Casablanca (1942)

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay) and
Philip G. Epstein (screenplay) ...

Release Date:

23 January 1943 (USA)

Genre:

Drama | Romance | War

Tagline:

They had a date with fate in Casablanca!

Plot:

Set in unoccupied Africa during the early days of World War II: An American expatriate meets a former lover, with unforeseen complications.

Plot Keywords:

Casablanca | German | Police | American Expatriate | Underground

Awards:

Won 3 Oscars. Another 2 wins & 6 nominations

US TV Schedule:

Fri. Aug. 6

9:30 PM

TCM

Cast

  (Complete credited cast)

Humphrey Bogart	...	Rick Blaine
Ingrid Bergman	...	Ilsa Lund
Paul Henreid	...	Victor Laszlo
Claude Rains	...	Captain Renault
Conrad Veidt	...	Major Strasser
Sydney Greenstreet	...	Signor Ferrari
Peter Lorre	...	Ugarte
S.Z. Sakall	...	Carl (as S.K. Sakall)
Madeleine Lebeau	...	Yvonne (as Madeleine LeBeau)
Dooley Wilson	...	Sam
Joy Page	...	Annina Brandel
John Qualen	...	Berger
Leonid Kinskey	...	Sascha
Curt Bois	...	Pickpocket

Also Known As:

MPAA:

Rated PG for mild violence.

Runtime:

102 min

Country:

USA

Language:

English | French | German

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Iceland:L | Spain:T | USA:Approved (certificate #8457) | USA:TV-PG (TV rating) | Brazil:12 | Netherlands:AL | New Zealand:PG | Japan:G (2009) | Argentina:Atp | Australia:PG | Canada:G (Manitoba/Nova Scotia/Quebec) | Canada:PG (Ontario) | Chile:TE | Denmark:A | Finland:S | Germany:6 | Norway:10 (re-rating) (1992) | Norway:11 (re-rating) (2002) | Norway:16 (original rating) | Peru:PT | Portugal:M/12 | South Korea:12 | Sweden:15 | Sweden:7 (re-release) | UK:U | USA:PG (new rating) (1992)

Filming Locations:

Flagstaff, Arizona, USA

Company:

Warner Bros. Pictures

Trivia:

It is unclear where the line, "Here's looking at you, kid," originated, but it definitely predated both Casablanca (1942) and earlier stage work by Bogart. On March 9, 1932 - 10 years before Casablanca (1942) - Eddie Cantor signed his name in cement at Grauman's Chinese Theater and wrote, "Here's looking at you, Sid" (referring to Sid Grauman, owner of the theater). Cantor certainly meant it as a take-off on "Here's looking at you, kid", which evidently was a line in circulation at the time.

Goofs:

Continuity: When Rick is listening to Annina explain the situation in Bulgaria with his back to the camera, we see him take a drink of brandy. The shot switches before he put his glass down. But in the new shot with the camera facing him, Rick only has a cigarette in his hand and the brandy glass isn't visible.

Quotes:

[first lines]
Narrator:With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles...
[...]

Movie Connections:

Referenced in Blues Lahofesh Hagadol (1987)

Soundtrack:

Avalon

Of all the classics in all the films in all the world, this is the best!

This is a film that MUST belong in every video collection in the U.S. is not in the world. The stories about it's making are legendary from the constant rewrites to the apocrypha of casting stories.

What is amazing to me, and the reason I believe it holds audiences almost spellbound in successive viewings, is the connection with the horrors of World War II was almost every single cast member. Sidney Greenstreet had lost a son in combat, and a number of the cast members fled Europe to escape the ravages of a Hitler regime. Even the evil Nazi character Major Strasser (played with relish by Conrad Veidt) had left Nazi Germany to escape almost sure internment and possible death in a concentration camp. Here was a man who was a legend in German film history as the murdering somnambulist (a possible warning about the Nazi soldiers to come?) and because of the vicious anti-Semitism and racism of the Germany of the '30s and '40s, we in America and in Hollywood were given a great gift.

Everyone in this film is fabulous, but it is the chemistry of Rick (Bogart) and Ilsa (Bergman) been truly holds the film together. When I saw this film almost frame by frame in the limited book series of classic films that were produced in the late 1960s, I was stunned by the subtlety of facial expressions that conveyed so much of Rick Blaine's character by a marvelous actor Humphrey Bogart. There is a reason why he was named the actor of the century.

While every person in the film becomes a real flesh and blood presence, the story of Rick and Ilsa is the center of this cinema feast.

I must confess that I have seen this picture so many times that I can recite every single line in the movie to the consternation of my wife who can't watch it with me anymore.

The line that sticks out the most for me, and which against cheers from New Yorkers whenever it plays in the theater. It is when Bogart says to the Nazis seated at his table, "There are parts of New York I wouldn't advise you to invade." And what makes this line so memorable is that Humphrey Bogart did indeed star in another motion picture for Warner Brothers where that very thing formed the basis for the script. That movie was "All Through The Night." I love this movie too, and I'm not even a New Yorker.

There have been many attempts to revisit "Casablanca," but only the original makes you really feel what it was like to live through "The Good War" in a faraway place like Casablanca in French Morocco.

Even though such trickery as midget airport workers, fog machines and cardboard cutout airplanes were utilized, this film convinces through its beautiful story with many layers, and characters that are so well realized.

If you've never seen this movie before, shame on you and see it immediately. If you only seen it once, I believe you will come back to it more than once. This is just about the most perfect film ever made and it is a miracle that that is so considering that there were so many hands in the pie. (Excuse me for my mixing my metaphors. It's late, and I get emotional just thinking about this classic film masterpiece.)

Play it again and again and again and again, Sam.