A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire and over a fast living and fast loving woman.
A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal and their professional lives.
The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by
Ranked #4 on the American Film Institute's list of the 10 greatest films in the genre "Western" in June 2008. See more »
When William Munny wakes up from his fever after being assaulted by sheriff Little Bill he sits outside the shack and talks to Delilah Fitzgerald. You can see the blue sky behind the house through springs in the wood revealing that it's not the same house/shack as in the first shot and the fact that it's a scene-set. See more »
At the end of the credits, there is caption reading, "Dedicated to Sergio and Don". This is a reference to late directors Sergio Leone (who directed Clint Eastwood in the Dollars trilogy) and Don Siegel (who directed Eastwood in Dirty Harry and Escape from Alcatraz). See more »
I enjoy the transformation of Clint Eastwood's character throughout the movie. In the beginning he reluctantly becomes a gunfighter but as the movie progresses you see how he slides down the slippery slope of wickedness to become the cold-blooded killer needed for the task. Morgan Freeman's reaction to the transformation is well played also. Richard Harris' character is colorful as is his sidekick. Gene Hackman's sheriff is pleasantly atypical of the role. All these actors and their characters effectively leave the viewer with a myriad of directions from which the movie expertly entertains. If you are expecting anything like Clint's "spaghetti westerns" you will be disappointed. If you are looking for an excellent story with characters that all have varying degrees of wickedness, you will be satisfied when its all said and done.
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