A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
When Jake LaMotta steps into a boxing ring and obliterates his opponent, he's a prizefighter. But when he treats his family and friends the same way, he's a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family's love, something always seems to come between them. Perhaps it's his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone. Written by
The real Jake LaMotta has been deaf for most of his life, so most of his anger came out of not understanding what people were saying. He has a 30% use in his right ear, and 70% in the left. See more »
In a shot that introduces Jake's post-boxing life in Florida, the license tags of his two Cadillacs are shown in close-up. One of the Florida plates bears a "5" prefix, which in the 1950s indicated an automobile registered in Polk County (Lakeland). If Jake was living in the Miami area, it's far more likely his automobiles were registered in Dade County (prefix "1") or perhaps Broward ("10"), but not in a county 150 miles away. See more »
Jake La Motta:
I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much... Though I'd rather hear you cheer / When you delve... Though I'd rather hear you cheer / When I delve into Shakespeare / "A horse, a horse, my kingdom for a ...
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The film is in black and white, but during the opening credits, the title is in red letters. See more »
Raging Bull is one of Martin Scorsese's best films and with out a doubt the best film of the 80's. It follows the career of middleweight boxing champion Jake LaMotta as his career progresses but his emotional problems worsen.
The most notable feature in Raging Bull is the colour. All but the home Video footage is shot in black and white. This was a huge risk on Scorsase's part but it defiantly pays off, the film wouldn't feel the same had it been done in colour.
Throughout the entire film acting is simply impeccable. De Niro and Pesci are both stunning. The script is amazing, you really feel like you understand every character, none of their actions seem out of character no matter how outrageous they may be.
Scorsese's directing is stunning. He really is a very talented director and in Raging Bull it shows. The fight scenes are famous for their brutal realism and it's easy to see why. He puts you right in the ring with the fighters and you cant help but admire their technical brilliance. However, the most stunning aspect of all is Thelma Schoonmaker's editing. Its some of the best editing I've ever seen especially during the fight scenes where it's positively breathtaking.
No matter what happens you always find yourself sympathising with La Motta, even during his most outrageous moments. Not only is Raging Bull the greatest film to come out of the 80's but is one of the greatest this century that's highly underrated and defiantly worth owning.
10 out of 10
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