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The Fugitive (1993)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
6 August 1993 (USA)
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Tagline:
A murdered wife. A one-armed man. An obsessed detective. The chase begins.
Plot:
Dr. Richard Kimble, unjustly accused of killing his wife, must find the real one-armed killer while avoiding Marshal Sam Gerard. full summary | full synopsis
Plot Keywords:
Escape
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U.S. Marshal
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Surgeon
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Murder
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On The Run
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Awards:
Won Oscar.
Another 10 wins
&
19 nominations
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NewsDesk:
(43 articles)
Tommy Lee Jones and McConaughey in Talks for ‘The Lincoln Lawyer’
(From Screen Rant. 15 October 2009, 2:16 PM, PDT)
Natural Born Gunslinger - Tommy Lee Jones' Trips to the Wild West
(From amctv.com - Future of Classic: Westerns. 2 October 2009, 10:01 PM, PDT)
(From Screen Rant. 15 October 2009, 2:16 PM, PDT)
Natural Born Gunslinger - Tommy Lee Jones' Trips to the Wild West
(From amctv.com - Future of Classic: Westerns. 2 October 2009, 10:01 PM, PDT)
User Comments:
Pure action and Tommy Lee Jones make this an unforgettable masterpiece
more (212 total)
Cast
(Cast overview, first billed only)| Harrison Ford | ... | Dr. Richard Kimble | |
| Tommy Lee Jones | ... | Samuel Gerard | |
| Sela Ward | ... | Helen Kimble | |
| Julianne Moore | ... | Dr. Anne Eastman | |
| Joe Pantoliano | ... | Cosmo Renfro | |
| Andreas Katsulas | ... | Sykes | |
| Jeroen Krabbé | ... | Dr. Charles Nichols (as Jeroen Krabbe) | |
| Daniel Roebuck | ... | Biggs | |
| L. Scott Caldwell | ... | Poole | |
| Tom Wood | ... | Newman | |
| Ron Dean | ... | Detective Kelly | |
| Joseph F. Kosala | ... | Detective Rosetti (as Joseph Kosala) | |
| Miguel Nino | ... | Chicago Cop #1 | |
| John Drummond | ... | Newscaster | |
| Tony Fosco | ... | Chicago Cop #2 |
Additional Details
MPAA:
Rated PG-13 for a murder and other action sequences in an adventure setting.
Parents Guide:
Runtime:
130 min
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Canada:13+ (Quebec) |
Canada:14 (Nova Scotia) (re-rating) (2001) |
Canada:A (Nova Scotia) (original rating) |
Canada:AA (Ontario) |
Canada:PG (Manitoba) |
Netherlands:12 |
Iceland:16 |
South Korea:15 |
Brazil:14 |
Philippines:PG-13 |
UK:12 (original rating) |
UK:15 (video rating) (1994) |
Argentina:13 |
Australia:M |
Chile:14 |
Finland:K-16 |
Germany:16 |
Ireland:12 |
Norway:15 |
Spain:13 |
Sweden:15 |
USA:PG-13 (Certificate #32575) |
Singapore:PG
Filming Locations:
Company:
Fun Stuff
Trivia:
A train was actually crashed for the movie, although Kimble jumping free was a superimposed image.
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Goofs:
Continuity: In the scene on the laundry room floor when Kimble sticks his arm through the closing elevator door to open it up again so he can get out, if you look at the door, you'll see blood smears, possibly from other takes of the same scene since Kimble has blood on that hand.
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Quotes:
Deputy Marshal Samuel Gerard:
[listening to wiretap of Kimble talking with his lawyer] Yeah, right there. What's he saying? Sounds like, 'Next... Stop'... Do that again!
Deputy Marshal Samuel Gerard: [listening to tape replay] 'Next... stop... '
Deputy Marshal Savannah Cooper: ...Merchandise Mart.
Deputy Marshal Samuel Gerard: Son of a bitch, our boy came home.
Cosmo Renfro: That bell! That bell is the bell on the Wells street bridge, it's six blocks away.
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Deputy Marshal Samuel Gerard: [listening to tape replay] 'Next... stop... '
Deputy Marshal Savannah Cooper: ...Merchandise Mart.
Deputy Marshal Samuel Gerard: Son of a bitch, our boy came home.
Cosmo Renfro: That bell! That bell is the bell on the Wells street bridge, it's six blocks away.
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Soundtrack:
Tahiti Tahiti
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FAQ
What does Gerard mean at the end when he tells Kimble "Either I'm lying or I'm going to shoot you"?Did Helen really believe that Richard was trying to kill her?
Where did Kimble get the hair dye he used at the truck stop?
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more (212 total)
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Arnold and Sly are great action heroes. Their characters are always larger than life. Rambo and Rocky are household names and The Terminator and films like Commando are great partly because of Arnold's physical presence. But as good as they are, I don't think they can hold a candle to Harrison Ford. Sure he is in great shape, but have you ever seen an actor take average guys and make them so real that you want to know them? Take your pick, Han Solo, Indy and even his character in Six Days and Seven Nights was an adventurer. Add Richard Kimble to that list. As Kimble, Ford is perfect. He is the wronged man that has to avenge his wife's death and clear his name at the same time. He is so great in this film and I'm sure that's why so many people went to see this film at first. But I think what kept them coming back was Tommy Lee Jones. We'll get to him in a minute.
Andrew Davis proved here that he is one of the best action directors in the business today. Along with Under Siege, he showed us that he is an efficient artist that knows how to keep the action flowing. He never seems to let up with his relentless pursuit of the perfect scene. But since the film did so well and everyone pretty much knows what it is about, let's talk about the true strength of the film, and that would be Tommy Lee Jones.
" I don't bargain." " Well that's odd!"
His portrayal of Samuel Girard is an exercise in how to make the audience relate and understand a character. He starts off as a manic perfectionist. He is obsessed with capturing Kimble and that is all that matters. But as the film proceeds, you can sense his unease, his wonder and his ethos. You can tell by a simple expression that he is beginning to solve a crime and not just chase a criminal. And the turning point to me was his simple scene where he says " You know Devlin and McGregor made 4 and one half billion dollars last year? That company's a monster. " It is all in his face. He knows that Ford is innocent but he still has a job to do. It is Jones that makes this film so much fun. And I didn't think that there would be a more worthy recipient of best supporting actor in '93 than Kilmer in Tombstone, but Jones' work here was well deserving of his Oscar.
The Fugitive belongs on every top 100 list and if the AFI wasn't so enthralled with older movies, they would see that films like this are more worthy than some of the mediocrity that graces their findings. This is an incredible film.