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Unforgiven (1992)

 -  Western  -  7 August 1992 (USA)
8.3
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Ratings: 8.3/10 from 219,885 users   Metascore: 82/100
Reviews: 466 user | 120 critic | 21 from Metacritic.com

Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner and a young man.

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Title: Unforgiven (1992)

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Top 250 #110 | Won 4 Oscars. Another 44 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Delilah Fitzgerald (as Anna Thomson)
David Mucci ...
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Davey Bunting
Anthony James ...
Tara Frederick ...
Little Sue (as Tara Dawn Frederick)
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Silky
Liisa Repo-Martell ...
Faith
Josie Smith ...
Crow Creek Kate
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Storyline

The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by Charlie Ness

Plot Summary | Plot Synopsis

Genres:

Western

Motion Picture Rating (MPAA)

Rated R for language, and violence, and for a scene of sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

7 August 1992 (USA)  »

Also Known As:

The Cut Whore Killings  »

Filming Locations:

 »

Box Office

Budget:

$14,400,000 (estimated)

Gross:

$101,157,447 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(as Dolby Stereo)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The windmill that appears in the backdrop through much of the movie was a real operating windmill, rather than a set piece, and to this day pumps water to The Dow Wetlands Preserve in East Bay, California, where it was sent after shooting. See more »

Goofs

On several occasions, English Bob pronounces his erstwhile biographer's name as "Boh'champ". As an Englishman, he would have known that Beauchamp is one the few names that have idiosyncratic pronunciations (such as 'Chumley' for Cholmondley, and 'Urkurt' for Urquhart). He should have pronounced it 'Beecham' (with a silent 'P'), especially as he revelled in illustrating his English superiority over his American colleagues. See more »

Quotes

[first lines]
Quick Mike: Dammit! Come a-running, lad!
Delilah Fitzgerald: Stop it!
See more »

Crazy Credits

At the end of the credits, there is caption reading, "Dedicated to Sergio and Don". This is a reference to late directors Sergio Leone (who directed Clint Eastwood in the Dollars trilogy) and Don Siegel (who directed Eastwood in Dirty Harry and Escape from Alcatraz). See more »

Connections

Featured in All on Accounta Pullin' a Trigger (2002) See more »

Soundtracks

Claudia's Song
Written by Clint Eastwood and Lennie Niehaus
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
How the west was
19 January 2006 | by (San Fracisco,CA) – See all my reviews

This film was a revelation, a western that DOESN'T LIE. The whole theme stripping away the mythology our culture has built around the west, scraping it away like the finish on a mirror and reveling the ugliness AND the humanity beneath. I was utterly convinced, both by the portrayal of the period and the reality of the characters. A large focus was its treatment of the subject of killing. The movie SHOWS US what it is like to kill a man, a stark stark contrast to the casual attitude taken by so many other westerns. We see what we already know, wild west or no, that killing is something that most people just aren't capable of. And yet the character of William Munny shows us that in spite of the mundanity he embodies in his later life, true evil still existed then as now, and every now and then, true heroism.


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