Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
In the DMZ separating North and South Korea, two North Korean soldiers have been killed, supposedly by one South Korean soldier. But the 11 bullets found in the bodies, together with the 5 ... See full summary »
A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat. James behaves as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by
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Producer Nicolas Chartier caused a controversy in February 2010 by sending out emails to Academy of Motion Picture Arts and Sciences members, requesting that they vote for this film for the Best Picture Academy Award, "not a '$500 million film'" -- an obvious reference to Avatar (2009), another frontrunner for Best Picture. AMPAS rules prohibit members from sending mailings disparaging competing films. In the end, the Academy stopped short of denying Chartier from winning an Oscar, and instead revoked his invitation to the awards ceremony; he received his Best Picture Oscar afterwards. See more »
The ACOG sights mounted on James' and Sanborn's M4s are clearly replicas. ACOGs only have 2 knobs used for windage and elevation, the ACOGs in the movie have three knobs. See more »
TIFF 2008: The Hurt Locker - World class war-action cinema
Simply put, action ace Kathryn Bigelow's "The Hurt Locker" is a near masterpiece of suspense and unrelenting intensity.
Her first film since 2002's "K-19: The Widowmaker," The Hurt Locker is definitely a return to form from the director of probably the greatest (in this man's humble opinion) surfer-action movie of all time "Point Break." The film follows Bravo company, a team of bomb technicians situated right in the heart of the Iraq war's modern IED warfare. Jeremy Renner, mostly known for impressive performances in "S.W.A.T" and "The Assassination of Jesse James," gives his most riveting performance yet as the lead, Staff Sergeant William James, a reckless but brilliant soldier who has taken down almost 850 bombs.
What separates this film from the bulk of mainstream cinema that has tackled the Iraqi situation is that it doesn't simply exist as a political polemic, or even a reminder of the humanitarian horrors that plague the Iraqi people.
Instead, Bigelow and screenwriter Mark Boal give us a story that transcends politics and can be seen as almost a straight up kick-ass action pic. The film is plotted by increasingly dangerous and fully realized defusion sequences, all of which were shot from beginning to end in single takes with DOP Barry Ackroyd's cameras continuously roving around set in order to create a tense realism that translates well to the screen.
Very elaborate attention to detail and mise-en-scene is in every frame of the pic, with Bigelow choosing to shoot in Jordan and locations being less than 10 KM away from the Iraqi border. And from a searing heat wave ranging up to 49C to actual Iraqi refugees used as extras to impeccable sound design and special guest cameos by Guy Pearce, David Morse and Ralph Fiennes, Bigelow has succeeded in creating an entirely memorable and visceral experience that will surely leave its mark in the pantheon of the very best war spectacles put to film.
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