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Unforgiven (1992)

 -  Western  -  7 August 1992 (USA)
8.3
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Ratings: 8.3/10 from 219,187 users   Metascore: 82/100
Reviews: 466 user | 120 critic | 21 from Metacritic.com

Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner and a young man.

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Title: Unforgiven (1992)

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Top 250 #110 | Won 4 Oscars. Another 44 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Delilah Fitzgerald (as Anna Thomson)
David Mucci ...
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Davey Bunting
Anthony James ...
Tara Frederick ...
Little Sue (as Tara Dawn Frederick)
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Silky
Liisa Repo-Martell ...
Faith
Josie Smith ...
Crow Creek Kate
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Storyline

The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by Charlie Ness

Plot Summary | Plot Synopsis

Genres:

Western

Motion Picture Rating (MPAA)

Rated R for language, and violence, and for a scene of sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 August 1992 (USA)  »

Also Known As:

The Cut Whore Killings  »

Filming Locations:

 »

Box Office

Budget:

$14,400,000 (estimated)

Gross:

$101,157,447 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(as Dolby Stereo)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Clint Eastwood asked Gene Hackman to model his character of Little Bill Daggett on then Los Angeles police chief Daryl Gates. See more »

Goofs

Several of the characters, including Little Bill and William Munny, are seen sometimes wearing shirts that button all the way up the front. This is incorrect for 1880/81, when men's shirts were still of the pullover variety, with or without a collar, and a small buttoned placket at the top. See more »

Quotes

[first lines]
Quick Mike: Dammit! Come a-running, lad!
Delilah Fitzgerald: Stop it!
See more »

Crazy Credits

At the end of the credits, there is caption reading, "Dedicated to Sergio and Don". This is a reference to late directors Sergio Leone (who directed Clint Eastwood in the Dollars trilogy) and Don Siegel (who directed Eastwood in Dirty Harry and Escape from Alcatraz). See more »

Connections

Referenced in How the West Was Lost (2008) See more »

Soundtracks

Claudia's Song
Written by Clint Eastwood and Lennie Niehaus
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Fitting End
7 June 2007 | by (Canada) – See all my reviews

There may never be another real western. Clint appears to be done with the genre and there really isn't anyone else I can think of that can do it Properly. Sergio Leone is gone. William Wellman is gone. Sam Peckinpah is gone. John Huston is gone. John Ford is gone. Howard Hawks is gone.

Kevin Costner tries hard but he just doesn't get it. Dances With Wolves wasn't really a western. It wasn't even an anti-western. It was more like a political indictment of the actions of the Americans of the time. For all that I did enjoy it.

Most of the others since Unforgiven are movies where somebody decides to put the characters on a horse, but the story is just generic pap. Nobody has the balls to make something with a meaning.

I will grant that Deadwood is a truly excellent series but it isn't a movie.

That's why I believe that Unforgiven is a fitting end to the western genre. I won't get all rhapsodic and spout a bunch of crap about how Clint made this movie as a symbol of the end of the western. Cuz that's a load of crap. The script had been around since the early 70s when things were still going strong. What it is, is a movie that shows us that there is no black and white in any time. There are only shades of grey.

It is also just as dirty and violent as things actually were for most people in that era. Life was comparatively cheap and most people didn't have much hope of justice. The middle class was very small and the upper class was tiny. The vast majority belonged to the under-classes.

Good guys didn't wear white hats and not every sheriff was a good guy. Some were violent and corrupt braggarts and bullies. Little Bill mocks English Bob's self-promotion, but at the same time he knocks Bob down he builds himself up. He doesn't bother with courts or judges and he is his own executioner. He isn't motivated by any innate sense of justice when he deals with any criminal elements. It's more that he takes it as an insult to his own power.

William Munny is a killer, plain and simple. He has human feelings but basically he is unrepentant. He changed for his wife, but like many changes it wasn't permanent. He won't sleep with a whore but when he needs money he is willing to kill for it. At the same time he treats the whore with kindness and is loyal to his friend. And somehow he managed to get a good woman to love him. A classic anti-hero.

Rather than being about the end of the Western genre I believe that it is actually an ode to what came before it. Sergio Leone would have been proud.


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