After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <firstname.lastname@example.org>
Miklós Rózsa wrote the musical score over a period of nearly a year. He was resident in Rome with the production while he composed, and recorded his music with the MGM studio orchestra in Culver City, California. See more »
Sheikh Ilderim and Judah pronounce the name of the Sheikh's chariot horse "REEGH-el," as though it were from the Latin, with a hard "g." The four horses, as the Sheikh, are "named for the stars," and all those names -- Aldebaran, Altair, Antares and Rigel -- are Arabic names for these particularly bright stars that are still in use. An Arab would pronounce that last name as "Rijl" (REE-djl), not "REEGH-el," and Judah would likely have known that. See more »
[Presenting a gift]
For the Tribune. With the compliments of Quintus Arrius. He awaits your pleasure.
The consul here?
It is Quintus Arrius the Younger, tribune.
Thank him. Bring him to me.
I didn't know the consul had a son.
I've heard of the young Arrius. He's a champion of the great circus. Why is he here presenting me with gifts?
Perhaps he will race against you in the games.
[opens the box and takes out a dagger]
And from a man I've never met!
[...] See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
With the attention span of a bumblebee, moreso the current generation than the earlier ones, because of exposure to mobile devices and other modern disposable non-repairable tech.
It is probably for that reason that epics like this one have become forgotten over time. Even the late CH has become more a societal joke and less of an icon over time. Michael Moore made Heston's participation in the NRA a joke. (If Heston's concerns over where society is headed prove to be true, the final joke may be on Moore.) Back to the film. It is almost perfect. Then, as now. The script continually builds. Modern writers could learn from that. No matter what is presently on screen as you watch, the inevitability of the final climax beckons.
The acting is perfect.
The mixture of myth and drama is perfect.
True the Roman dialog did not benefit from the verbal tricks that Stephen McKnight used in Spartacus (bending the script to match the flow of actual Roman) but it is more than enough to entertain and entrance.
From the "accident" early in the film which starts the flow of events, to the chariot race WHICH HAS NEVER BEEN EQUALLED IN THE HISTORY OF FILM, to the reunion with lost family at the end, this is one of the most powerful and entertaining films of all time
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