When a 'Single White Female' places an ad in the press for a similar woman to rent a room (to replace the boyfriend she's just left), all the applicants seem weird. Then along comes a level... See full summary »
Jennifer Jason Leigh,
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Mel Bakersfeld is the hard-charging manager of Lincoln International Airport, trying to keep his airport open despite a raging Midwestern snowstorm and an angry wife. Meanwhile, his antagonistic brother-in-law, Vernon Demerest, may have his plans for a placid layover in Italy disturbed by unexpected news from Gwen Meighen, and by the plans of D.O. Guerrero, the loose cannon on board. Written by
Steve Fenwick <firstname.lastname@example.org>
Guerrero, Van Heflin's name in this film, was also the name of the Mexican town in which Heflin's character, US Army trooper John Chawk, earned a Medal of Honor for his bravery in a battle with Mexican bandits that took place there. See more »
When Mel and the girl are out in the station wagon, he wants to listen to the aircraft radio conversation. He asks for the frequency, and the dispatcher gives him and aeronautical frequency (in the 116 MHz range). The scene cuts to his car radio, which only covers from 150-174 MHz (police and public service). There is no way he could listen to the aircraft conversation on this radio. See more »
Watching AIRPORT today is like watching a parody of the film because of all of the spinoffs that followed, including the hilarious AIRPLANE! And sometimes you have to wonder about the humor--especially the scene where the priest slaps a hysterical man across the aisle without even a glance at him.
But the sub-plots (and there are quite a few) hold together very well and at the center of all the suspense is a humorous plot involving a little old lady stowaway (Helen Hayes). Her interrogation scene with Jean Seberg is priceless and all the way through she shows a remarkable talent for scene-stealing. It's hard to watch anyone else when she's going through her paces.
The suspense build-up is slow but steady once the plane takes off in a snowstorm--and by the way, the snow effects are very realistic for a change--almost as though the film was shot in a real blizzard, which it probably wasn't.
This is well played by the entire cast--with the exception of Dean Martin who looks too casual even when the plane is making a final, desperate landing. He never gets inside his role as a pilot. Burt Lancaster doesn't do much with his character either--but everyone else shines. Maureen Stapleton is touching as the worried wife of the bomber (Van Heflin). Heflin was in his last film role here, looking rather flabby and worn but good as the paranoid bomber.
Too bad that two of the male leads gave less than adequate performances. It would have helped considerably to make us believe more in the overall tale. By today's standards, the film looks dated and a bit overwrought almost to the point of comic foolishness--but that's what we get for seeing all the subsequent 'Airport' films.
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