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The Aviator (2004)

PG-13  |   |  Biography, Drama  |  25 December 2004 (USA)
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Ratings: 7.5/10 from 245,120 users   Metascore: 77/100
Reviews: 790 user | 266 critic | 41 from Metacritic.com

A biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920s to the mid-1940s.



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Won 5 Oscars. Another 70 wins & 98 nominations. See more awards »



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Cast overview, first billed only:


The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by Ryan McIntosh <Save_Ferris85@hotmail.com>

Plot Summary | Plot Synopsis


Kate Beckinsale as Ava Gardner the passion he couldn't resist. See more »


Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence | See all certifications »

Parents Guide:



Official Sites:

| |  »




Release Date:

25 December 2004 (USA)  »

Also Known As:

El aviador  »

Filming Locations:


Box Office


$110,000,000 (estimated)

Opening Weekend:

$858,021 (USA) (17 December 2004)


$102,608,827 (USA) (27 May 2005)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |

Aspect Ratio:

2.35 : 1
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Did You Know?


Martin Scorsese:  in a tuxedo and slicked hair, pulling a woman from behind Howard Hughes (Leonardo DiCaprio) as he walks the red carpet with Katharine Hepburn (Cate Blanchett). Scorsese also provides the voice of the projectionist Hughes talks to in the screening room. See more »


When Hughes is lying in hospital, his pillow changes positions between shots. See more »


[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.
See more »

Crazy Credits

Aside from company logos and the film's title, there are no opening credits. See more »


Features The Outlaw (1943) See more »


from Hell's Angels (1930)
Written by Adolph Tandler
Courtesy of Universal Studios
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Ambitious, Impeccably-Acted, DELIVERS
6 December 2004 | by (New York, New York) – See all my reviews

Martin Scorsese's most recent ambitious project does not disappoint.

I just saw this film in a special preview for NYU film students, with Martin Scorsese there to discuss and answer questions after, and I must say, it was pretty phenomenal. It is Martin Scorsese's best work since Goodfellas (this is obvious) and most probably his best work since Raging Bull. DiCaprio's character study of Howard Hughes, and his devotion to this role, is exquisite and reminiscent even of Robert De Niro's in Raging Bull. The film is lengthy, but this compliments it, for the story is riveting and the production is practically flawless (even the combination of computerized processes and more traditional photography was smooth and effective).

The presentation of the film, in an evolving color (from two-tone Technicolor, as Martin explained it to us, to three-tone, to modern by the later sequences) is absolutely stunning, and the cinematography by renowned Robert Richardson, ASC, is some of the best I've seen (and, in my opinion, deserving of an Oscar).

Cate Blanchett was impeccable as Katharine Hepburn, though, at times, I felt that the complexity of her character was never really deeper than a surface analysis.

She did her role flawlessly, but this is not to say that it really Alec Baldwin portrayed one of the flattest villains I've seen in a major motion picture, but, again, this is about Howard Hughes, and DiCaprio's performance is worthy of an Oscar nod at least, and perhaps an Oscar Win (certainly the best performance I've seen all year).

One of my few complaints, though, is the lengthy sequences featuring Howard Hughes as a solo aviator. Though interesting, entertaining even, the film was long enough already, and did not require such an exhaustive analysis of individual flight procedures.

Also, it seems that some of the themes were almost too redundant, such as the ways in which Hughes' psychological problems were performed. Much of the Hollywood history is good, even interesting, but it also sometimes seemed a bit self-indulgent, to the point where you questioned the necessity of ALL of those nightclub sequences in the film.

But, besides those relatively few complaints, it is a spectacular film.

In all: do not miss it.


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