Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <firstname.lastname@example.org>
While being interviewed in the 2008 PBS Mini-Series The Jewish Americans (2008), Alfred Uhry, who wrote the film's screen play and grew up as a Jewish child in Atlanta during the 40's and 50's, admitted that many Jews in Atlanta celebrated Christmas like Boolie and his wife in attempt to be a part of a community where Jews were a minority. See more »
When they are stopped eating lunch on the way to Mobile, they had just commented on how they just crossed into Alabama. The policemen that question them are Georgia Patrolmen (patch on sleeve). See more »
Only those with dull minds would find this boring.
Only those with dull minds would find this boring. A truly perfect movie, in my opinion. I never saw the stage production, but I can't believe it could have been better. I believe the movie was perfectly cast, as well, even though I adore Dana Ivey, who originated the role of Daisy Werthan. By the way, I can see a day far in the future when Morgan Freeman will win an Oscar for a small supporting role in an otherwise forgettable movie. That Oscar will be the reward for movies like this one.
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