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In World War II Casablanca, Rick Blaine, exiled American and former freedom fighter, runs the most popular nightspot in town. The cynical lone wolf Blaine comes into the possession of two valuable letters of transit. When Nazi Major Strasser arrives in Casablanca, the sycophantic police Captain Renault does what he can to please him, including detaining a Czechoslovak underground leader Victor Laszlo. Much to Rick's surprise, Lazslo arrives with Ilsa, Rick's one time love. Rick is very bitter towards Ilsa, who ran out on him in Paris, but when he learns she had good reason to, they plan to run off together again using the letters of transit. Well, that was their original plan.... Written by
Gary Jackson <email@example.com>
Humphrey Bogart's wife Mayo Methot continually accused him of having an affair with Ingrid Bergman, often confronting him in his dressing room before a shot. Bogart would come onto the set in a rage. In fact, despite the undeniable on-screen chemistry between Bogart and Bergman, they hardly spoke, and the only time they bonded was when the two had lunch with Geraldine Fitzgerald. According to Fitzgerald, "the whole subject at lunch was how they could get out of that movie. They thought the dialogue was ridiculous and the situations were unbelievable... I knew Bogart very well, and I think he wanted to join forces with Bergman, to make sure they both said the same things." For whatever reasons, Bogart and Bergman rarely spoke after that. See more »
As we see the Germans start singing, the bar behind them is empty. Moments later as Rick steps out of his office, a French officer has appeared at the end of the bar. Moments later the camera pans from the singing Germans to the bar where two old men have suddenly appeared and the French officer has shifted further down the bar. See more »
With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
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While there's not anything new to be said about "Casablanca", it's good to see one of the classics still getting some attention. By most standards it is at least very good, and there are good reasons why so many still remember it so fondly. Not everyone who watches it today shares the opinion that it is a classic, but it's still good to see fans of modern movies giving it a try for themselves.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)
But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.
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