A look at the life of Alfred Kinsey (Neeson), a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
The biography of Charlie Chaplin, filmmaker extraordinaire. From his formative years in England to his highest successes in America, Charlie's life, work, and loves are followed. While his screen characters were extremely hilarious, the man behind "The Little Tramp" was constantly haunted by a sense of loss. Written by
Murray Chapman <email@example.com>
A Western Electric 302 telephone appears in the 1930s. The phone was first produced in the 1940s. See more »
Ha ha ha ha ha. Come on Charlie stop messing about, we really have to get down to it now. I just hope our friendship survives the day, that's all.
Ha George, don't be so melodramatic.
Well it's your autobiography Charlie. And as your editor I have to tell you that parts of the manuscript are pretty vague, to say the least. I mean for instance, your mother. Now when did she first loose control? We need to know those facts.
It's hard to say. She could be so wonderful, on good days...
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The first thing one should know about "Chaplin" is that, paradoxically, very little of it has to do with Chaplin. Or, at least, it has more to do with the writers' illusions of him. The film claims to be based on "My Autobiography" and on "Chaplin: His Life and Art", by David Robinson. Having re-read the Autobiography before watching the film, it is clear to me that what the writers did was take basic incidents from the autobiography and embellish them with, I can only assume, parts of the Robinson book. What results is a series of scenes which were vaguely influenced by the facts, but so simplified and primitive that little of the original truth remains.
What the writers did not wish to acknowledge was that when Chaplin wrote vaguely or skimmed past certain parts of his life, he really didn't want anyone to delve into them - and the filmmakers did just that. "Chaplin" is not really about Charlie Chaplin, his work and films. It is simply ceaseless speculation on his personal life, but going on even more vaguely about it than the Autobiography.
I am well aware that almost every biopic focuses more on the personal life of a person than on their work. The problem is that most of the characters in "Chaplin" are so exaggerated and simplified that they become almost completely unbelievable - both as the real people AND as fictional characters. None of them are fully developed. This is not entirely the fault of the supporting cast (although it really is not that interesting): the fault lies with the screenplay, which is too often bland and melodramatic. This is especially obvious in the ridiculous subplot concerning the older Chaplin and his editor, which is the most pointless and badly done part of the film; even Hopkins cannot make the lines sound credible, which is all the proof anyone needs of their mediocrity. The film would have worked immeasurably better without these additions.
Many of the most interesting aspects and parts of Chaplin's life are completely ignored, oddly, with seemingly irrelevant or less important stories added in for little reason. One scene in particular is added only to insert a Chaplin-esquire physical comedy sequence which falls flat. The writers greatly accentuated everything to do with Hetty Kelly, even making the same actress play Oona O'Neill; the tried too hard to give him some kind of motive for his relationships, which only leads to more bias and speculation; and although I am by no means a Chaplin purist or even a very knowledgeable admirer, the blatant alterations on the actual history grated on my nerves.
All this being said, the film is certainly not a terrible one. Mainly, however, this is for one reason only, and that is - yes - Robert Downey Jr. himself. The praise he received for the role is by no means undeserved. As Chaplin he is perfect, managing to make the best out of his rather predictable lines, remaining interesting, believable, and in many parts moving. He has wonderful timing and intensity, and even looks the part (he could even do the roll dance). I really quite believed he was Chaplin. Even his performance, however, suffers greatly because of the lines - and the flash-forwards. I have no doubt that he could have played an even better Charlie Chaplin in a differently made film.
The greatest scene in "Chaplin", I think, is the opening credits: Charlie arrives in his dressing room, alone, sits, and begins to remove his make-up. The scene is in black and white, and there is no dialogue
only music. Every emotion is expressed simply through his eyes. If
the rest of the film had been made like this, I actually think it could have been perfect. Either way, the lead performance is astounding, the music is beautiful, and though not very insightful or too true to history, this film is well worth watching.
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