A drifter with no name finds a Jeep with the skeleton of a postman and a bag of mail and dons the postman's uniform and bag of mail as he begins a quest to inspire hope to the survivors living in the post apocalyptic America.
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
In the year 2013 civilization has all but destroyed itself. After a war that decimated the government and most of the population of the United States (possibly the world) people struggle to survive against starvation and rogue groups of armed men. One such group is called the Holnists. This group is bigger than any other and their leader, General Bethlehem, has delusions of ruling the country. A drifter is captured by the group and forced to join. He escapes at the first chance and happens on a mail jeep with a skeleton in it. The skeleton is wearing a postal uniform and the drifter takes it to keep him warm. He also finds a mailbag and starts conning people with old letters. The hope he sees in the people he delivers to changes his plans and he decides that he must help bring the Holnists down. Written by
Tom Petty mentioned back in 1982 while filming the video for his song "You Got Lucky" (a post apocalyptic themed story) he wanted to do a small part in a futuristic movie. He said he wanted to portray a post war character, which he finally did in this movie. See more »
The main character assumes his role because he found an old abandoned mail truck containing the remains of a long dead mailman and pilfered the uniform from the skeleton. The problem here is the condition of the clothing he takes. When a person dies, the body goes through many stages of decomposition on its way to being merely a skeleton. As the tissues break down, many chemicals and enzymes are released, including the hydrochloric acid of the digestive system. In the final stages of decomposition, this is referred to as liquefacation or liquiescence. Given enough time and a suitable environment this combination of byproducts, with the addition of the bacteria that will inevitably emerge, would make any cloth or fabric (with the exception of treated leather products) not only disgustingly filthy, but also so weakened from exposure to what amounts to a corrosive liquid, that the fibers would tear apart from any stresses put on them. Even the act of taking the jacket off of the remains (and certainly that of putting the jacket on himself) would have pulled the fabric apart. See more »
When I was a kid, we all wore our hats backwards. We thought it was cool.
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"The Postman" is one of those films that has become almost synonymous with the concept of "lousy, awful, horrible, terrible, stinking mess of a movie." Like "Plan 9 from Outer Space," "Ishtar," or "Gigli," it is sometimes invoked in this manner on Internet message boards or in chatter between friends. But is "The Postman" truly such a horrible disaster? I would argue that its bad reputation is overdone.
Make no mistake, this movie is no "Citizen Kane." There is no way, by any stretch of the imagination, that this could be called a "great" movie. But every week B-movies that are orders of magnitude worse come out. What is it about this one that accounts for its enduring lousy reputation? This in itself is an interesting question.
Part of the answer has to do with Kevin Costner. It is hard to imagine now, but at one time (especially in the wake of "Dances with Wolves") his reputation in Hollywood was towering and unassailable. Costner squandered his mega-star status with a series of expensive yet mediocre duds such as this one, and in the end "The Postman's" crime is not that it is a truly terrible movie, but that it is simply a not-great movie that deflated the public's hopes and expectations of what Kevin Costner film should be. The curse of too-high expectations.
The worst aspect of this movie is its occasional pomposity and self-importance, derived from Costner's own enormous mid-90s ego, and it is easy to laugh at the final scene or various dramatic sequences with swirling symphonic music and glistening slo-mo shots. But if you can get beyond this and look at the movie as just a somewhat entertaining way to pass a few hours, it really isn't that bad, especially if you are a fan of the "dark future" genre of films. Will Patton in particular provides a good, convincing performance, as do a number of other minor characters.
And the world of "The Postman" -- a decayed, post-apocalyptic, decentralized
America where the federal government has collapsed -- is interesting in its own right. Remember, this film was borne of the early/mid 1990s, a time that gave us Timothy McVeigh, anti-government sentiment, Waco, and fear about "militias." There was a sense in the air that America could possibly disintegrate and fragment into local areas battling each other in the long run. This world view seems very alien in the post-9-11 era, where there is much more of a consciousness of being an American, "rallying around the flag," and the role of the federal government as a powerful military force, for good or for ill. Nowadays fear of outsiders and terrorism has largely replaced fears of internal anarchy and domestic unraveling. "The Postman" reminds us that not so long ago America envisioned its dark possible futures in a very different way than it currently does, and this in itself is instructive and worth pondering.
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