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The Shining (1980)

 -  Horror  -  23 May 1980 (USA)
8.5
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Ratings: 8.5/10 from 467,264 users   Metascore: 61/100
Reviews: 1,254 user | 233 critic | 10 from Metacritic.com

A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

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Cast

Cast overview, first billed only:
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Danny Lloyd ...
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Philip Stone ...
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Lia Beldam ...
Billie Gibson ...
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David Baxt ...
Forest Ranger #1
Manning Redwood ...
Forest Ranger #2
Lisa Burns ...
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

Stanley Kubrick's epic nightmare of horror See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

23 May 1980 (USA)  »

Also Known As:

Stanley Kubrick's 'The Shining'  »

Filming Locations:

 »

Box Office

Budget:

$19,000,000 (estimated)

Gross:

SEK 6,140,088 (Sweden)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

(cut) | (cut) (European) | (original)

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The throwing around of the tennis ball inside the Overlook Hotel was Jack Nicholson's idea. The script originally only specified that, "Jack is not working". See more »

Goofs

When Wendy and Danny are watching television, there is no power or antenna/cable cords connected to the set. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away. See more »

Connections

Referenced in Event Horizon (1997) See more »

Soundtracks

The Awakening of Jakob
(uncredited)
Written by Krzysztof Penderecki
Performed by Polish Radio National Symphony Orchestra
Conducted by Krzysztof Penderecki
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Jack Torrance Meets David Bowman
18 February 1999 | by (New Jersey) – See all my reviews

What can I say about the scariest movie I have ever seen that has not already been said by others more articulate than yours truly? Do not view this film expecting to see a screen version of the Stephen King novel. Rather, this is a Stanley Kubrick film, and to fully appreciate it one should judge it within the context of Kubrick's entire body of work as a serious filmmaker. Thematically, THE SHINING relates most closely to 2001: A SPACE ODYSSEY, though flourishes of PATHS OF GLORY, A CLOCKWORK ORANGE and BARRY LYNDON do manage to figure prominently in the film's overall technique.

In a nutshell (no pun intended), Jack Nicholson and Shelly Duvall co-star with Oregon's Timberline Lodge - enlisted to portray the exterior of the Overlook Hotel - in a story that appears on the surface to be about ghosts and insanity, but deals with issues of child abuse, immortality and duality.

What the film might lack initially in terms of coherence is more than made up for in technique. Garrett Brown (the male voice in those old Molson Golden commercials), inventor of the Steadicam, chases young Danny Lloyd through hotel corridors and an amazing snow maze, providing magic-carpet-ride fluidity to scenes that ten years earlier would have been impossible to accomplish. If the film starts off too slow, remember who the director is. This man likes to take his time, and the results are well worth it: incredible aerial shots of the Overlook Hotel; horrific Diane Arbus-inspired twins staring directly at us; portentous room 237 and its treasure trove of terrible secrets; elevators that gush rivers of blood in slow-motion; Jack Torrance's immortality found via the hotel (akin to David Bowman's journey through the Space Gate); and some of the best use of pre-existing music ever assembled for a motion picture.

It would take a book to examine and defend the film's strong points and drawbacks. If you've never seen it, you owe it to yourself to watch it alone with the lights off, with no interruptions, and make sure that it's raining. This is a cinematic experience that changed my life at the age of 14. Makes a great double feature with Robert Wise's 1963 thriller THE HAUNTING.


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