Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
William Friedkin has said the chase scene wasn't fully scripted, but largely conceived while they were doing location scouting. It was almost completely improvised and shot entirely out of sequence, over a period of five weeks. It did not involve solid day-to-day shooting, and all of the shooting was confined between the hours of 10am- 3pm. One reason was that they were given permission to use only one particular Brooklyn line, the Stillwell Avenue, running from Coney Island into Manhattan (the West End line). The entire chase was shot with an Arriflex camera, as was most of the picture. One brief shot, where Doyle's car slams into the fence, was filmed in Ridgewood under the Myrtle Ave., or M, line. See more »
When Doyle and Russo arrive at the scene of an accident with their Supervisor and Federal Agent, they attempt to persuade their supervisor to keep them on the case. A shot of a deceased woman is shown when she is taken out of the wreckage prior to Doyle's and Russo's arrival and the exact same shot is re-played after they arrive on scene. See more »
"The French Connection" is an excellent film in every way imaginable. Gene Hackman (Oscar-winning) stars as a tough New York cop who is obsessed with stopping the flow of heroin into the city from France. Fernando Rey is perfect as the ring-leader of the smuggling. Tough, gritty, and realistic, "The French Connection" is an intense character-study that is never short on suspense or action. The film won five Oscars in 1971, including the Best Picture Oscar and one for William Friedkin's (only 32 at the time) intense direction. In a year that produced "The Last Picture Show" and "A Clockwork Orange", this film's win makes it even more impressive than it was nearly 30 years ago. Excellent. 5 stars out of 5.
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