When a Jewish prince is betrayed and sent into slavery by a Roman friend, he regains his freedom and comes back for revenge.

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(novel) (as General Lew Wallace), (screenplay)
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Top Rated Movies #201 | Won 11 Oscars. Another 16 wins & 13 nominations. See more awards »

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Cast

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Balthasar / Narrator
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Terence Longdon ...
George Relph ...
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Storyline

Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by Matthias Scheler <tron@lyssa.owl.de>

Plot Summary | Plot Synopsis

Plot Keywords:

roman | revenge | galley | jewish | jew | See All (196) »

Taglines:

It's an insane world, but still there's one sanity that remains; the LOYALTY of old friends!! See more »


Certificate:

G | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

29 January 1960 (Brazil)  »

Also Known As:

Ben-Hur: A Tale of the Christ  »

Filming Locations:

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Box Office

Budget:

$15,900,000 (estimated)

Gross:

$70,000,000 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (1970) | (1962) | (1993 re-release) | (DVD edition) | (2005 DVD)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.66 : 1
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Did You Know?

Trivia

Miklós Rózsa wrote the musical score over a period of nearly a year. He was resident in Rome with the production while he composed, and recorded his music with the MGM studio orchestra in Culver City, California. See more »

Goofs

Sheikh Ilderim and Judah pronounce the name of the Sheikh's chariot horse "REEGH-el," as though it were from the Latin, with a hard "g." The four horses, as the Sheikh, are "named for the stars," and all those names -- Aldebaran, Altair, Antares and Rigel -- are Arabic names for these particularly bright stars that are still in use. An Arab would pronounce that last name as "Rijl" (REE-djl), not "REEGH-el," and Judah would likely have known that. See more »

Quotes

Servant: [Presenting a gift] For the Tribune. With the compliments of Quintus Arrius. He awaits your pleasure.
Messala: The consul here?
Servant: It is Quintus Arrius the Younger, tribune.
Messala: Thank him. Bring him to me.
Drusus: I didn't know the consul had a son.
Messala: I've heard of the young Arrius. He's a champion of the great circus. Why is he here presenting me with gifts?
Drusus: Perhaps he will race against you in the games.
Messala: [opens the box and takes out a dagger] Look.
Drusus: It's magnificent.
Messala: And from a man I've never met!
[...]
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Crazy Credits

The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »

Connections

Referenced in St. Elsewhere: Drama Center (1984) See more »

Soundtracks

Star Of Bethlehem / Adoration Of The Magi
Composed and Conducted by Miklós Rózsa
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
pretty much sets the bar for epic entertainment
10 March 2015 | by (North America) – See all my reviews

We are by nature a cynical and critical group.

With the attention span of a bumblebee, moreso the current generation than the earlier ones, because of exposure to mobile devices and other modern disposable non-repairable tech.

It is probably for that reason that epics like this one have become forgotten over time. Even the late CH has become more a societal joke and less of an icon over time. Michael Moore made Heston's participation in the NRA a joke. (If Heston's concerns over where society is headed prove to be true, the final joke may be on Moore.) Back to the film. It is almost perfect. Then, as now. The script continually builds. Modern writers could learn from that. No matter what is presently on screen as you watch, the inevitability of the final climax beckons.

The acting is perfect.

The mixture of myth and drama is perfect.

True the Roman dialog did not benefit from the verbal tricks that Stephen McKnight used in Spartacus (bending the script to match the flow of actual Roman) but it is more than enough to entertain and entrance.

From the "accident" early in the film which starts the flow of events, to the chariot race WHICH HAS NEVER BEEN EQUALLED IN THE HISTORY OF FILM, to the reunion with lost family at the end, this is one of the most powerful and entertaining films of all time


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