A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth. Written by
The boots that Clint Eastwood wore in this film are the same boots that he wore in the TV series Rawhide (1959). These boots are now a part of Eastwood's private collection and were on loan to the 2005 Sergio Leone exhibit at the Gene Autry Museum of Western Heritage in Los Angeles, California. In essence these boots have book-ended Eastwood's career in the western genre. See more »
Belt loops are clearly visible throughout the film. They were not invented until the 20th Century. See more »
At the end of the credits, there is caption reading, "Dedicated to Sergio and Don". This is a reference to late directors Sergio Leone (who directed Clint Eastwood in the Dollars trilogy) and Don Siegel (who directed Eastwood in Dirty Harry and Escape from Alcatraz). See more »
This film was a revelation, a western that DOESN'T LIE. The whole theme stripping away the mythology our culture has built around the west, scraping it away like the finish on a mirror and reveling the ugliness AND the humanity beneath. I was utterly convinced, both by the portrayal of the period and the reality of the characters. A large focus was its treatment of the subject of killing. The movie SHOWS US what it is like to kill a man, a stark stark contrast to the casual attitude taken by so many other westerns. We see what we already know, wild west or no, that killing is something that most people just aren't capable of. And yet the character of William Munny shows us that in spite of the mundanity he embodies in his later life, true evil still existed then as now, and every now and then, true heroism.
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