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The French Connection (1971)

7.8
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Ratings: 7.8/10 from 64,347 users   Metascore: 96/100
Reviews: 261 user | 117 critic | 4 from Metacritic.com

A pair of NYC cops in the Narcotics Bureau stumble onto a drug smuggling job with a French connection.

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(screenplay), (based on the book by), 1 more credit »
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Won 5 Oscars. Another 18 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Marcel Bozzuffi ...
Pierre Nicoli
Frédéric de Pasquale ...
Devereaux (as Frederic De Pasquale)
...
Mulderig
Ann Rebbot ...
Marie Charnier
Harold Gary ...
Weinstock
Arlene Farber ...
Angie Boca
Eddie Egan ...
Simonson
André Ernotte ...
La Valle (as Andre Ernotte)
...
Klein
Benny Marino ...
Lou Boca
Patrick McDermott ...
Chemist (as Pat McDermott)
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Storyline

William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

The time is just right for an out and out thriller like this. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 October 1971 (USA)  »

Also Known As:

Contacto en Francia  »

Box Office

Budget:

$1,800,000 (estimated)

Gross:

SEK 1,836,397 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)| (Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Robert Mitchum claimed to have turned down the role of Popeye Doyle because he hated the story. See more »

Goofs

On the New York City subway, a two-buzz highball is normally given only when a train departs from a terminus, makes an unscheduled stop, or has to add or drop cars along its route. It is not given during normal stops along a route such as Bay-50th St. See more »

Quotes

[first lines]
Jimmy 'Popeye' Doyle: Merry Christmas. What's your name, little boy?
Little Boy: Eric.
Jimmy 'Popeye' Doyle: Uh-huh, Eric. What do you want for Christmas Eric? Hmmm?
See more »

Connections

Referenced in Dempsey and Makepeace: Wheelman (1985) See more »

Soundtracks

Jingle Bells
(1857) (uncredited)
Written by James Pierpont
Sung by Gene Hackman and the kids
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
32 years and still relevant
6 February 2003 | by (nyc, USA) – See all my reviews

I first saw The French Connection in the summer of '72 (after it won the Oscar), so it's reputation was fairly well sealed by then. I had seen fair number of 1971 films, including The Hospital, Nicholas and Alexandria, A Clockwork Orange, Shaft, Le Boucher, Dirty Harry. The French Connection was something different though. It seemed to leap off the screen. It gave me a feeling I no longer have when I leave a movie, which is when I stepped out into the street I felt I was still in the movie. Of course, the chase was spectacular, but what I most remember and still enjoy about the movie is the energy. Gene Hackman acted Popeye with his entire body: running, stamping his feet, fighting, pointing, running some more: the porkpie hat was not a meaningless appendage; it was part of him, whether he employed it for drug recovery or slamming it into the concrete. It's a cinematic performance that ranks with Chaplin and Keaton. Then there's the intoxicating mood of grey, dreary winter in New York 1970-71 that puts you into the show. And the editing. Note the cool shot of Doyle spinning out of the phone booth on Broome St. cutting right into the drone of the Brooklyn Bridge at daybreak; or the shots jammed together as Doyle yells at Pierre Nicoli on the departing train, cut to: the motorman's hand cut to: to the suspicious transit cop, cut to: to the closing train doors, etc. And no music to smooth it over! Whenever I see this film it looks like it's still happening.


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