Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by
BWR Public Relations
This film is generally disliked by American Military Service Members and Veterans for it's unrealistic depiction of war (particularly the war in Iraq), it's sloppy research (incorrect uniforms and equipment), and it's disrespectful portrayal of Soldiers, particularly Explosive Ordnance Disposal personnel. See more »
Near the end of the film, two CH-47 Chinook helicopters are seen transporting soldiers to Iraq. In reality, Chinooks are operated exclusively by the US Army, yet here they are shown bearing US Marine Corps markings and colour scheme. See more »
Staff Sergeant William James:
[Speaking to his son]
You love playing with that. You love playing with all your stuffed animals. You love your mommy, your daddy, your nature pajamas. You love everything, don't ya? Yeah. But you know what, buddy? As you get older... some of the things that you love might not seem so special anymore, you know? Like your Jack-in-a-Box. Maybe you'll realize it's just a piece of tin and a stuffed animal, but the older you get, the fewer things you really love, and by the time you get to my age, ...
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There are no opening credits, not even a title. See more »
TIFF 2008: The Hurt Locker - World class war-action cinema
Simply put, action ace Kathryn Bigelow's "The Hurt Locker" is a near masterpiece of suspense and unrelenting intensity.
Her first film since 2002's "K-19: The Widowmaker," The Hurt Locker is definitely a return to form from the director of probably the greatest (in this man's humble opinion) surfer-action movie of all time "Point Break." The film follows Bravo company, a team of bomb technicians situated right in the heart of the Iraq war's modern IED warfare. Jeremy Renner, mostly known for impressive performances in "S.W.A.T" and "The Assassination of Jesse James," gives his most riveting performance yet as the lead, Staff Sergeant William James, a reckless but brilliant soldier who has taken down almost 850 bombs.
What separates this film from the bulk of mainstream cinema that has tackled the Iraqi situation is that it doesn't simply exist as a political polemic, or even a reminder of the humanitarian horrors that plague the Iraqi people.
Instead, Bigelow and screenwriter Mark Boal give us a story that transcends politics and can be seen as almost a straight up kick-ass action pic. The film is plotted by increasingly dangerous and fully realized defusion sequences, all of which were shot from beginning to end in single takes with DOP Barry Ackroyd's cameras continuously roving around set in order to create a tense realism that translates well to the screen.
Very elaborate attention to detail and mise-en-scene is in every frame of the pic, with Bigelow choosing to shoot in Jordan and locations being less than 10 KM away from the Iraqi border. And from a searing heat wave ranging up to 49C to actual Iraqi refugees used as extras to impeccable sound design and special guest cameos by Guy Pearce, David Morse and Ralph Fiennes, Bigelow has succeeded in creating an entirely memorable and visceral experience that will surely leave its mark in the pantheon of the very best war spectacles put to film.
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