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Sudden Impact (1983)

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Ratings: 6.6/10 from 25,216 users  
Reviews: 109 user | 49 critic

A rape victim is exacting revenge on her agressors in a small town outside San Francisco. Dirty Harry, on suspension for angering his superiors (again), is assigned to the case.

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Title: Sudden Impact (1983)

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Cast

Cast overview, first billed only:
...
...
...
...
Paul Drake ...
Audrie Neenan ...
Ray Parkins (as Audrie J. Neenan)
Jack Thibeau ...
Kruger
Michael Currie ...
Albert Popwell ...
Mark Keyloun ...
Officer Bennett
...
Hawkins
...
Leah
Nancy Parsons ...
Joe Bellan ...
Burly Detective
...
Tyrone
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Storyline

A vicious serial-killer is on the loose in San Francisco and the police trace a link to a small town further down the coast. When Harry Callahan upsets the press and the mayor in his usual style, he's shipped out of town to investigate while the heat is on. With the help of his new Magnum handgun Harry goes on the trail leaving behind the usual trail of dead criminals along the way. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Dirty Harry is at it again. See more »

Genres:

Action | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 December 1983 (USA)  »

Also Known As:

Impacto fulminante  »

Box Office

Budget:

$22,000,000 (estimated)

Gross:

$67,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Of the five 'Dirty Harry' movies, it was this film that used the catchphrase "Go ahead, make my day" whereupon it became synonymous with the Harry Calahan character and became popularized into the vernacular of popular culture. Although Clint Eastwood made the phrase "Go ahead, make my day" famous, it was originally used a year earlier by actor Gary Swanson in the movie Vice Squad (1982). Swanson, who played a Hollywood vice cop, said the line, "Go ahead, scumbag, make my day," to actor Wings Hauser, who played a pimp, during a bust. The quote is often erroneously attributed by most people to be from the first movie of this series, Dirty Harry (1971). The phrase was also voted in a 2005 poll by the American Film Institute as the No. #6 most memorable line in cinema history. The phrase was so well publicized and became so popular that many members of the public knew about it by the time the movie opened. See more »

Goofs

The movie ends at the merry-go-round. As the credits start and the camera pulls out, the roller coaster and the merry-go-round are far away from each other. It is impossible that a person could fall from the roller coaster and crash through the roof of a construction that far away. See more »

Quotes

Ray Parkins: I'm gonna call Mick.
Tyrone: You do as you want, and keep that psycho bastard away from me.
Ray Parkins: [as she is leaving] I'll tell him you said that.
See more »

Connections

Spoofed in Beetlejuice (1988) See more »

Soundtracks

THIS SIDE OF FOREVER
Performed by Roberta Flack
Music by Lalo Schifrin
Lyrics by DeWayne Blackwell (as Dewayne Blackwell)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Dirty Harry is Back, Big time
6 July 2002 | by (Salem, Oregon) – See all my reviews

The vigilante has long held a fascination for audiences, inasmuch as it evokes a sense of swift, sure justice; good triumphs over evil and the bad guy gets his deserts. It is, in fact, one of the things that has made the character of Dirty Harry Callahan (as played by Clint Eastwood) so popular. He carries a badge and works within the law, but at heart, Harry is a vigilante, meting out justice `his' way, which often puts him in conflict with his own superiors, as well as the criminals he's pursuing. But it's what draws the audience; anyone who's ever been bogged down in bureaucratic nonsense of one kind or another, delights in seeing someone cut through the red tape and get on with it-- even if it's only on the screen. And that satisfaction derived from seeing justice done-- and quickly-- is one of the elements that makes `Sudden Impact,' directed by and starring Eastwood, so successful. In this one, the fourth of the series, while working a homicide, Harry encounters a bona fide vigilante at work-- an individual whose brand of justice parallels his own, with one exception: Whoever it is, he's definitely not carrying a badge.

In his own inimitable way, Inspector Callahan has once again ended up on the bad side of the department and is ordered to take some vacation time. So he does; as only `Dirty Harry' can. In a small town north of San Francisco, Harry finds himself smack dab in the middle of a homicide case, which he quickly links to a recent murder in San Francisco because of the unique M.O. employed by the perpetrator. Unaccountably, Harry encounters resistance from the local Police Chief, Jannings (Pat Hingle), who advises him to take his big city tactics and methods elsewhere. Not one to be deterred, however, Harry continues his investigation, which ultimately involves a beautiful and talented young artist, Jennifer Spencer (Sondra Locke). Gradually, Harry discovers a link between the victims; the burning question, though, is where does Jennifer Spencer fit into the picture?

Eastwood is in top form here, both in front of and behind the camera, and it is arguably the second best of the five-film series, right behind the original `Dirty Harry.' It had been seven years since the last `Harry' offering (`The Enforcer,' 1976), but Eastwood steps right back into the character with facility and renewed vigor. And this one definitely benefits from having him in the director's chair, as he is able to recapture the essence of, not only his own character, but that `spirit' that made these films so successful, and he does it by knowing the territory and establishing a continuity that all but erases that seven year gap between #s 3 and 4. As with all the films he directs, Eastwood sets a deliberate pace that works perfectly for this material and creates just enough tension to keep it interesting and involving from beginning to end.

The screenplay, by Joseph Stinson, is well written and formulated to that distinctive `Dirty Harry' style; the dialogue is snappy and the story itself (conceived by Charles B. Pierce and Earl E. Smith) is the most engaging since the original `Dirty Harry,' as it successfully endeavors to play upon the very personal aspects of the drama, rather than entirely upon the action. The characters are well drawn and convincing, and, of course, this is the film that gave us one of Harry's best catch-phrases: `Go, ahead-- make my day...'

As Harry, Clint Eastwood perfectly embodies all of the elements that make this character so popular: He lives by a personal moral code, a true individual made of the kind of stuff we envision as that of the pioneers who settled this country and made America what it is today. Harry personifies that sense of freedom and justice we all strive for and hold so dear, possibly more so today than ever before. No matter who we are or where we come from, there's undeniably a part of us that wants to be Harry, or at least have him around. `Dirty Harry' is an icon of the cinema, and it's impossible to envision anyone but Eastwood portraying him; for better or worse, Eastwood `is' Dirty Harry, without question, just as Sean Connery is James Bond and Basil Rathbone, Sherlock Holmes.

Sondra Locke is entirely effective here in the role of Jennifer Spencer, a young woman wronged and out for vengeance, or as she sees it, `justice.' She manages to bring a hard-edged determination laced with vulnerability to her character, with a convincing, introspective approach that is far beyond what is typical of the `action' genre. Even amid the violence, Locke keeps her focus on Jennifer and the traumatic events that have brought her to this stage of her life. Her portrayal makes a perfect complement to Eastwood's Harry, and becomes, in philosophy and deed, something of his counterpart.

In supporting roles, two performances stand out: Paul Drake, as Mick, creates the best `psycho' since Andy Robinson's dynamic portrayal of the serial killer in the original `Dirty Harry.' With actually very limited screen time, Drake establishes a genuinely disconcerting presence that is believable and convincing, which adds much to the purely visceral response of the audience. This is the guy you can't wait to see Harry take care of in the end. Also effective is Audrie J. Neenan, who makes her character, Ray Parkins, the epitome of the proverbial `low life,' who can be found in any bar in any city. It's a performance that evokes a gut-level response, and it adds greatly to the credibility of the film, in that it helps provide that necessary sense of realism.

The supporting cast includes Albert Popwell (Horace), Mark Kevloun (Bennett) and Nancy Parsons (Mrs. Kruger). With a perfect blend of drama and action, `Sudden Impact' dispenses justice that is a fulfilling respite from reality; the perfect justice of a not-so-perfect world, that makes for a satisfying cinematic experience. 9/10.


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