Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on ... See full summary »
On the day he gets married and hangs up his badge, lawman Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station... Written by
Until his death, director Fred Zinnemann fought not to have this film colorized, saying that he designed it in black and white and that it should be shown that way. He was unsuccessful, however. A colorized version was made by Republic Pictures, which acquired the film years prior, and was broadcast several times over the several cable outlets of Ted Turner, who was a heavy advocate of the process. See more »
In the climactic crane shot when Kane is alone in the town square, modern day buildings are clearly visible in the skyline. See more »
People gotta talk themselves into law and order before they do anything about it. Maybe because down deep they don't care. They just don't care.
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High Noon is for me one of the two finest Westerns ever made (the other is Shane). It is an elemental commentary on the best and worst of America, the best and worst of mankind. It is Greek tragedy and Shakespeare brought to the Old West in a grandly simple form. Gary Cooper is superb and the supporting cast is outstanding as well (although I wish Grace Kelley would have spoken without the artificial sounding school-girl accent, something which marred so many of her otherwise fine performances). I do not read into the film a commentary on events of the 1950s, specifically the ongoing investigations by Congress of left-wing activities. High Noon transcends such specifics as this. I know John Wayne called the film un-American but I must disagree. I have great respect for the Duke but think he got this one wrong. Weak, timid people are everywhere and the strong are often few and far between. Goodness and right often prevail because a small minority insure that they do. All benefit from the courage of the lonely hero whether they realize it or not. Hign Noon is a testimony to this truth.
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