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Rio Bravo (1959)

 -  Western  -  4 April 1959 (USA)
8.1
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Ratings: 8.1/10 from 34,746 users  
Reviews: 178 user | 67 critic

A small-town sheriff in the American West enlists the help of a cripple, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

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(screenplay), (screenplay), 1 more credit »
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Title: Rio Bravo (1959)

Rio Bravo (1959) on IMDb 8.1/10

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2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
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...
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...
...
...
...
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Carlos Robante (as Pedro Gonzalez-Gonzalez)
Estelita Rodriguez ...
Consuela Robante
...
...
Jake (Stage Driver)
...
Harold (scenes deleted)
Rest of cast listed alphabetically:
Sheb Wooley ...
Cowboy (scenes deleted)
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Storyline

The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies - a disgraced drunk and a cantankerous old cripple - must find a way to hold out against the rancher's hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger - and a mysterious beauty who just came in on the last stagecoach. Written by scgary66

Plot Summary | Plot Synopsis

Plot Keywords:

sheriff | small town | jail | texas | deputy | See more »

Taglines:

Old Stumpy...no teeth...one leg...but all the rest was guts... See more »

Genres:

Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

4 April 1959 (USA)  »

Also Known As:

Howard Hawks' Rio Bravo  »

Box Office

Gross:

$5,750,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Inside joke: When Chance (John Wayne) wants to deputize Colorado he asks Stumpy (who is off camera) where he keeps the deputies' badges. While Chance is looking for the badges, Stumpy (Walter Brennan) still off camera tells him to look after his own props. Wayne started off in movie as a prop man and was known to get irate if the props were not where they were supposed to be. See more »

Goofs

After Chance is tripped on the staircase, he ends up lying on his stomach with his arm partially under him. When they roll him over, to wake him up, he is lying more on his side, and his arm is now behind him. See more »

Quotes

[first lines]
John T. Chance: Joe, you're under arrest.
See more »

Connections

Remade as Assault on Precinct 13 (2005) See more »

Soundtracks

Rio Bravo
Music by Dimitri Tiomkin
Lyrics by Paul Francis Webster
Sung by Dean Martin (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Western Tai Chi
6 February 2005 | by (New York City) – See all my reviews

When Joe Burdette (Claude Akins) murders a man on a whim, Sheriff John T. Chance (John Wayne) arrests him and puts him in small Texas town's jail. The problem is that the U.S. Marshall is a week away from taking Burdette off his hands, and Burdette's brother, Nathan (John Russell), won't see his brother put away. Complicating the situation even further, Burdette is rich enough to hire a score of thugs, and the only support that Chance has is from a drunk, Dude (Dean Martin), and an elderly crippled man, Stumpy (Walter Brennan).

Rio Bravo is a sprawling pressure cooker. For anyone not used to the pacing of older films, this is not the best place to begin. Uninitiated audiences are likely to find it boring--the plot is relatively simple, and they would likely have a difficult time remaining with Rio Bravo for its 2 hour and 21 minute running time. It's best to wait until one is acclimated to this kind of pacing, so as not to spoil the experience. The film is well worth it.

John Wayne was an enthralling paradox, and maybe no film better demonstrates why than Rio Bravo. He had almost delicate "pretty boy" looks and a graceful gait that were an odd contrast to his hulking height and status as the "action hero" of his day. He speaks little, and doesn't need to, although he is the star and thus the center of attention. He tends to have an odd smirk on his face. Wayne's performance here interestingly parallels the pacing and tenor of the film--that's not something that one sees very often, or at least it's not something that's very easy to make conspicuous.

And he's not the only charismatic cast member. Dean Martin, Ricky Nelson, Walter Brennan and Angie Dickinson are equally captivating. Even when the full blow-out action sequence begins (and that's not until about two hours into the film, although there are a few great shorter action scenes before that), the focus here is still on the interrelationships between these characters, with Brennan the continually funny comic foil, Nelson the suave, skilled youngster, Martin the complex and troubled but likable complement to Wayne, and Dickinson as the sexy, forward and clever love interest.

Director Howard Hawks seems to do everything right. He guides cinematographer Russell Harlan in capturing subtly beautiful scenery--like the mountains in the distance over the tops of some buildings, and a great sunrise shot--and asks for an atmospheric score (such as the repeated playing of Malaguena by a band in the background) that shows that plot points weren't the only element of the film that influenced John Carpenter (who partially based his Assault on Precinct 13 (1976) on this film). But most intriguing is probably Hawks' staging/blocking. You could easily make a study of just that aspect of the film. The characters are always placed in interesting places in the frame, and they're constantly moving in interesting ways throughout the small collection of buildings and streets that make up the town. There is almost a kind of performance art aspect to it. Wayne, for instance, repeatedly touches base at the jail, then picks up his rifle, circles around to the hotel and back, almost as if he's doing some kind of western Tai Chi.

Rio Bravo is nothing if not understated, and as such, it may take some adjustments from modern, especially younger, viewers. But it's a gem of a film, and worth watching and studying.


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