The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hopes of pursuing freedom while also falling in love with his master, the famous female philosophy and mathematics professor Hypatia of Alexandria.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <email@example.com>
Producer Sam Zimbalist died two months before production ended. Then, William Wyler handled the remaining production duties, along with his directing this masterpiece epic. See more »
When Judah visits Messala after the chariot race, as he enters the room he lays his wreath on a chair next to the door. When he leaves, the wreath is missing. See more »
[dipping a hand in a stream]
When the Romans were marching me to the galleys, thirst had almost killed me. A man gave me water to drink, and I went on living. I should have done better if I'd poured it into the sand!
I'm thirsty still.
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The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
The same quality that made epics like "Gone with the Wind," "Lawrence of Arabia," "Doctor Zhivago," and, ultimately, "Titanic" the memorable stories they were is present in spades in "Ben-Hur." These are stories, though told on canvases far vaster than the CinemaScope- or Panavision-sized movie screens they were meant for, succeed because, in their best moments, they focus on the interaction between and history of as few as two characters.
What begins as a childhood friendship between a Roman boy and a Jewish boy in Roman-occupied Palestine, becomes, briefly, a politically-charged rivalry, and ultimately, a search for revenge by one upon the other.
Charlton Heston and Stephen Boyd deliver the performances of their careers, and get to chew up scenery and sets of such grandeur that Hollywood could never afford their like again.
This film, the greatest epic film ever made, deserves every accolade heaped upon it. The modern viewer may have to apply some patience, but at the end of the nearly four hour running time will find themselves to be vastly rewarded for it. You will find your life changed by both the scale of the film and the intimate message of friendship, betrayal, revenge--and the power of forgiveness.
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