Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <email@example.com>
The role of Florine, played by Patti LuPone, is not in the original play "Driving Miss Daisy". It was written in by playwright and screenwriter Alfred Uhry specifically for LuPone, who, Uhry felt, looked good in a costume. See more »
When Miss Daisy discusses the first time she went to Mobile she commented that it was 1888 and she was 12 years old, earlier and later in the movie there is a picture shown that alludes it is Miss Daisy as a 5th grader and the year is 1896, assuming she would be at least a 5th grader by 12 years old the dates contradict each other. See more »
Hey, there, Oscar, Junior... how you boys doin' this morning?
How the old lady treatin' you, Hoke?
Lord, I tell you one thing... she sho' do know how to throw a fit!
[Hoke, Oscar, and Junior break out in laughter]
What's so funny?
Nothin', Miss Daisy. We jus' carryin' on.
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Morgan Freeman and Jessica Tandy (in Oscar Winning performance) invoke grace and dignity in this sensitive treatment of race relations and old age. Freeman stars as a gentle, wise black chauffeur in the service of a spunky Jewish widow, played by Tandy. As the years pass, their relationship evolves into a remarkable friendship despite their different backgrounds.
The film is skillfully adapted from the award-winning play, unfolding against the backdrop of civil rights changes in the South. Somewhat simplistic to be considered a strong statement about race relations, the Best Picture/Best Screenpaly Oscar Winner makes a heartwarming effort to give witness to dignified aging.
Freeman was never better, and the chemistry between the two leads is simply beautiful to watch. This is a very special cinema experience.
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