Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can't get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives - Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger - on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake's office for the first time, he learns that it isn't just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment. What Baxter is unaware of is that Sheldrake's mistress is Fran Kubelik, an elevator girl in the ... Written by
In 2007, the American Film Institute ranked this as the #80 Greatest Movie of All Time. See more »
When Sheldrake calls the Personnel Department to get Baxter's home number after Fran's suicide attempt, he says Baxter is in "ordinary premium accounting" even though Sheldrake had already promoted Baxter to a junior executive position. See more »
On November 1st, 1959, the population of New York City was 8,042,783. If you laid all these people end to end, figuring an average height of five feet six and a half inches, they would reach from Times Square to the outskirts of Karachi, Pakistan. I know facts like this because I work for an insurance company - Consolidated Life of New York. We're one of the top five companies in the country. Our home office has 31,259 employees, which is more than the entire population ...
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Billy Wilder knew how to make a great movie. Of course it helps to have one of the greatest all-time actors, Jack Lemon, play in your movies, but Lemon aside, Wilder was a genius. His gift for the comedic moment showed brilliantly on screen and reached deep inside the audience.
The Apartment, the last of the great Black and White films, showed a bit darker side to comedy than some of his other romps such as the hilarious Some Like It Hot. Some Like It Hot is just as funny today as it was in 1959. It is pure fun. At no point in the film are we approached with anything that we would take seriously. Let's face it, most of us are not running from the mob disguised as a member from the opposite sex.
The Apartment, however, brings up much more human themes and issues. Wilder is an expert and at no time does he leave you worried that it will turn out badly. This is, after all, a comedy. One mistake in the script and the movie could quickly become a deep film about suicide, loneliness, and peer pressure, but Wilder balances the subjects on the edge of a knife and allows us to smile at what could otherwise be a very depressing movie.
Wilder and his films like The Apartment are very similar to Shakespeare's comedies. It can be said that the difference between a Shakespeare comedy and tragedy is often not the story, but the ending. In a comedy, everyone is married; in a tragedy, everyone dies. the same is true with The Apartment, it all hinges on the outcomes. If Kubelik dies or Baxter is left alone, the movie would be a tragedy. But since they prevail in the end, the movie comes off as a great comedic success, albeit a bit dark.
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