In World War II Casablanca, Rick Blaine, exiled American and former freedom fighter, runs the most popular nightspot in town. The cynical lone wolf Blaine comes into the possession of two valuable letters of transit. When Nazi Major Strasser arrives in Casablanca, the sycophantic police Captain Renault does what he can to please him, including detaining a Czechoslovak underground leader Victor Laszlo. Much to Rick's surprise, Lazslo arrives with Ilsa, Rick's one time love. Rick is very bitter towards Ilsa, who ran out on him in Paris, but when he learns she had good reason to, they plan to run off together again using the letters of transit. Well, that was their original plan.... Written by
Gary Jackson <firstname.lastname@example.org>
"Here's looking at you, kid" was improvised by Humphrey Bogart in the Parisian scenes and worked so well that it was used later on again in the film. He originally used the same line in Midnight (1934). It is also rumored that during breaks, Ingrid Bergman would play poker with other cast members. Since she was still learning English, Bogart would occasionally watch the game, and he added "Here's looking at you" to her poker repertoire. See more »
While chatting to Captain Renault outside the Café Américain, Rick lights a cigarette, then in the next shot, lights another. See more »
With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...] See more »
As time goes by, it's still one of the all-time greats...
While my personal Bogey favorite is still his Sam Spade in 'The Maltese Falcon', his cynical nightclub owner, Rick, in 'Casablanca', is also a standout. Rather than some "off the cuff" comments, I'll quote instead from my article on Claude Rains (from March 2000 issue of CLASSIC IMAGES) that pretty well sums up the film:
"It was 1943's 'Casablanca', bustling with melodramatic wartime intrigue, that really put him (Claude Rains) in the forefront as one of the screen's smoothest character actors, almost--but not quite--stealing the film from Humphrey Bogart and Ingrid Bergman, as the uniformed Captain Louis Renault who investigates the goings-on at Rick's notorious cafe.
Nobody associated with the film guessed that it would become a screen classic, least of all its director, Michael Curtiz, the prolific WB director to whom it was just another assignment. It went on to win the Oscar for Best Film of 1943 with an award for Curtiz' taut direction.
Oddly enough, the film's memorable airport ending was written and conceived just shortly before filming wrapped up, with neither Bergman nor Bogart knowing whether or not she would leave him for husband Paul Henried. Wartime audiences loved the film. Sydney Greenstreet, Conrad Veidt, Victor Francen and Peter Lorre all gave sterling performances and Rains was again nominated for Best Supporting actor."
And by the way, I disagree with a former comment indicating the black and white photography of this film was primitive as compared to today's. Incredible nonsense!! As a matter of fact, the film's black and white cinematography was nominated for an Oscar!
Ingrid Bergman was at the peak of her radiant beauty in this one--and Bogey was firing on all six cylinders. Great chemistry!
As time goes by, we still have 'Casablanca'...
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