A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
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A man, his son and wife become the winter caretakers of an isolated hotel where Danny, the son, sees disturbing visions of the hotel's past using a telepathic gift known as "The Shining". The father, Jack Torrance, is underway in a writing project when he slowly slips into insanity as a result of cabin fever and former guests of the hotel's ghosts. After being convinced by a waiter's ghost to "correct" the family, Jack goes completely insane. The only thing that can save Danny and his mother is "The Shining". Written by
There are several large windows along a wall in the master bedroom of the caretaker's quarters. However, these windows cannot exist based on the architecture of the Overlook as seen from the external shot when Wendy pushes Danny out the bathroom window and down the snow drift. This is one of many intentional impossibilities in the architecture of the Overlook. Among others, there are doors where no room can exist, hallways that are impossible and stairways that could lead nowhere. This is to make the Overlook appear more labyrinthine and out-worldly. See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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The party music plays over the closing credits. After it ends, we hear the Overlook ghosts applaud. They then talk amongst themselves until their voices fade away. See more »
When this film first came out in 1980, I remember going to see it on opening night. The sheer terror that I experienced in viewing "The Shining" was enough to make me go to bed with the lights turned ON every night for an entire summer. This movie just scared the life out of me, which is what still happens every time I rent the video for a re-watch. I have seen The Shining at least six or seven times, and I still believe it to be simultaneously and paradoxically one of the most frightening and yet funniest films I've ever seen. Frightening because of the extraordinarily effective use of long shots to create feelings of isolation, convex lens shots to enhance surrealism, and meticulously scored music to bring tension levels to virtually unbearable levels. And "funny" because of Jack Nicholson's outrageous and in many cases ad-libbed onscreen antics. It never ceases to amaze me how The Shining is actually two films in one, both a comedy AND a horror flick. Ghostly apparitions of a strikingly menacing nature haunt much of the first half of the film, which gradually evolve into ever more serious physical threats as time progresses. Be that as it may, there is surprisingly little violence given the apparent intensity, but that is little comfort for the feint of heart as much of the terror is more implied than manifest. The Shining is a truly frightening movie that works symbolically on many levels, but is basically about human shortcomings and the way they can be exploited by unconscious forces combined with weakness of will. This film scares the most just by using suggestion to turn your own imagination against you. The Shining is a brilliant cinematic masterpiece, the likes of which have never been seen before or since. Highly, highly recommended. - Paul
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