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A Clockwork Orange (1971)

 -  Crime | Drama | Sci-Fi  -  2 February 1972 (USA)
8.4
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Ratings: 8.4/10 from 391,318 users   Metascore: 78/100
Reviews: 1,255 user | 193 critic | 10 from Metacritic.com

In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.

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(screenplay), (novel)
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Top 250 #70 | Nominated for 4 Oscars. Another 11 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Patrick Magee ...
...
...
Dim
John Clive ...
Stage Actor
...
Carl Duering ...
Paul Farrell ...
Clive Francis ...
Michael Gover ...
Miriam Karlin ...
James Marcus ...
...
Godfrey Quigley ...
Sheila Raynor ...
Mum
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Storyline

Protagonist Alex is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle

Plot Summary | Plot Synopsis

Taglines:

Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven. See more »

Genres:

Crime | Drama | Sci-Fi

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

2 February 1972 (USA)  »

Also Known As:

A Clockwork Orange  »

Box Office

Budget:

$2,200,000 (estimated)

Opening Weekend:

£618,615 (UK) (17 March 2000)

Gross:

£1,675,124 (UK) (31 March 2000)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(re-issue)|

Color:

| (Warnercolor) (uncredited)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The snake, Basil, was introduced into the film by Stanley Kubrick when he found out Malcolm McDowell had a fear of reptiles. See more »

Goofs

(at around 33 mins) The water of the flat lot marina changes in turbulence several times, low waves at first and then less choppy while Dim is falling and finally completely still as he hits the water. See more »

Quotes

[first lines]
Alex: There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
See more »

Crazy Credits

There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »

Connections

Referenced in Up Late with Alec Baldwin: Episode #1.4 (2013) See more »

Soundtracks

March from 'Funeral Music for Queen Mary'
(uncredited)
Written by Henry Purcell (1659-1695)
Arranged and Performed by Wendy Carlos on synthesizer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brilliant, stunning and disturbingly entertaining
1 April 2005 | by (Boston) – See all my reviews

Few films are as sensational or infamous as Stanley Kubrick's "A Clockwork Orange". It's impossible to sit through ACO and not have a reaction; whether it be shock, disgust or amazement. The savage tale of a brutal young droog and his subsequent "reformation" by the government is as shocking and thought-provoking as ever.

While the film's depictions of violence and sex are what it's most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government's attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can't be denied.

Equally excellent to the film's content is the effort by the crew. Kubrick's perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick's use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist's behavior and the government's policies.

A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It's a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.


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