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The Godfather (1972)

R  |   |  Crime, Drama  |  24 March 1972 (USA)
9.2
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Ratings: 9.2/10 from 986,261 users   Metascore: 100/100
Reviews: 1,973 user | 194 critic | 14 from Metacritic.com

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

Writers:

(screenplay), (screenplay), 1 more credit »
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Title: The Godfather (1972)

The Godfather (1972) on IMDb 9.2/10

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Top 250 #2 | Won 3 Oscars. Another 30 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Clemenza (as Richard Castellano)
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Rudy Bond ...
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Storyline

When the aging head of a famous crime family decides to transfer his position to one of his subalterns, a series of unfortunate events start happening to the family, and a war begins between all the well-known families leading to insolence, deportation, murder and revenge, and ends with the favorable successor being finally chosen. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

An offer you can't refuse.

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

| |

Release Date:

24 March 1972 (USA)  »

Also Known As:

Mario Puzo's The Godfather  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$223,758 (USA) (4 April 1997)

Gross:

$134,821,952 (USA) (2 May 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Director's cut)

Sound Mix:

(re-release)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Mafia crime boss Joe Colombo and his organization The Italian-American Civil Rights League started a campaign to stop the film from being made. According to Robert Evans in his autobiography, Colombo called his home and threatened him and his family. Paramount received many letters during pre-production from Italian-Americans - including politicians - decrying the film as anti-Italian. They threatened to protest and disrupt filming. Producer Albert S. Ruddy met with Colombo who demanded that the terms "Mafia" and "Cosa Nostra" not be used in the film. Ruddy gave them the right to review the script and make changes. He also agreed to hire League members (read: mobsters) as extras and advisers. The angry letters ceased after this agreement was made. Paramount owner Charlie Bluhdorn read about the agreement in The New York Times and was so outraged that he fired Ruddy and shut down production. But Evans convinced Bluhdorn that the agreement was beneficial for the film and Ruddy was rehired. See more »

Goofs

When Michael meets Moe Green in Vegas to buy him out, he gets out a pack of cigarettes, then we cut to another angle and he does it again. See more »

Quotes

[first lines]
Bonasera: I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
[...]
See more »

Crazy Credits

Other than Mario Puzo's name there are no opening credits. See more »

Connections

Referenced in What's Happening!!: Shirley's Fired (1979) See more »

Soundtracks

Manhattan Serenade
(1928)
Music by Louis Alter
Performed by Tommy Dorsey & His Orchestra (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Potpourri of Vestiges Review: A cinematic magnum opus
29 September 2008 | by (India) – See all my reviews

The Godfather is an extravaganza, nigh flawless, a cinematic magnum opus, ubiquitously acclaimed for its brilliance and for being in a league of its own. The Godfather doesn't depict poetic justice but rather portrays the triumph of perspicacious potency over abject vulnerability. The Godfather is known, not for its cogency but for its eloquence.

The movie being star-studded is decorated with a plethora of supernal performances and it won't be a hyperbole that almost every actor gave an Oscar worthy performance. Marlon Brando is exceptionally brilliant in his sterling portrayal of Vito Corleone and so is Al Pacino in his remarkable portrayal of Michael Corleone. The grandeur of Don Vito Corleone ironically lies in his austerity and inexorable equanimity.

The grandiosity of the movie is such, that even the biggest complement made about it may sound like a picayune remark. The Godfather may most aptly be described as an obituary of humanity, a requiem of mankind, owing to the pervasive violence and the brutality that it portrays in an utmost sanguinary fashion. In a nutshell, the movie has transcended all the limits of mortality only to achieve apotheosis.

http://www.apotpourriofvestiges.com/


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Diane Keaton was wrong for this film lynniepinnie22
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