Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
In the DMZ separating North and South Korea, two North Korean soldiers have been killed, supposedly by one South Korean soldier. But the 11 bullets found in the bodies, together with the 5 ... See full summary »
French Resistance activist Andre Devigny is imprisoned by the Nazis, and devotes his waking hours to planning an elaborate escape. Then, on the same day, he is condemned to death, and given... See full summary »
Charles Le Clainche,
When a protective father meets a murderous ex-con, both need to deviate from the path they are on as they soon find themselves entangled in a downwards spiral of lies and violence while having to confront their own inner psyche.
A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat. James behaves as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by
BWR Public Relations
The production had a hard time booking key crew members and department heads, since the film was shot on location in the Middle East (specifically in Jordan, the country right next door to Iraq). See more »
After James drops off Sanborn at his barracks, he proceeds to drink some liquor from a bottle before placing it on the table. He puts the bomb suit helmet on in a close up and once the camera zooms back out, the bottle is clearly on the floor next to his bed. See more »
Kathryn Bigelow concocts a masterpiece of a film without tricks or gimmicks, at least none to be detected and that in itself is a triumph. Realistic yet poetic like the works of the great masters. It enters and fits a genre and at the same time is unique, unexpected. It shutters, moves and alters every sense, like a powerful drug. I saw it last night and I'm going to see it again tonight. Last night Jeremy Remmer came to speak to the audience in a face to face moderated by Sam Rockwell, great idea but it change my perception of Remmer in the film, of his character. Although he praised Kathryn Bigelow, he said things like "I don't tell her how to direct and she doesn't tell me how to act" Watching the film I felt that childish arrogance belonged to the character by his personal appearance showed it belonged to the actor. In any case, it works on the screen. A character you warm up to almost immediately in spite of his contradictions. Remmer will remind you at times of Robert Redford and others of Michael J Pollard. He is truly terrific so try to avoid his personal appearances not to contaminate that impression. The rest of the cast works wonders and the brief cameos by Guy Pearce and Ralph Finnes are the most organic and unobtrusive cameos I've ever seen in my life. All in all extraordinary. I predict, even if we're only in June, that Kathryn Bigelow risks to be the first female director to win the Academy Award. She certainly got my vote.
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