Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
After a botched robbery results in the brutal murder of a rural family, two drifters elude police, in the end coming to terms with their own mortality and the repercussions of their vile atrocity.
A real time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.
Director:
Paul Greengrass
Stars:
J.J. Johnson,
David Alan Basche,
Liza Colón-Zayas
Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the ... See full summary »
Director:
Bille August
Stars:
Christopher Adamson,
Liam Neeson,
Geoffrey Rush
Set in Depression-era Franklin County, Virginia, a bootlegging gang is threatened by a new deputy and other authorities who want a cut of their profits.
In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East.
Director:
Ridley Scott
Stars:
Denzel Washington,
Russell Crowe,
Chiwetel Ejiofor
Based on real life events, Assassination is set in 1974 and centers on a businessman who decides to take extreme measures to achieve his American dream.
"I cento passi" (one hundred steps) was the distance between the Impastatos' house and the house of Tano Badalamenti, an important Mafia boss, in the small Sicilian town of Cinisi. The ... See full summary »
Director:
Marco Tullio Giordana
Stars:
Luigi Lo Cascio,
Luigi Maria Burruano,
Lucia Sardo
Black Friday is a film about the investigations following the 1993 serial Bombay bomb blasts, told through the different stories of the people involved --police, conspirators, victims, middlemen.
Director:
Anurag Kashyap
Stars:
Kay Kay Menon,
Pavan Malhotra,
Aditya Srivastava
1863. America was born in the streets. In this movie, we see Amsterdam Vallon returning to the Five Points of America to seek vengeance against the psychotic gangland kingpin Bill the Butcher who murdered his father years ago. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area. However this is more said than done. Written by
Omar
Jonathan Rhys Meyers was offered a part before production, but turned it down because he said he was too busy with other projects. See more »
Goofs
When Amsterdam meets Johnny for the first time after coming back, they walk along the street and stop. As they talk, Amsterdam's satchel repeatedly moves from over his shoulder to under his arm and back between shots. See more »
I am a Civil War "buff," so I wanted to see this movie the moment I heard it was being made. Yes, the New York Draft Riots did happen, just two weeks AFTER the Northern victory at Gettysburg, demonstrating that the outcome of the War was anything but certain, even after Lee had been forced to retreat to the south bank of the Potomac River. Today, many would find this surprising.
The movie did take some license, however. There was no wholesale firing on civilians by Union soldiers. In fact, reported deaths after three days of rioting were less than one-hundred. Many of the dead were randomly selected blacks, who were hanged and mutilated (which was accurately depicted in the film). Today, many would also find this surprising, because the schools teach that the North was good, and the South was bad. The truth is that blacks were subjected to inhumane treatment everywhere, especially in the Nothern cities.
There was also no firing by offshore naval vessels. That was artistic license. (My source for all of the above is a doctoral dissertation that was published about ten years ago titled "The New York City Draft Riots.")
The movie makes the important point that the North had run out of "home grown" manpower to fight the South. Had it not been for Irish and German volunteers through 1863, and black volunteers in 1864, the North would have sued for peace. The 1864 Democratic Platform promised to bring the War to a swift and speedy conclusion.
Bravo to Scorsese for bringing all of this to light. In the meantime, the movie is about twenty minutes to long. The brothel scenes, the "uptown" scenes, and some of the scenes in the catacombs struck me as slow and superfluous. On the other hand, the street scenes and the scenes of the random gangs (of which I wish there were more) were glorious.
One thing Scorsese left out, however: The mountains of animal and human waste in the streets! Not long after his movie was released, the History Channel produced a documentary on the Five Points area, and it is staggering to consider the tons and tons of animal and human waste piling up in the streets, and the thousands of gallons of urine running in the gutters. There were old photos of waste in the streets stacked six feet high. Needless to say, infant mortality in such a fetid environment was about 50%. Scorsese leaves this out, and there is scarcely a horse in the movie.
Day-Lewis does a superb job with a character that is unevenly developed. He is a homicidal thug in the beginning, a menacing, but somewhat benign, presence in the middle, and a psychotic killer in the end. It isn't really clear why he vacillates the way he does. Bi-polar, I guess. DiCaprio proves he can act, and he exudes a manliness he did not possess in earlier films. Diaz turns in a creditable performance. The cast of thousands adds a nice touch to the film.
I would never say this is a "great" film, but it certainly is worth a look. Kudos to Scorsese for the herculean effort, and a tip of the kepi for the poetic ending, which reminded me of the ending in 1936's "San Francisco."
160 of 260 people found this review helpful.
Was this review helpful to you?
I am a Civil War "buff," so I wanted to see this movie the moment I heard it was being made. Yes, the New York Draft Riots did happen, just two weeks AFTER the Northern victory at Gettysburg, demonstrating that the outcome of the War was anything but certain, even after Lee had been forced to retreat to the south bank of the Potomac River. Today, many would find this surprising.
The movie did take some license, however. There was no wholesale firing on civilians by Union soldiers. In fact, reported deaths after three days of rioting were less than one-hundred. Many of the dead were randomly selected blacks, who were hanged and mutilated (which was accurately depicted in the film). Today, many would also find this surprising, because the schools teach that the North was good, and the South was bad. The truth is that blacks were subjected to inhumane treatment everywhere, especially in the Nothern cities.
There was also no firing by offshore naval vessels. That was artistic license. (My source for all of the above is a doctoral dissertation that was published about ten years ago titled "The New York City Draft Riots.")
The movie makes the important point that the North had run out of "home grown" manpower to fight the South. Had it not been for Irish and German volunteers through 1863, and black volunteers in 1864, the North would have sued for peace. The 1864 Democratic Platform promised to bring the War to a swift and speedy conclusion.
Bravo to Scorsese for bringing all of this to light. In the meantime, the movie is about twenty minutes to long. The brothel scenes, the "uptown" scenes, and some of the scenes in the catacombs struck me as slow and superfluous. On the other hand, the street scenes and the scenes of the random gangs (of which I wish there were more) were glorious.
One thing Scorsese left out, however: The mountains of animal and human waste in the streets! Not long after his movie was released, the History Channel produced a documentary on the Five Points area, and it is staggering to consider the tons and tons of animal and human waste piling up in the streets, and the thousands of gallons of urine running in the gutters. There were old photos of waste in the streets stacked six feet high. Needless to say, infant mortality in such a fetid environment was about 50%. Scorsese leaves this out, and there is scarcely a horse in the movie.
Day-Lewis does a superb job with a character that is unevenly developed. He is a homicidal thug in the beginning, a menacing, but somewhat benign, presence in the middle, and a psychotic killer in the end. It isn't really clear why he vacillates the way he does. Bi-polar, I guess. DiCaprio proves he can act, and he exudes a manliness he did not possess in earlier films. Diaz turns in a creditable performance. The cast of thousands adds a nice touch to the film.
I would never say this is a "great" film, but it certainly is worth a look. Kudos to Scorsese for the herculean effort, and a tip of the kepi for the poetic ending, which reminded me of the ending in 1936's "San Francisco."