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The Aviator (2004)

7.5
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Ratings: 7.5/10 from 218,552 users   Metascore: 77/100
Reviews: 773 user | 265 critic | 41 from Metacritic.com

A biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920s to the mid-1940s.

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Title: The Aviator (2004)

The Aviator (2004) on IMDb 7.5/10

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Won 5 Oscars. Another 73 wins & 85 nominations. See more awards »

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Cast

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Storyline

The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by Ryan McIntosh <Save_Ferris85@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Kate Beckinsale as Ava Gardner the passion he couldn't resist. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Release Date:

25 December 2004 (USA)  »

Also Known As:

El aviador  »

Filming Locations:

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Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend:

$629,474 (Japan) (25 March 2005)

Gross:

$102,608,827 (USA) (27 May 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Martin Scorsese requested that Cate Blanchett watch all of the first 15 films of Katharine Hepburn to learn her mannerism and her poise. See more »

Goofs

Light screens are seen reflected in Robert Gross's eyeglasses. See more »

Quotes

[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.
See more »

Crazy Credits

Aside from company logos and the film's title, there are no opening credits. See more »

Connections

Featured in 11th Annual Screen Actors Guild Awards (2005) See more »

Soundtracks

Toccata and Fugue in D Minor, BWV 565
(ca 1705)
Written by Johann Sebastian Bach (uncredited)
Performed by The Philadelphia Orchestra
Conducted by Eugene Ormandy
Courtesy of BMG Classics
By Arrangement with BMG Film & TV Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Ambitious, Impeccably-Acted, DELIVERS
6 December 2004 | by (New York, New York) – See all my reviews

Martin Scorsese's most recent ambitious project does not disappoint.

I just saw this film in a special preview for NYU film students, with Martin Scorsese there to discuss and answer questions after, and I must say, it was pretty phenomenal. It is Martin Scorsese's best work since Goodfellas (this is obvious) and most probably his best work since Raging Bull. DiCaprio's character study of Howard Hughes, and his devotion to this role, is exquisite and reminiscent even of Robert De Niro's in Raging Bull. The film is lengthy, but this compliments it, for the story is riveting and the production is practically flawless (even the combination of computerized processes and more traditional photography was smooth and effective).

The presentation of the film, in an evolving color (from two-tone Technicolor, as Martin explained it to us, to three-tone, to modern by the later sequences) is absolutely stunning, and the cinematography by renowned Robert Richardson, ASC, is some of the best I've seen (and, in my opinion, deserving of an Oscar).

Cate Blanchett was impeccable as Katharine Hepburn, though, at times, I felt that the complexity of her character was never really deeper than a surface analysis.

She did her role flawlessly, but this is not to say that it really Alec Baldwin portrayed one of the flattest villains I've seen in a major motion picture, but, again, this is about Howard Hughes, and DiCaprio's performance is worthy of an Oscar nod at least, and perhaps an Oscar Win (certainly the best performance I've seen all year).

One of my few complaints, though, is the lengthy sequences featuring Howard Hughes as a solo aviator. Though interesting, entertaining even, the film was long enough already, and did not require such an exhaustive analysis of individual flight procedures.

Also, it seems that some of the themes were almost too redundant, such as the ways in which Hughes' psychological problems were performed. Much of the Hollywood history is good, even interesting, but it also sometimes seemed a bit self-indulgent, to the point where you questioned the necessity of ALL of those nightclub sequences in the film.

But, besides those relatively few complaints, it is a spectacular film.

In all: do not miss it.

3.5/4


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