After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire. Written by
Sam Spiegel, the producer of this film, was once known as S.P. Eagle. He had an amazing talent for finding unusual material and hiring exactly the perfect director to execute it. He produced one of Orson Welles's few commercial successes The Stranger (1946). David Lean, the director of this masterpiece, was a well-respected director of moderate-budgeted English films when Spiegel brought him to international prominence with Lean's direction of The Bridge on the River Kwai (1957). He also worked with John Huston, first on We Were Strangers (1949) and most notably on The African Queen (1951). Finally he found the funding from Harry Cohn at Columbia for Elia Kazan's controversial On the Waterfront (1954). Perhaps no other independent producer has been associated with so many brilliant film directors on so many diverse and original stories. See more »
When Gasim is walking through the sun's anvil after falling off his camel, he begins to shed various items. During a reverse tracking shot, the dolly tracks are clearly visible in the sand. See more »
This film requires no introduction. It's one of the greatest movies ever made if not the best. Truly inspiring. It leaves me with the feeling that I would have liked to have met Lawrence but being born 37 years after his death regrettably this will never happen! I went to see the movie in the National Film Theatre, London in order to see the panorama on the big screen. Well worth the trip even if you have seen the movie on DVD. He was arguably one of the greatest englishmen to walk the earth. Why doesn't anyone make films like this anymore?! Thank God for David Lean's work. Looking forward to viewing this film again and again on DVD.
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