When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
The paintings that Newland Archer encounters as he navigates the drawing rooms in the Beaufort mansion are, in order: The Duel After the Masquerade Ball by Jean-Leon Gerome (completed in 1857), The Return of Spring by William-Adolphe Bouguereau (completed in 1886), L'Ambitieuse (Political Woman) by James Tissot (completed in 1885). See more »
In the Parisian scene, you can clearly see a 'zebra crossing' in the background. See more »
I think we should look at reality, not dreams.
I just want us to be together!
I can't be your wife, Newland! Is it your idea that I should live with you as your mistress?
I want... Somehow, I want to get away with you... and... and find a world where words like that don't exist!
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The Columbia logo turns sepia to look like a 19th-century photograph. See more »
The Age of Innocence is simply the best work by director Martin Scorcese and is deservedly entitled to the numerous accolades it has received. Mr. Scorcese's style and panache is elaborate in his film adaptation of Edith Wharton's moving novel of a forbidden love and the desideration between the two. Pfeiffer gives the most heart-wrenching performance as the object of desire. Daniel Day Lewis, equally talented, is the tortured lover who must choose, a promise of marriage to Mae (Winona Ryder) or risk his stalwart reputation in society to express his love for Pfeiffer. The cinematography is beautiful and the cast phenomenal. I highly recommend this film to everyone.
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