Raging Bull (1980)

Director:

Martin Scorsese

Writers:

Jake LaMotta (based on the book by) and
Joseph Carter (with) ...

Release Date:

19 December 1980 (USA)

Genre:

Biography | Drama | Sport

Plot:

An emotionally self-destructive boxer's journey through life, as the violence and temper that leads him to the top in the ring, destroys his life outside it.

Plot Keywords:

Boxer | Boxing | Violence | Paranoia | Rage

Awards:

Won 2 Oscars. Another 19 wins & 16 nominations

Cast

Robert De Niro	...	Jake La Motta
Cathy Moriarty	...	Vickie La Motta
Joe Pesci	...	Joey
Frank Vincent	...	Salvy
Nicholas Colasanto	...	Tommy Como
Theresa Saldana	...	Lenore
Mario Gallo	...	Mario
Frank Adonis	...	Patsy
Joseph Bono	...	Guido
Frank Topham	...	Toppy
Lori Anne Flax	...	Irma
Charles Scorsese	...	Charlie - Man with Como
Don Dunphy	...	Himself - Radio Announcer for Dauthuille Fight
Bill Hanrahan	...	Eddie Eagan
Rita Bennett	...	Emma - Miss 48's

Runtime:

129 min

Country:

USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Portugal:M/16 | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) | Australia:M | Australia:MA (DVD rating) | Iceland:16 | South Korea:15 | Brazil:16 | Philippines:R-18 | Spain:18 (1st DVD Edition) | New Zealand:R18 | Argentina:18 | Canada:13+ (Quebec) | Chile:18 | Denmark:15 (DVD rating) | Finland:K-16 | France:U | Israel:16 | Italy:VM14 | Netherlands:16 | Norway:18 | Singapore:NC-16 | Spain:13 | Sweden:15 | UK:18 (re-rating) (2000) | UK:18 (video rating) (1986) | UK:X (original rating) | USA:R (certificate #26171) | West Germany:16 (bw)

Filming Locations:

Culver Studios - 9336 W. Washington Blvd., Culver City, California, USA

Company:

United Artists

Trivia:

In preparation for his role, Robert De Niro went through extensive physical training, then entered in three genuine Brooklyn boxing matches and won two of them.

Goofs:

Audio/visual unsynchronized: When Jake is in the phone booth towards the end of the movie saying that he wouldn't be able to raise the $10,000 that he needed, his lips aren't moving.

Quotes:

[first lines]
Jake La Motta: I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much...
[...]

Movie Connections:

Spoofed in When Nature Calls (1985)

Soundtrack:

Big Noise from Winnetka

Easy to Admire, Difficult to Love

The routine use of black-and-white film to make movies seems to have ended in the mid-sixties, probably killed off by the advent of colour television. Since then black-and-white has been used very sparingly; even Polanski's `Chinatown', obviously conceived as homage to the films noirs of the 1940s and 1950s, was shot in colour.

`Raging Bull'- a biography of the boxer Jake La Motta who for a time held the world middleweight championship- is one of the few exceptions. The use of black-and-white seems to have been inspired by the fact that the film depicts real-life events that occurred in the forties and fifties. Scorsese has tried to capture the look of both the films and the newsreels of that period. This is remarkably effective for the boxing scenes, which have a raw, brutal power and graphically depict the aggressive nature of the sport. The other remarkable thing about the film is the performance of Robert de Niro, for which he won a well-deserved Best Actor Academy Award. De Niro actually learned to box for the film, and did all the boxing scenes himself without using a stunt double, but his portrayal of La Motta's private life is equally effective.

Some boxers- Henry Cooper comes to mind- are hard-hitting inside the ring but gentlemanly and restrained outside. La Motta, as portrayed in this film, did not fall into this category. De Niro portrays him as a man with a very short fuse, seething with anger and violence. Unlike his great rival Sugar Ray Robinson, an elegant practitioner of the art of boxing, La Motta tries to overpower his rivals with brute force rather than relying on skill. His aggression is not something confined to the ring, but rather an inherent part of his personality, and comes out in his dealings with others. He treats his beautiful wife Vicki particularly badly, frequently (and irrationally) suspecting her of infidelity and subjecting her to both verbal and physical abuse. Besides De Niro's dominating performance, there are also very good contributions from Cathy Moriarty as Vicki and from Joe Pesci as La Motta's loyal brother Joey, another frequent target of abuse despite his loyalty.

For me, this is a very good film, yet one that falls just short of the classic status that some have claimed for it. At times it is enthralling to watch, but at others, particularly in the first half, it seems to lack structure, as La Motta takes on a series of opponents without the significance of these fights ever becoming clear. More could have been made of the gambling-inspired corruption that infested the sport at this period and which may well have contributed to La Motta's sense of frustration- at one time it is made clear to him that his getting a chance to fight for the world title depends upon his taking a dive in a non-title fight. The main weakness, however, is a sense of emptiness at its centre, resulting from the lack of a character who can engage our sympathies. As I said, it is De Niro's performance that dominates the film, but for all his fine acting, even he cannot make us sympathise with a drunken, self-pitying, paranoid, violent wife-beater. As a character study of an unpleasant character it is excellent, but it can go no further than that. I cannot agree that this is the greatest film of the eighties; indeed, for me it was not even the greatest sporting film of the eighties. (I preferred both `Chariots of Fire' and `Eight Men Out'). It is an easy film to admire, but a difficult one to love. 7/10.