After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule ... See full summary »
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <firstname.lastname@example.org>
Miklós Rózsa wrote the musical score over a period of nearly a year. He was resident in Rome with the production while he composed, and recorded his music with the London Philharmonic Orchestra at MGM's Borehamwood studios outside London. See more »
Sheikh Ilderim and Judah pronounce the name of the Sheikh's chariot horse "REEGH-el," as though it were from the Latin, with a hard "g." The four horses, as the Sheikh, are "named for the stars," and all those names -- Aldebaran, Altair, Antares and Rigel -- are Arabic names for these particularly bright stars that are still in use. An Arab would pronounce that last name as "Rijl" (REE-djl), not "REEGH-el," and Judah would likely have known that. See more »
[Judah, Esther, Miriam and Tirzah enter the city to find it deserted except for a blind beggar]
[to Blind Man]
Why are the streets deserted?
They have gone to the trial. Alms for the blind?
Trial? Whose trial?
The young rabbi from Nazareth. They are wanting his death.
It cannot be true!
[holding out his cup]
What has he done?
Nothing I know of. For the blind? For the blind? Help for the blind?
[Judah drops a coin in his cup]
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The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
I have seen Ben-Hur (I also like the 1925 version very much) I don't know how many times now. I think I have stopped counting seven years ago. I never tire to see this movie and, needless to say, I know all the scenes and dialogue by heart. This picture has everything in it. Almost all human sentiments are represented in the story: joy, sorrow, despair, pride, jealousy, hope, revenge, anger, forgiveness, compassion, redemption, love, hate, friendship, humour, etc, etc. During the three and a half hours it takes for the story to unfold, we see passing by our very eyes just about every example of what constitutes the human condition. What I find even more remarkable in this movie is the fact that Christ is present throughout the entire story, but we don't really see him in the flesh (at the exception of a few scenes, where the Lord is, in fact, in the background) and yet, his spirit and message is ever present through the words and actions of the various characters. It's not for nothing that the complete title of this great story is "Ben-Hur, a Tale of the Christ". The movie is well-acted (especially Heston, Griffith, Hawkins and, let's not forget, the wonderful Finley Currie, playing Balthazar), the dialogue is always concise, yet never short of meaning and substance (the way dialogues in movies should be), the decor and settings are just magnificent and the Miklos Rozsa score is simply superb. Besides Quo Vadis (the 1951 version, which, incidentally, I have recommended to those who have also enjoyed Ben-Hur), I cannot think of a better movie about the early days of Christianity than this one. There are others, of course, (The Robe, just to name one), but none has the grandeur and the spectacular dimension of Ben-Hur. It's the movie I would want to watch one last time on my death bed. I gladly and proudly give Ben-Hur a score of 10 out of 10!
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