William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed.
Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Even though there isn't a note of music during the spectacular car chase, William Friedkin cut that sequence to the tempo of Carlos Santana's "Black Magic Woman"
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Goofs
Continuity:
Doyle's hat comes and goes while tearing apart the car.
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