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A Clockwork Orange (1971)

 -  Crime | Drama | Sci-Fi  -  2 February 1972 (USA)
8.4
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Ratings: 8.4/10 from 436,361 users   Metascore: 78/100
Reviews: 1,281 user | 198 critic | 10 from Metacritic.com

In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.

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(screenplay), (novel)
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Top 250 #75 | Nominated for 4 Oscars. Another 12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Patrick Magee ...
...
...
Dim
John Clive ...
Stage Actor
...
Carl Duering ...
Paul Farrell ...
Clive Francis ...
Michael Gover ...
Miriam Karlin ...
James Marcus ...
...
Godfrey Quigley ...
Sheila Raynor ...
Mum
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Storyline

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle

Plot Summary | Plot Synopsis

Taglines:

Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven. See more »

Genres:

Crime | Drama | Sci-Fi

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

2 February 1972 (USA)  »

Also Known As:

A Clockwork Orange  »

Box Office

Budget:

$2,200,000 (estimated)

Opening Weekend:

£618,615 (UK) (17 March 2000)

Gross:

£1,675,124 (UK) (31 March 2000)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(re-issue)|

Color:

| (Warnercolor) (uncredited)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

In the scene after Alex talks with the priest about Ludovico therapy, we see the prisoners marching in a circle around the exercise yard, recreating an 1890 painting by Vincent van Gogh, "Prisoners Exercising (after Gustave DorĂ©)". See more »

Goofs

(at around 33 mins) The water of the flat lot marina changes in turbulence several times, low waves at first and then less choppy while Dim is falling and finally completely still as he hits the water. See more »

Quotes

[first lines]
Alex: There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
See more »

Crazy Credits

There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »

Connections

Referenced in Criminal Minds: The Performer (2009) See more »

Soundtracks

Pomp and Circumstance Marches No.1 and 4
by Edward Elgar
Conducted by Marcus Dods
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of those films you have to watch multiple times
28 April 2002 | by (Tucson, AZ) – See all my reviews

It's hard to judge a film such as this. Its cold and hard, yet can be exhilarating and sarcastic. It can be average, yet it can be visionary. Exploitive? Satirical? Too many questions to consider when one watches this film.

Even after 34 years, this film still speaks volumes about our current culture, which many ideals are ringing true today. The younger generations are out of control due to lack of parental control, junk culture is becoming commonplace, violence is desensitizing the masses, and we all seem to be enjoying the ride on the way down. It's very difficult to find movies which can make such startling commentary, yet hold on to such accusations for an extended period of time. Nowadays, films are focused-grouped to death, conformity is more powerful than artistry, and money is far more important than quality. Kubrick took a huge leap with this film, challenging society to take a hard look at itself. Unfortunately, society wasn't ready for this film, which is why it is revered now more than ever.


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