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The Aviator (2004)

PG-13 | | Biography, Drama | 25 December 2004 (USA)
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A biopic depicting the early years of legendary director and aviator Howard Hughes' career from the late 1920s to the mid-1940s.

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724 ( 201)
Won 5 Oscars. Another 74 wins & 118 nominations. See more awards »

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Storyline

Biopic of billionaire Howard Hughes, starting with his early filmmaking years as owner of RKO studios but mostly focusing on his role in designing and promoting new aircraft. Hughes was a risk-taker spending several fortunes on designing experimental aircraft and eventually founding TWA as a rival to Pan AM airlines owned by his great rival Juan Trippe. When Trippe's politico Senator Ralph Owen Brewster accuses Hughes of being a war profiteer, it's Hughes who gains the upper hand. Hughes also had many women in his life including a long relationship with actress Katharine Hepburn. From an early age however, Hughes was also germophobic and would have severe bouts of mental illness. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Imagine a life without limits. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence | See all certifications »

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Details

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Release Date:

25 December 2004 (USA)  »

Also Known As:

El aviador  »

Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend:

$858,021 (USA) (17 December 2004)

Gross:

$102,608,827 (USA) (27 May 2005)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kate Beckinsale gained 20 pounds for her portrayal of Ava Gardner. See more »

Goofs

The ice cream spoon Hughes holds against the carton as he enters his office is in the carton when he defies Katharine Hepburn and answers the phone. See more »

Quotes

[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.
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Crazy Credits

Aside from company logos and the film's title, there are no opening credits. See more »

Connections

Referenced in The Tonight Show with Jay Leno: Episode #20.178 (2012) See more »

Soundtracks

Milenberg Joys
(1925)
Music by Paul Mares, Ferdinand 'Jelly Roll' Morton (as Ferdinand Morton), and Leon Rappolo
Lyrics by Walter Melrose
Performed by Vince Giordano and His Nighthawks Orchestra
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Frequently Asked Questions

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User Reviews

 
Ambitious, Impeccably-Acted, DELIVERS
6 December 2004 | by (New York, New York) – See all my reviews

Martin Scorsese's most recent ambitious project does not disappoint.

I just saw this film in a special preview for NYU film students, with Martin Scorsese there to discuss and answer questions after, and I must say, it was pretty phenomenal. It is Martin Scorsese's best work since Goodfellas (this is obvious) and most probably his best work since Raging Bull. DiCaprio's character study of Howard Hughes, and his devotion to this role, is exquisite and reminiscent even of Robert De Niro's in Raging Bull. The film is lengthy, but this compliments it, for the story is riveting and the production is practically flawless (even the combination of computerized processes and more traditional photography was smooth and effective).

The presentation of the film, in an evolving color (from two-tone Technicolor, as Martin explained it to us, to three-tone, to modern by the later sequences) is absolutely stunning, and the cinematography by renowned Robert Richardson, ASC, is some of the best I've seen (and, in my opinion, deserving of an Oscar).

Cate Blanchett was impeccable as Katharine Hepburn, though, at times, I felt that the complexity of her character was never really deeper than a surface analysis.

She did her role flawlessly, but this is not to say that it really Alec Baldwin portrayed one of the flattest villains I've seen in a major motion picture, but, again, this is about Howard Hughes, and DiCaprio's performance is worthy of an Oscar nod at least, and perhaps an Oscar Win (certainly the best performance I've seen all year).

One of my few complaints, though, is the lengthy sequences featuring Howard Hughes as a solo aviator. Though interesting, entertaining even, the film was long enough already, and did not require such an exhaustive analysis of individual flight procedures.

Also, it seems that some of the themes were almost too redundant, such as the ways in which Hughes' psychological problems were performed. Much of the Hollywood history is good, even interesting, but it also sometimes seemed a bit self-indulgent, to the point where you questioned the necessity of ALL of those nightclub sequences in the film.

But, besides those relatively few complaints, it is a spectacular film.

In all: do not miss it.

3.5/4


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