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High Noon (1952)

 -  Drama | Western  -  30 July 1952 (USA)
8.1
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Ratings: 8.1/10 from 64,970 users   Metascore: 89/100
Reviews: 317 user | 143 critic | 7 from Metacritic.com

A marshall, personally compelled to face a returning deadly enemy, finds that his own town refuses to help him.

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Writers:

(screenplay), (magazine story "The Tin Star")
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Title: High Noon (1952)

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Top 250 #204 | Won 4 Oscars. Another 13 wins & 10 nominations. See more awards »

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Cast

Complete credited cast:
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Martin Howe (as Lon Chaney)
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Sam Fuller (as Henry Morgan)
Ian MacDonald ...
Eve McVeagh ...
Morgan Farley ...
Harry Shannon ...
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Jim Pierce (as Robert Wilke)
Sheb Wooley ...
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Storyline

On the day he gets married and hangs up his badge, lawman Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station... Written by Man_With_No_Name_126

Plot Summary | Add Synopsis

Plot Keywords:

train | lawman | badge | wedding | revenge | See All (100) »

Taglines:

The story of a man who was too proud to run. See more »

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated PG for some western violence, and smoking | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

30 July 1952 (USA)  »

Also Known As:

A la hora señalada  »

Box Office

Budget:

$750,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A comic relief scene involving town drunk Jack Elam and an entire subplot with James Brown playing another marshal didn't make it into the final cut. See more »

Goofs

In the scene just after Kane leaves the barber shop and walks up the street sunlight can briefly be seen reflecting off cars passing by the set in the distant background. It is reportedly more noticeable in the theatrical release than on TV screens. See more »

Quotes

[to Deputy Harvey Pell]
Joe: I knew you had guts but I never figured you for brains. It takes a pretty smart man to know when to back away.
See more »

Connections

Referenced in Point Break (1991) See more »

Soundtracks

Buffalo Gals (Won't You Come Out Tonight)
(1844) (uncredited)
Written by William Cool White
Played offscreen on piano in the saloon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Man Who Won't Run Away
29 May 2006 | by (the Sagas of Icelanders) – See all my reviews

For me, Will Kane embodies the American ideal of a hero: a man who stands up for what is right, even when nobody else does, even when the temptation is strong to stick the head in the sand.

Will Kane explains his outlook at the outset: there is no point in running away if that means spending the rest of your life watching your back. His best chance is to face his enemies on his home ground. At this point, he still thinks that honest folk will stand by him. The rest of the movie is a study in character: will he stand his ground when his entire world crumbles around him?

It is puzzling that Howard Hawks, John Wayne, and others thought of High Noon as un-American. I am not sure if this is because of the allegory of the McCarthy era; or the people of an American town collectively sticking their heads in the sand; or the Marshal throwing his badge to the ground in the last scene.

Clearly, the movie does not criticize McCarthyism itself. (It has nothing to say about communism, either.) It appears to criticize the people who did not stand up to McCarthy and the HUAAC, but it can equally well be seen as a comment on the appeasers who did not stand up to fascism or communism.

In any case, not too much must be made of the anti-appeasement angle, because the townsfolk is not the primary focus of the movie: the focus is on Will Kane. When the townsfolk behave like cowards, that gives Will Kane a chance to prove that he is a hero. If the town had stood by the Marshal, we would have seen, at best, an excellent Western like Rio Bravo, but not a masterpiece like High Noon. For Will Kane to be a hero, it is necessary that he stands alone.

No statement can convey the dramatic impact of Will Kane throwing his badge away, but it is worth discussing what this gesture means. For me, it means that the town and the badge were not worth fighting for. Will Kane fought for principle: he fought because he does not run away.


47 of 60 people found this review helpful.  Was this review helpful to you?

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