Unforgiven (1992)

Director:

Clint Eastwood

Writer (WGA):

David Webb Peoples (written by)

Release Date:

7 August 1992 (USA)

Genre:

Crime | Drama | Western

Plot:

Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner and a young man.

Plot Keywords:

Cowboy | Sheriff | One Last Job | Gunslinger | Prostitute

Awards:

Won 4 Oscars. Another 30 wins & 15 nominations

Cast

Clint Eastwood	...	William 'Bill' Munny
Gene Hackman	...	Little Bill Daggett
Morgan Freeman	...	Ned Logan
Richard Harris	...	English Bob
Jaimz Woolvett	...	The Schofield Kid
Saul Rubinek	...	W.W. Beauchamp
Frances Fisher	...	Strawberry Alice
Anna Levine	...	Delilah Fitzgerald (as Anna Thomson)
David Mucci	...	Quick Mike
Rob Campbell	...	Davey Bunting
Anthony James	...	Skinny Dubois
Tara Frederick	...	Little Sue (as Tara Dawn Frederick)
Beverley Elliott	...	Silky
Liisa Repo-Martell	...	Faith
Josie Smith	...	Crow Creek Kate

Also Known As:

The Cut Whore Killings (USA) (original script title)
The William Munny Killings (USA) (working title)

MPAA:

Rated R for language, and violence, and for a scene of sexuality.

Runtime:

131 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Canada:13+ (Quebec) | Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Spain:18 | USA:R (certificate #31757) | South Korea:15 | Ireland:18 | Brazil:12 | Philippines:R-18 | Sweden:15 | Australia:MA (DVD rating) | New Zealand:M | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Germany:16 | Iceland:16 | Israel:PG | Netherlands:12 | Norway:15 | Singapore:NC-16 | UK:15

Filming Locations:

Alberta, Canada

Company:

Malpaso Productions

Trivia:

Clint Eastwood's mother toiled through an uncomfortable day (wearing a heavy dress) as an extra, filming a scene where she boards a train; but the scene was eventually cut, with her son apologizing that the film was "too long and something had to go." All was forgiven when he brought her to the Academy Awards and thanked her prominently in his acceptance speech.

Goofs:

Anachronisms: The action of the film takes place in 1881. When the townspeople are forming a posse, they are discussing who will pay for expenses, and one of them says that the store won't sell them any more 30-30 shells unless they pay cash. The 30-30 was not introduced as a cartridge until late 1893.

Quotes:

[first lines]
Quick Mike: Dammit! Come a-running, lad!
Delilah Fitzgerald: Stop it!

Movie Connections:

Featured in AFI's 100 Years... 100 Movies: America's Greatest Movies (1998) (TV)

Eastwood's Western Swansong

Clint Eastwood's last western to date is a near-perfect attempt to debunk the mythology built around both the actual west and the western as a film genre. It tells the tale of William Munney, retired hellraiser, killer of women and children, who has spent the last ten years of his life living peacefully as a pig farmer. Following the death of his wife, the woman who tamed him, the pig farm has faltered and Munney is tempted back into his old ways when The Schofield Kid (Jaimz Woolvett) offers him a half-share in the reward offered by a group of prostitutes for the scarring of one of their own by a cowboy in the town of Big Whiskey. The town's sheriff is Little Bill Daggett (Gene Hackman), a man whose sense of right and wrong is cast in stone but whose methods of dispensing justice are brutal in the extreme. He determines to give no leeway to any gunmen attempting to claim the prostitute's reward, thus setting the scene for an explosive showdown.

Eastwood said he wanted to bury the western with this film, the script for which had apparently been knocking around Hollywood for the best part of 20 years, and he couldn't have found a better film with which to achieve his aim. There are no heroes in this film, and the differences between good and bad are deliberately blurred. Munney is ostensibly a good man, a pig farmer struggling to bring up his children following the death of his beloved wife. In the first half of the film he repeatedly insists that he is a changed man, that he is like normal people – but there's always that sense of a man trying to convince himself of the fact, and that he's not entirely sure that what he says is true. Hackman is a rigid upholder of the law, but by anyone's standards he is a harsh and brutal man, inflicting unnecessary punishment on those he considers to have broken a law designed to protect the innocent. But the true downtrodden innocents here aren't the honest townsfolk – they're the town whores, usually depicted as representatives of debauchery or comedy figures. Murder isn't a quick and spectacular event – it's a long, drawn-out panicky suffering, or it's a couple of bullets in the chest when you're sitting on the loo. All the genre staples are turned on their head here and, in doing so, writer David Webb Peoples fashions a tale that delivers an unremittingly bleak and depressing message that is never anything less than totally absorbing.

Eastwood delivers a nicely measured performance as William Munney. There are traces of his former western characters in the laid-back delivery and gruff impatience. Eastwood looks like a man who has lived on the plains of the old west, he appears to have allowed himself to grow old naturally, and thus possesses the weathered features necessary for the part, as does Morgan Freeman in another convincing performance as Eastwood's old partner who finds that retirement has changed him in ways that it hasn't changed Munney. Gene Hackman gives a performance worthy of the Oscar it won him; every scene in which he appears is filled with tension as we are given glimpses of the touch of madness that lurks beneath the surface. Daggett is as crooked as the house he is building – looks reasonably OK from the outside but on the inside all manner of stuff has leaked in.

It will be a great shame if Eastwood truly has hung up his spurs when it comes to making Westerns. He has an instinctive nose for a good story and is one of the few actors with the clout to get westerns made in an age when they are out of vogue. We can only wonder at how many good westerns have failed to be made because of his decision to turn his back on them.