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The Apartment (1960)

8.4
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Ratings: 8.4/10 from 65,048 users  
Reviews: 213 user | 149 critic

A man tries to rise in his company by letting its executives use his apartment for trysts, but complications and a romance of his own ensue.

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Title: The Apartment (1960)

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Top 250 #98 | Won 5 Oscars. Another 18 wins & 8 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Joe Dobisch
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Dr. Dreyfuss
...
Hope Holiday ...
Joan Shawlee ...
Sylvia
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Mrs. Mildred Dreyfuss
Johnny Seven ...
Karl Matuschka
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The Blonde
Willard Waterman ...
Mr. Vanderhoff
...
Mr. Eichelberger
...
Miss Olsen
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Storyline

As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can't get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives - Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger - on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake's office for the first time, he learns that it isn't just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment. What Baxter is unaware of is that Sheldrake's mistress is Fran Kubelik, an elevator girl in the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A Billy "Some Like It Hot" Wilder Production See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 September 1960 (France)  »

Also Known As:

Das Appartement  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The name on the door next to Baxter's office is T.W.Plews. Tom Plews was the prop master. See more »

Goofs

When C.C. Baxter gets into Miss Kubelik's elevator to go to the 27th floor, Miss Kubelik pushes a button, presumably 27, which lights up. When they reach their floor, and the elevator doors open, rather than switching off, as an elevator button would normally do when elevator reaches it's destination, the button stays lit, and remains lit through the remainder of the scene. See more »

Quotes

[first lines]
C.C. Baxter: [narrating] On November 1st, 1959, the population of New York City was 8,042,783. If you laid all these people end to end, figuring an average height of five feet six and a half inches, they would reach from Times Square to the outskirts of Karachi, Pakistan. I know facts like this because I work for an insurance company - Consolidated Life of New York. We're one of the top five companies in the country. Our home office has 31,259 employees, which is more than the entire population ...
See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.12 (2011) See more »

Soundtracks

"Jingle Bells"
(1857) (uncredited)
Music by James Pierpont
Sung a cappella and danced at the Christmas Eve party
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Likewise, it's a love-fest Lemmon-wise
28 June 2001 | by (las vegas, nv) – See all my reviews

One of the finest examples of smart, satiric comedy-drama ever created for the screen. Jack Lemmon (in amazing comic form) plays a working stiff in Corporate America--via New York City--whose bachelor apartment inadvertently becomes a love-nest for amorous, married executives. The film is extremely modern for 1960 and features a non-stop barrage of funny, clever talk. Lemmon is a mad genius at frenzied (yet sympathetic) characterization, and "The Apartment" catches him at his professional peak in the movies. Working alongside huggable neurotic Shirley MacLaine (also at her peak) and shady Fred MacMurray (parlaying his slimeball role with curt persuasion), Lemmon creates a new kind of acting: screwball realism. **** from ****


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