| Cast overview, first billed only: | |||
| Malcolm McDowell | ... | ||
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Patrick Magee | ... | |
| Michael Bates | ... | ||
| Warren Clarke | ... | ||
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John Clive | ... |
Stage Actor
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| Adrienne Corri | ... | ||
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Carl Duering | ... | |
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Paul Farrell | ... | |
| Clive Francis | ... | ||
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Michael Gover | ... | |
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Miriam Karlin | ... |
Catlady
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James Marcus | ... | |
| Aubrey Morris | ... | ||
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Godfrey Quigley | ... | |
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Sheila Raynor | ... | |
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle
It's hard to judge a film such as this. Its cold and hard, yet can be exhilarating and sarcastic. It can be average, yet it can be visionary. Exploitive? Satirical? Too many questions to consider when one watches this film.
Even after 34 years, this film still speaks volumes about our current culture, which many ideals are ringing true today. The younger generations are out of control due to lack of parental control, junk culture is becoming commonplace, violence is desensitizing the masses, and we all seem to be enjoying the ride on the way down. It's very difficult to find movies which can make such startling commentary, yet hold on to such accusations for an extended period of time. Nowadays, films are focused-grouped to death, conformity is more powerful than artistry, and money is far more important than quality. Kubrick took a huge leap with this film, challenging society to take a hard look at itself. Unfortunately, society wasn't ready for this film, which is why it is revered now more than ever.