Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
Five high school students, all different stereotypes, meet in detention, where they pour their hearts out to each other, and discover how they have a lot more in common than they thought.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
The Buckman family is a midwestern family all dealing with their lives: estranged relatives, raising children, pressures of the job, and learning to be a good parent and spouse.
Director:
Ron Howard
Stars:
Steve Martin,
Mary Steenburgen,
Dianne Wiest
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Director:
Curtis Hanson
Stars:
Michael Douglas,
Tobey Maguire,
Frances McDormand
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <jlvogel@comcast.net>
The Hans Zimmer score was done completely with synthesizers, all of which he played. No orchestras were used. See more »
Goofs
In the very early scene where Miss Daisy is inside starting her car it is a 1949-1953 Chrysler. The car shown backing over the wall from the outside is a 1946-1948 Chrysler. See more »
Quotes
Hoke Colburn:
[Hoke is driving Daisy to Mobile]
Did I evre tell you about the first time I ever been outside the state of Georgia?
Daisy Werthan:
No, when was that?
Hoke Colburn:
Oh, a few minutes ago.
See more »
"JINGLE BELLS"
(1857)
Written by James Pierpont (uncredited)
Arranged and Performed by Charlotte Georg (as Les Peel)
Courtesy of Capitol Production Music/Ole Georg See more »
Looking for a great, in-yer-face fast-moving action THRILLER? Driving Miss Daisy ain't it.
Looking for a great MOVIE? You're in the right place.
"Driving Miss Daisy" charts the subtly-shifting relationship between "Miss Daisy," a very reluctantly aging Jewish lady who's no longer able to drive for herself, and her new (and, as you can expect, rather unwelcome!) driver -- a not-terribly-young-himself Black guy (or African-American guy, whichever you prefer) named Hoke.
Bear in mind this is the Deep South of the 1950's and 60's we're talking about here, and the racial attitudes and prejudices of that time make for fascinating background -- as does the whole general culture, which I believe was well portrayed.
The directors frankly took on some delicate racial subject matter here (and certainly the racial divide in those days was very deep indeed) -- but they handled it with remarkable skill. I think they succeeded so well because they brought you into the lives of people as people, not just as cardboard stereotypes. Long before the movie is over, you find yourself really caring about the two main characters -- Daisy and Hoke.
This is a movie about life, relationships, and people. You see some good things -- and also some very human weaknesses, not the least of which is sheer stubborn pride.
I personally was a child of the deep South, and I appreciate movies such as this one and Jessica Tandy's other wonderful movie Fried Green Tomatoes (which is in some ways very similar) which give us a glimpse into the culture of those days. There are definitely things we can learn from the past, and there are also things we can learn from watching how people change over the course of their lives.
Several moments from this movie stand out, some of which are funny, some sobering, and some of which are particularly moving:
The scene involving Dr. Martin Luther King.
The unashamedly bigoted comments of a 50's or 60's police officer.
A great scene involving Hoke and Miss Daisy's businessman son.
An incredible scene in which Jessica Tandy portrays the aging Miss Daisy.
And, perhaps most of all, what Miss Daisy says to Hoke towards the end of the movie.
Now personally, I love action movies so well that I was initially reluctant even to watch this one. This is not a movie of action, but it IS a movie of substance and beauty, mixed with some funny moments.
The acting is great, the script and directing are beautifully done, and the substance, humor and beauty are such that overall, I consider "Driving Miss Daisy," one of the best movies I've ever seen.
33 of 41 people found this review helpful.
Was this review helpful to you?
Looking for a great, in-yer-face fast-moving action THRILLER? Driving Miss Daisy ain't it.
Looking for a great MOVIE? You're in the right place.
"Driving Miss Daisy" charts the subtly-shifting relationship between "Miss Daisy," a very reluctantly aging Jewish lady who's no longer able to drive for herself, and her new (and, as you can expect, rather unwelcome!) driver -- a not-terribly-young-himself Black guy (or African-American guy, whichever you prefer) named Hoke.
Bear in mind this is the Deep South of the 1950's and 60's we're talking about here, and the racial attitudes and prejudices of that time make for fascinating background -- as does the whole general culture, which I believe was well portrayed.
The directors frankly took on some delicate racial subject matter here (and certainly the racial divide in those days was very deep indeed) -- but they handled it with remarkable skill. I think they succeeded so well because they brought you into the lives of people as people, not just as cardboard stereotypes. Long before the movie is over, you find yourself really caring about the two main characters -- Daisy and Hoke.
This is a movie about life, relationships, and people. You see some good things -- and also some very human weaknesses, not the least of which is sheer stubborn pride.
I personally was a child of the deep South, and I appreciate movies such as this one and Jessica Tandy's other wonderful movie Fried Green Tomatoes (which is in some ways very similar) which give us a glimpse into the culture of those days. There are definitely things we can learn from the past, and there are also things we can learn from watching how people change over the course of their lives.
Several moments from this movie stand out, some of which are funny, some sobering, and some of which are particularly moving:
The scene involving Dr. Martin Luther King.
The unashamedly bigoted comments of a 50's or 60's police officer.
A great scene involving Hoke and Miss Daisy's businessman son.
An incredible scene in which Jessica Tandy portrays the aging Miss Daisy.
And, perhaps most of all, what Miss Daisy says to Hoke towards the end of the movie.
Now personally, I love action movies so well that I was initially reluctant even to watch this one. This is not a movie of action, but it IS a movie of substance and beauty, mixed with some funny moments.
The acting is great, the script and directing are beautifully done, and the substance, humor and beauty are such that overall, I consider "Driving Miss Daisy," one of the best movies I've ever seen.