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A Clockwork Orange (1971)

X  |   |  Crime, Drama, Sci-Fi  |  2 February 1972 (USA)
8.4
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Ratings: 8.4/10 from 468,123 users   Metascore: 78/100
Reviews: 1,295 user | 200 critic | 10 from Metacritic.com

In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.

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(screenplay), (novel)
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Title: A Clockwork Orange (1971)

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Top 250 #77 | Nominated for 4 Oscars. Another 12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Patrick Magee ...
...
...
Dim
John Clive ...
Stage Actor
...
Carl Duering ...
Paul Farrell ...
Clive Francis ...
Michael Gover ...
Miriam Karlin ...
Catlady
James Marcus ...
...
Godfrey Quigley ...
Sheila Raynor ...
Mum
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Storyline

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle

Plot Summary | Plot Synopsis

Taglines:

The Breakthrough Presentation Of Stanley Kubrick's Clockwork Orange For The Millions Who Were Not Allowed To See It Until Now! See more »

Genres:

Crime | Drama | Sci-Fi

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

2 February 1972 (USA)  »

Also Known As:

A Clockwork Orange  »

Box Office

Budget:

$2,200,000 (estimated)

Opening Weekend:

£618,615 (UK) (17 March 2000)

Gross:

£1,675,124 (UK) (31 March 2000)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(re-issue)|

Color:

| (Warnercolor) (uncredited)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Patrick Magee kept asking Malcolm McDowell if Stanley Kubrick was all right with his performance as he felt that he was being far too over the top. Magee said that he "felt like he was taking a dump," so overwrought was his performance. McDowell assured him that this was exactly what Kubrick was after. See more »

Goofs

When Alex was reading from the Bible, and asks the priest to talk with him in private, we see the priest putting his hand on Alex's shoulder, while in an another cut we see him preparing him self to put his hand on him. See more »

Quotes

[first lines]
Alex: There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
See more »

Crazy Credits

There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »

Connections

Referenced in Serum 114 (2006) See more »

Soundtracks

Biblical Daydreams
(uncredited)
Composed by Wendy Carlos & Rachel Elkind
Arranged and Performed by Wendy Carlos on synthesizer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

My brief review of the film
3 January 2005 | by (Perth, Australia) – See all my reviews

A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' – it is maybe best explained by watching the film itself.


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