When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
About 20 minutes into the film, Sillerton Jackson ('Alec McCowan') endures a mediocre meal at the Archer home. In Alfred Hitchcock's Frenzy (1972) McCowan's character, Chief Inspector Oxford, suffers the same fate (twice) at the hands of his wife (Vivien Merchant). See more »
When Mrs. Mingott tries to give a party in honor of Countess Olenska, not a single of her invitations is accepted, but the handwriting is the same on each separate refusal that flips by on camera. See more »
In the 70's, the decade's greatest director Stanley Kubrick broke from his series of groundbreaking films to make a long period piece. That movie, "Barry Lyndon", was met with much critical acclaim, but also a litany of derision from fans and critics alike who called it too slow, too ponderous and too boring. Nearly 20 years later, the world's leading director of that time, Martin Scorcese took the same steps and met with much of the same criticism.
These two movies are not for everyone. If you want to see action and fast-paced filmmaking, you will find them boring. However, if you want to see the pinnacles of the careers of the two greatest directors of the second half of the 20th century, you will find them here.
Enough has been said about the plot and the acting in "The Age of Innocence". The bottom line is that for pure cinematic luster and beauty, the 90's offers only a single movie that can match "Barry Lyndon". Don't watch the clock, watch the film, and enjoy a departure and a triumph that proves the depth and confidence of Scorcese's skills.
Lastly, don't let anyone spoil the ending for you, and don't jump to conclusions. Think about it after you've seen the movie, savour it for a while and the understanding will come to you. This movie quite simply has the finest ending of any movie I have ever seen.
"The Age of Innocence" is the 10 that rises just above Scorcese's string of 9 1/2s. See it.
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