Tale of 19th century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
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When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Director:
James Ivory
Stars:
Maggie Smith,
Helena Bonham Carter,
Denholm Elliott
Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Director:
Todd Field
Stars:
Kate Winslet,
Jennifer Connelly,
Patrick Wilson
A British medical doctor fights a cholera outbreak in a small Chinese village, while also being trapped at home in a loveless marriage to an unfaithful wife.
Director:
John Curran
Stars:
Catherine An,
Edward Norton,
Liev Schreiber
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love. Written by
Marg Baskin <marg@asd.raytheon.ca>
Co-stars Michelle Pfeiffer and Daniel Day-Lewis both share the same birthday in real life. See more »
Goofs
When Mrs. Mingott tries to give a party in honor of Countess Olenska, not a single of her invitations is accepted, but the handwriting is the same on each separate refusal that flips by on camera. See more »
Quotes
Larry Lefferts:
Beaufort may not receive invitations anymore, but it's clear he maintains a certain position.
See more »
Crazy Credits
The Columbia logo turns sepia to look like a 19th-century photograph. See more »
"Marble Halls"
Arranged by Enya, Roma Ryan and Nicky Ryan
Performed by Enya
Courtesy of Reprise Records and Warner Music U.K. Ltd.
By Arrangement with Warner Special Products See more »
Don't get put off by those telling you to give a miss to this film. They belong to the school, insufferable to the true cinema lover and to those of any taste in general, who expects "something to happen" in a film and feel cheated at the end if they haven't had to scramble through an intricate plot, haven't seen the mandatory pound of spilled blood and the round of gunshots. Scorsese is at his most brilliant in this film; it is all the more exquisite as it does not rely on an overloaded plot but prefers to be constructed of lights and half lights, shades and nuances. All the more appropriate as this is exactly what Scorsese wants us to see in the world of end of XIX th century New York- a society brimming with peace and innocence in which nothing appears to ever happen but under the surface of which gossip and intrigue work relentlessly and destinies are decided over the small talk of the dinner table. Accompanied by an impecable narrative voice and an unforgettable richness of color and music it will haunt you forever. Those it sends to sleep do not deserve to be awake. Ten out of ten!
53 of 66 people found this review helpful.
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Don't get put off by those telling you to give a miss to this film. They belong to the school, insufferable to the true cinema lover and to those of any taste in general, who expects "something to happen" in a film and feel cheated at the end if they haven't had to scramble through an intricate plot, haven't seen the mandatory pound of spilled blood and the round of gunshots. Scorsese is at his most brilliant in this film; it is all the more exquisite as it does not rely on an overloaded plot but prefers to be constructed of lights and half lights, shades and nuances. All the more appropriate as this is exactly what Scorsese wants us to see in the world of end of XIX th century New York- a society brimming with peace and innocence in which nothing appears to ever happen but under the surface of which gossip and intrigue work relentlessly and destinies are decided over the small talk of the dinner table. Accompanied by an impecable narrative voice and an unforgettable richness of color and music it will haunt you forever. Those it sends to sleep do not deserve to be awake. Ten out of ten!