A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
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Cuba, December 1958: The professional gambler Jack visits Havana to organize a big Poker game. On the ship he meets Roberta and falls in love with her. Shortly after they arrive in Cuba, ... See full summary »
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
When the new warden comes in disguised as an inmate, he sees firsthand all the corruption and scams the guards and prison officials are running. When he reveals himself and starts to implement reforms to stop the corruption, the local business community, who had been benefiting from the scams, fights back, and the corrupt prison system starts making political trouble for the new warden. Written by
Brian W Martz <B.Martz@Genie.com>
One of two Robert Redford movies released in 1980 that were Oscar-nominated. This film was an Academy Award nominee for Best Original Screenplay, while the other movie Ordinary People (1980), received six Oscar nominations. See more »
In a restaurant scene, a Conn's Potato Chip sales display can be seen. Conn's are only made and sold in Ohio, not Arkansas. See more »
I want to know why you always think you can just walk out.
Because that's murder they're talking about in there. And if I condone it, you can't turn around and tell these men why they're locked up. It's one standard for everyone, the way I see it.
And you can't see any options, no middle ground.
No, I don't see playing politics with the truth, Lillian.
No way to compromise?
Oh, on strategy, maybe... but not on principle.
But that's what I... goddamn it, I agree with you...
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Brubaker (Robert Redford) as a messiah-type, seemingly on the fringe of municipal importance, takes up the job of Warden at a Southern state penal farm and decides to see the extent of what he is up against by entering in disguise as just another inmate, with no privileges. He feels that to absorb the experience from the inside looking out is preferable to relying on preconceptions. He is right as the thrust of the film would have otherwise been lost and the overall plot (simple though it is) is stronger for the fact that Brubaker has 'been there'.
He manages to carve a bond with a few prisoners before he modestly reveals his true identity and, through a series of well acted confrontations, he begins to make the prison machine tick over nicely. In the final analysis his efforts are not totally successful, but the film does reflect change and at least the viewer can agree that he seized the chance to make a difference.
The film is possibly a bit too long and the principal character is under-developed. 'Brubaker' was apparently a rather mournful, strained film to work on and the original director, Bob Rafelson, was sacked for smacking Ron Silverman (producer) in the nose during an early on-set argument.
However, I think it is well acted and very absorbing to watch. I particularly enjoyed the scene where Brubaker gets his staff to release a few long term solitary confinements, stating that before they do so, the requisite pairs of sunglasses should be given to them as they come out of complete darkness for the first time in ages - the staff think Brubaker is crazy: of course, they cannot see that this is all about building trust. The master plan is therefore to get the inmates on board and allow the trustees to follow. Nice theory, not so nice to put into practice as he is up against a rancid, but self policing establishment from day one.
Watch out for Wilford Brimley as "Rogers" - a later teaming up with Redford took place in the outstanding "The Natural", with Brimley starring in a major role as the jaundiced, downtrodden, Pop Fisher.
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