Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn. Written by
Ryan McIntosh <Save_Ferris85@hotmail.com>
Alan Alda avoided watching newsreel footage of the real Senator Owen Brewster. Alda felt that public figures did not speak or behave naturally in front of the newsreel cameras and he wanted his performance to be more natural. However, Alda did make use of photographs of the real-life Senator and used Brewster's legendarily ugly appearance in crafting the role; because it wouldn't work to make Alda look that disgusting, Alda instead used Brewster's looks as an example of how his inner ugliness emerged, and made that the key to his interactions with Howard Hughes. See more »
After reaching 352mph in the H1 Hughes describes himself as 'fastest man on the planet'. In fact the Supermarine s.6 had already established a faster speed than that in 1929 and the record at the time of the H1 was set by Francesco Agello at 440mph. It is inconceivable that Hughes, with his interest in aviation, would be unaware of this. Hughes' record was a land plane (rather than sea plane) record. See more »
There is no doubt that THE AVIATOR is the masterpiece of both director Martin Scorsese and actor, Leonardo DiCaprio. DiCaprio becomes Howard Hughes. The actor is so profoundly absorbed in the role that the DiCaprio we know from other films cannot be found in this film. It is a bravura performance of great depth and magnitude. DiCaprio richly deserves his first Academy Award.
I have never know much about Howard Hughes. This film opened my eyes to him as a personality, a businessman, aviator and his lavish lifestyle. DiCaprio no longer is the "pretty boy" from other films. The expressions he takes on are not handsome, the deeply furrowed brow, one could actually watch him, as Hughes' character, think his way through challenging situations, the mark of a highly gifted actor. Watching DiCaprio evolve into the paranoid schizophrenic Hughes in the latter part of the film is a stunning example of pure acting. Leo deserves recognition for recreating a most difficult personality.
Though the film is long, it never slows down nor gets boring and it commanded my attention from start to finish. It is masterpiece cinema for these two men and for other actors too. Cate Blanchette must be commended for her role as Katherine Hepburn. Every role was played by first rate actors.
If you want to understand a piece of American history from the 30s through the 1940s, this film will illumine you. It may not be the greatest film ever made but it sure is cinema to the max and worth seeing, without a second thought.
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