The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the ... See full summary »
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <email@example.com>
During the baptism of Newland's and May's child, the family priest blesses the child with "the Father, Son, and the Holy Spirit" instead of "the Father, Son and the Holy Ghost". The usage of this phrase only came about after the revision of the Episcopalian prayer book in the 1920s. See more »
The Age of Innocence is simply the best work by director Martin Scorcese and is deservedly entitled to the numerous accolades it has received. Mr. Scorcese's style and panache is elaborate in his film adaptation of Edith Wharton's moving novel of a forbidden love and the desideration between the two. Pfeiffer gives the most heart-wrenching performance as the object of desire. Daniel Day Lewis, equally talented, is the tortured lover who must choose, a promise of marriage to Mae (Winona Ryder) or risk his stalwart reputation in society to express his love for Pfeiffer. The cinematography is beautiful and the cast phenomenal. I highly recommend this film to everyone.
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