Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld. The only job he can find is to be a driver for ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
A bored small-town girl and a small-time bank robber leave in their wake a string of violent robberies and newspaper headlines that catch the imagination of the Depression-struck Mid-West in this take on the legendary crime spree of these archetypal lovers on the run. Written by
Keith Loh <firstname.lastname@example.org>
Gene Hackman was on the set one day when he noticed a guy standing behind him and staring. The man said, "Hell, Buck would've never wore a hat like that." Hackman turned around and looked at him and said, "Maybe not." He looked like an old Texas farmer. The man introduced himself and said, "Nice to meet you - I'm one of the Barrows." See more »
The fire truck at the roadblock is a 1940 model. It stands out as being too modern for the depression era. See more »
[to Clyde, after he rebuffs her romantic advances]
Your advertising's just dandy... folks would never guess you don't have a thing to sell.
See more »
Besides being an enormously entertaining movie, "Bonnie and Clyde" was an important 1960's landmark film in a couple of ways. Its violent ending helped to hasten the end of the old Hayes code, which had been a severe restrictor of artistic freedom; and it helped shape the '60's image of the anti-hero. For these things it received a good deal of condemnation as well as commendation.
The picture is a melange of artistic license and historical accuracy. The recreation of the Depression-era look is superb. (It's done in an unostentatious manner, however. One feels it rather than particularly noting it.) While some liberties are taken with the story, a reasonable amount jibes with the facts. But certainly there is some romanticization here. And of course the real Clyde Barrow and Bonnie Parker were not nearly as attractive as Beatty and Dunaway.
The acting by the two principals is top-notch, as well as that of most of the rest of the cast, especially Gene Hackman (the first film I ever saw him in) and Estelle Parsons.It's not generally recognized that actors Denver Pyle, Dub Taylor and Gene Wilder contribute to the movie's success. Technically as well as artistically everyone from director Arthur Penn on down deserves praise for making what I think is one of the finest movies ever made, without qualification. It seems we all reserve the warmest spots in our hearts for favorite films of our youth. This is one of mine.
And you'll love Flatt & Scruggs' "Foggy Mountain Breakdown" too.
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