Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed ... See full summary »
Deborah Kara Unger,
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt Beatrice McCready hires two private detectives Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough Boston neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve their case, they are faced with a moral dilemma that could tear them apart. Written by
When Patrick and Angie are driving Helene in their Buick the rear-view mirror is missing in scenes inside the car. The mirror is in place in later scenes outside the car. See more »
I always believed it was the things you don't choose that makes you who you are. Your city, your neighborhood, your family. People here take pride in these things, like it was something they'd accomplished. The bodies around their souls, the cities wrapped around those. I lived on this block my whole life; most of these people have. When your job is to find people who are missing, it helps to know where they started. I find the people who started in the cracks and then fell through...
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Being retired I have all the time in the world to do what pleases me. And seeing movies pleases me a lot, so much that I see almost everything, good, regular, bad and really baaaad. Seeing a movie for me is being at the cinema showing it, paying for my ticket, and I hardly ever watch a movie in TV, direct or recorded. This means that in order to keep up with my statement of seeing almost everything I go to see movies a minimum of five and a maximum of seven days per week, and some days I attend several movies (this is not an exaggeration), meaning that I do get to see 250 to 300+ movies every year.
Today, 10/20/07 I was trying to decide what to see and Gone Baby Gone was not in my menu, as even though I go so often to the movies I had not seen any trailer for this movie nor heard anything about it. Perusing the newspaper the synopsis attracted me and I decided to see it. As Gone Baby Gone progressed I found myself being really pull into the story, living it together with the characters, through the splendid direction, editing and camera work. As the movie ended I thought to myself: "This is why you go see so many bad and regular movies, so you will not miss the occasional good one and the rare excellent movie".
"Gone Baby Gone" is easily the best movie I have seen this year. And that includes most of the art, foreign or indie movies that I also attend religiously. Unless something out of this world comes out in the next six weeks, this is my candidate for the Oscar to the best picture and Ben Affleck should also be nominated for best Director.
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