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A Clockwork Orange (1971)

X  |   |  Crime, Drama, Sci-Fi  |  2 February 1972 (USA)
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Ratings: 8.4/10 from 502,900 users   Metascore: 78/100
Reviews: 1,314 user | 208 critic | 10 from

In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.



(screenplay), (novel)
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Top 250 Movies #80 | Nominated for 4 Oscars. Another 8 wins & 17 nominations. See more awards »



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Cast overview, first billed only:
Patrick Magee ...
John Clive ...
Stage Actor
Carl Duering ...
Paul Farrell ...
Clive Francis ...
Michael Gover ...
Miriam Karlin ...
James Marcus ...
Godfrey Quigley ...
Sheila Raynor ...


Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle

Plot Summary | Plot Synopsis


Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »


Crime | Drama | Sci-Fi


X | See all certifications »

Parents Guide:






Release Date:

2 February 1972 (USA)  »

Also Known As:

Stanley Kubrick's A Clockwork Orange  »

Box Office


$2,200,000 (estimated)

Opening Weekend:

£618,615 (UK) (17 March 2000)


£1,675,124 (UK) (31 March 2000)

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs


Sound Mix:



| (Warnercolor) (uncredited)

Aspect Ratio:

1.66 : 1
See  »

Did You Know?


Anthony Burgess has expressed sorrow and bemusement at A Clockwork Orange being his most famous book. This is because he wanted the book to do well due to its own merit as opposed to the film. See more »


During the high speed car ride, the trees and greenery on both sides of the road are illuminated. As the viewpoint is looking backwards from the front of the car, everything that we see is behind the vehicle, and as there are no streetlights it should all be in darkness. See more »


[first lines]
Alex: There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
See more »

Crazy Credits

There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »


Referenced in Between Strangers (2002) See more »


Molly Malone
(1883) (uncredited)
aka "Cockles and Mussels"
Traditional Irish folk song
Performed by Paul Farrell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Brilliant, stunning and disturbingly entertaining
1 April 2005 | by (Boston) – See all my reviews

Few films are as sensational or infamous as Stanley Kubrick's "A Clockwork Orange". It's impossible to sit through ACO and not have a reaction; whether it be shock, disgust or amazement. The savage tale of a brutal young droog and his subsequent "reformation" by the government is as shocking and thought-provoking as ever.

While the film's depictions of violence and sex are what it's most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government's attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can't be denied.

Equally excellent to the film's content is the effort by the crew. Kubrick's perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick's use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist's behavior and the government's policies.

A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It's a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.

180 of 224 people found this review helpful.  Was this review helpful to you?

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