A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Unsatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by
Most of the rain in the film was specially created because Calgary, where it was shot, was experiencing a dry spell, though the snowfall that is featured when William Munny is recovering from his beating was unexpected (and unscripted). See more »
Little Bill says that the Walker Colt blew up in Corkys hand, "a failing common to that model" but the Walker Colt did not have this problem. One of its successors, the 1860 Army Colt with fluted Cylinder, had this problem due to thinner material in the cylinder. See more »
Unforgiven is about as far from the fantasy mythos of A Fistful of Dollars as Clint Eastwood could get. No pin-point accuracy with 19th century technology, no desire to 'play fair' and face the enemy on even terms. If you can shoot him in the back...then do it.
Eastwood puts in an astonishing performance as the retired killer Muny, saved from his life of thievery and murder by his late wife. Now, desperately trying to support his children with no income, he is tempted back to his killing ways by the bounty offered by the women of a brothel, one of whom's number has been savagely beaten and disfigured by a drunken ranch-hand.
The film follows Eastwood as he wrestles with his desire to honour his wife's memory and his need to feed his children by returning to the killer that, he fears, is his true nature. Meanwhile word of the bounty has spread and the events spiral out of control as the sheriff (Gene Hackman) deals with the guns for hire that ride into town.
While all the supporting cast are excellent Gene Hackman's Oscar winning performance even manages to eclipse Eastwoods as the brutal Sheriff. He beats one of the bounty hunters, English Bob (Richard Harris) almost to death and then explains to a journalist, in one of the film's stand out scenes, how men like he and Muny are so successful at killing. The mood moves from light banter to life threatening seriousness...and back again, with just one move of his head.
One of the greatest Westerns ever made? Certainly. Although the fact it's a western is really secondary. In truth it's a tale of the nature of evil and the nature of man. Eastwood uses the gap between the western myth and reality as an arena to play out his story and does so with consummate style.
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