Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld. The only job he can find is to be a driver for ... See full summary »
A bored small-town girl and a small-time bank robber leave in their wake a string of violent robberies and newspaper headlines that catch the imagination of the Depression-struck Mid-West in this take on the legendary crime spree of these archetypal lovers on the run. Written by
Keith Loh <email@example.com>
In one scene, while holding up a bank, Clyde Barrow tells a farmer he can keep his own money. ("Is that your money or the bank's?" "It's mine." "You keep it then.") In real life, it was bank robber Pretty Boy Floyd who allowed a farmer to keep his own money during a holdup. See more »
While fleeing Texas law enforcement after a bank robbery, the gang drives into Oklahoma on dry land instead of over a bridge, as one might expect. The substantial Red River forms the boundary between Oklahoma and the parts of Texas (northeast and north-central) in which they were active criminals. The dry-land section of the Texas-Oklahoma boundary lies to the north and east of the Texas "Panhandle" which is quite far (about 200 miles at the least) from any of their known bank robberies. See more »
[Bonnie to Buck and Blanche]
Why don't y'all go back to your *own* cabin, if you want to play with C.W.
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Besides being an enormously entertaining movie, "Bonnie and Clyde" was an important 1960's landmark film in a couple of ways. Its violent ending helped to hasten the end of the old Hayes code, which had been a severe restrictor of artistic freedom; and it helped shape the '60's image of the anti-hero. For these things it received a good deal of condemnation as well as commendation.
The picture is a melange of artistic license and historical accuracy. The recreation of the Depression-era look is superb. (It's done in an unostentatious manner, however. One feels it rather than particularly noting it.) While some liberties are taken with the story, a reasonable amount jibes with the facts. But certainly there is some romanticization here. And of course the real Clyde Barrow and Bonnie Parker were not nearly as attractive as Beatty and Dunaway.
The acting by the two principals is top-notch, as well as that of most of the rest of the cast, especially Gene Hackman (the first film I ever saw him in) and Estelle Parsons.It's not generally recognized that actors Denver Pyle, Dub Taylor and Gene Wilder contribute to the movie's success. Technically as well as artistically everyone from director Arthur Penn on down deserves praise for making what I think is one of the finest movies ever made, without qualification. It seems we all reserve the warmest spots in our hearts for favorite films of our youth. This is one of mine.
And you'll love Flatt & Scruggs' "Foggy Mountain Breakdown" too.
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