In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
Stanley Kubrick asked Pink Floyd if he could use their "Atom Heart Mother Suite" in the soundtrack. However, because Kubrick wanted unlimited license to determine what portions or edits of the song he used, the band turned him down. When Alex is in the record store, we can see the soundtrack of Kubrick's own movie 2001: A Space Odyssey (1968) on a lower shelf with "Atom Heart Mother" above it (look for the cow in the field). Other records visible in the shop are Tim Buckley's "Lorca" (1970), on the Island shelf when Alex enters the shop. "Atom Heart Mother" is visible on this shelf as well as behind the counter. Also on this shelf is Rare Bird "As Your Mind Flies By". Two records to the left of the "2001" in front of the counter is Crosby Stills Nash & Young's "Deja Vu" (1970). To the right of "2001" is "The Transfiguration Of Blind Joe Death" by John Fahey. Between The Beatles "Magical Mystery Tour" and "Atom Heart Mother" on the wall behind the counter is Neil Young's "After The Goldrush" (1970). The first Chicago album "The Chicago Transit Authority" (1969) can also be seen. The blonde girl with the lollipop can be seen looking at a Mungo Jerry album, "In The Summertime" (1970). See more »
Many of the continuity errors are not in fact errors. Stanley Kubrick purposely included many continuity errors as a way of creating a feeling of disorientation for the audience. That is why people's positions change, props are reorganized, and hats (and other articles of clothing) appear and disappear. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
A Clockwork Orange is the finest film that has ever been made, in my view. Stanley Kubrick has made so many masterpieces, and is by far the best director that ever graced our world. A Clockwork Orange is simply his finest hour!
The film grabs you and glues you to your seat from start to finish. Malcolm McDowell gives us a shining example of superior acting, and the movie is as perverted as any of Kubrick's masterpieces (and then some!). It contains horrifying violence, extreme emotions, perversity and weirdness at it's very worst. It all boils down to serve you a plethora of thoughts for you to take with you and contemplate, after the film ends.
However, with all the perversity bursting out of this film, you will probably NOT like this film the first time you see it. I know I didn't. Fortunately, I gave it a second chance, and thought: Hey, it was actually not bad at all. After the third time, I was lost for words.
After the fourth time, there was little doubt in my mind, that this was the finest film ever made, and regardless of how many great masterpieces I see, A Clockwork Orange still towers above them. I'm sure you'll agree, if you give it the chance it deserves, although it may require for you to see it more than once.
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