Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by
Ryan McIntosh <Save_Ferris85@hotmail.com>
The character "Faith Domergue", who Howard was seen with in a few scenes, was loosely based on real life actress, Mamie Van Doren, who Hughes actually discovered and who had a brief romance with. See more »
A main plot point is that Howard Hughes is mysophobic, yet he engages in behavior that someone who suffers from mysophobia would not: he makes incidental contact with various characters; he opens the doors of public places with a bare hand; he turns the public restroom faucets on with a bare hand, and uses their towels; Katharine Hepburn and Ava Gardner complain about his womanizing; Ava refers to his "filthy gym shoes"; he shares the same sundae and spoon with Faith Domergue; he shakes hands with Owen Brewster before their lunch; he leaves food in the projection room half-eaten and exposed to ants; he shakes hands with people as he walks out of the hearings. See more »
This is an astonishingly beautiful and moving film. Martin Scorcese has created a seminal work -- one that brings the harrowing, big-studio, adult movie making of the 1970's and totally reinvents and reinvigorates it for today's audience.
The story traces the rise and demise of billionaire Howard Hughes as he struggles to find meaning and purpose in a life unfettered by concerns of money, talent or opportunity. Whether trying to get a plane off the ground or a young starlet into bed, Hughes attacks life with a fierce gusto -- plagued and prodded by obsessive compulsive germphobia that constantly threatens to consume and defeat him.
DiCaprio is amazing! It's the performance no one thought he was capable of. It is a dynamic, smart, funny, articulate, intense, mature and ultimately harrowing performance that relaunches his career as one of American's finest actors. At the end of the film, you just want to take him in your arms and sob. It's really that good.
Cate Blanchett is incredible as Katherine Hepburn. At first, I was a little thrown by how bravely she attacked the Hepburn trademark voice, but I was completely won over by the second line. It is a tender, funny, incredibly convincing star turn that supplies the heart for the first half of the film. The scene where she takes Howard home "for dinner" with the family is a classic! Kate Beckinsale does a surprisingly fine job with Eva Gardner -- conveying the slow burning passion of this Hollywood icon without ever lapsing into mere mimicry.
But, in the end, this isn't a love story -- it's a war story -- a war between Howard's unstoppable will and his fierce inner demons battling for Howard's soul. It is the major relationship in the movie and the true heart of the film -- one that fuels his eccentric genius and yet constantly threatens to rip his life apart. He tries to ignore it by sleeping with every beauty in town. He tries to outrun it, building faster and faster airplanes. Yet, it is his one constant companion from early childhood to his ultimate, inescapable end. And it is this relationship that leaves you devastated at the end of the film.
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