviews

The epic blockbuster returns with the 21st Century's answer to Cecil B DeMille, Ridley Scott and his dramatic tale of courage and revenge, GLADIATOR - "the general who became a slave, the slave who became a gladiator, the gladiator who defied an emperor".

Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar (Harris), Maximus (Crowe) is forced into exile by Commodus (Phoenix), heir to the throne, after the death of Marcus. Saved from death by slavers, he is purchased for use as a gladiator by Proximo (Reed) and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".

And with a budget of over $100m, Scott certainly delivers the goods. GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur. Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of (love, loss, courage, despair, good triumphing over evil etc etc) - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying. From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film. The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety. In every way, Scott has created a world for us that scuttles films of similar epic undertakings (and budgets!) and sends them to their dooms at the bottom of the murky depths of film history where they belong.

The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me (as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films'), but this aside, he was well and truly up to the task. Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'. The old guard thesps of Harris, Reed and Jacobi (Grachus) are uniformly strong as supporting characters, and Spencer Treat Clark (Lucius) does a fine job as the young heir to the throne.

Add to this great cast excellent editing and post production work, and an intricate soundscape (including a magnificent Hans Zimmer score), and you have a film that, despite its length, was highly palatable and had me in there from beginning to end. A must see.


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