A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of ... See full summary »
Graffiti Bridge is the unofficial sequel to Purple Rain. In this movie, The Kid and Morris Day are still competitors and each runs a club of his own. They make a bet about who writes the ... See full summary »
Two friends from Miami are in the Mediterranian are enjoying life by scamming money off of rich women. One day, they read about a young woman set to inherit $50 million from her father. At ... See full summary »
Kristin Scott Thomas
In Egypt, princess Maytes father is assassinated by 7 men, leaving her with the sacred three chains of gold. She decides to seek out the help of Prince in USA, and sends him a tape of her ... See full summary »
Daniel, good looking and manly, in spite of his blindness lives in port and lives on prostitution and sale of marijuana in I associate with the "Cat" a day knows a young person and ... See full summary »
Gustavo Nieto Roa
A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of his repeating his father's self destructive behavior, losing Apollonia to another singer (Morris Day), and his coming to grips with his own connection to other people ensues. Written by
John Vogel <email@example.com>
Clarence Williams III, Olga Kartalos and Apollonia Kotero were the only three professional actors in the entire cast. See more »
In the "Lake Minnetonka scene after Apollonia starts to redress from getting wet, her makeup is noticeably perfect. Also, when Apollonia gets back on Prince's motorcycle, Prince replies "don't get my seat all wet". She kisses him and before they ride off you can see hair is still wet, and unstyled. In the next shot filmed from behind, her hair is totally dry, and restyled as if it was never wet. See more »
Not terribly different from many of the 1930s-era "backstage musicals," Purple Rain sports a contrived plotline that sees Prince (in the film referred to only as The Kid) battling rival musician Morris Day for the affections of new-in-town beauty Apollonia and a shot at stardom through a secure spot on the bill at legendary Minneapolis club First Avenue. A secondary narrative thread concerns The Kid's violent home life and his attempts to protect his mother from his raging, abusive father. Anyone looking for nuance and subtlety won't find it in the acting or the direction, but Prince's stage presence is commanding, and the musical numbers are electrifying. The Academy Award winning song score (irrefutably one of the best rock albums of the 1980s) and Prince's enigmatic, magnetic personality are undoubtedly the chief components in Purple Rain's sturdy cult, but for viewers of the right age, the youthful angst, flip attitude, and bold sexuality of the film will prove to be irresistibly attractive.
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