An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
In South Boston, the state police force is waging war on Irish American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operations he has penetrated. But when it becomes clear to both the mob and the police that there's a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy-and each must race to uncover the identity of the other man in time to save himself. But is either willing to turn on the friends and comrades they've made during their long stints undercover? Written by
The CD that Costigan mails to Colin is mailed in the cover for The Rolling Stones' album "Exile on Main St.". Earlier in the film, when Costello beats Costigan's hand with his own shoe, a song from the album, "Let It Loose", plays over the scene. See more »
When Costigan is talking to his uncle while his mother is dying in the hospital, a fire extinguisher is on the wall in the hospital hallway. When the scene cuts to the uncle and back to Costigan, the fire extinguisher is gone, but the hook is still visible. See more »
I don't want to be a product of my environment. I want my environment to be a product of me. Years ago we had the church. That was only a way of saying - we had each other. The Knights of Columbus were real head-breakers; true guineas. They took over their piece of the city. Twenty years after an Irishman couldn't get a fucking job, we had the presidency. May he rest in peace. That's what the niggers don't realize. If I got one thing against the black chappies, it's this - no one ...
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The title doesn't appear on screen until nearly 20 minutes into the movie. See more »
Dare I? Dare I say it? This movie is better than Goodfellas. There, I said it.
I saw this latest Scorsese film at an advance screening. Needless to say I was expecting a lot more than I thought this director (of classics like Taxi Driver but lately of Gangs of New York) would deliver. I was very wrong.
Though the exact plot is unimportant, The Departed is about the blurred lines that distinguish good guy from bad guy, and cop from robber, in present-day Boston. With a packed cast (which I need not mention) that includes great supporting roles by Martin Sheen and Alec Baldwin, the acting in the departed is stellar. Living-legend Jack Nicholson flawlessly delivers one of his best performances in years as the execrable mob boss Frank Costello. Nicholson's nuanced acting was so on-point that at times I felt like I was actually about to be shot by the slimy capo.
The Departed is nothing short of spectacular. Funnier that most comedies, Scorsese is still able to amplify the bloodshed and meticulously deliver a stunning cinematic achievement.
Bravo, Mr. Scorsese; you have outdone yourself.
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