The candy recipes of the goody shops have been stolen by the Goody Bandit, and many animals are out of business. While the police are chasing the criminal, there is a mess at Granny's house... See full summary »
It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key which Hugo needs to find to unlock the secret he believes it contains. On his adventures, he meets with a shopkeeper, George Melies, who works in the train station and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by
Martin Scorsese and Christopher Lee are very good friends, but up until 2010 had never worked together. Lee's response when he was asked by Scorsese to appear in Hugo was: "It's about time!" See more »
The old Montparnasse train station where the action takes place did not have a clock tower. The clock shown in the movie is instead reminiscent of the clock at another Paris train station, the Gare d'Orsay. See more »
[watching A Trip to the Moon]
It's in color!
Of course it is, we tinted them. We painted them by hand, frame by frame.
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There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »
What Martin Scorcese has managed to do is add story dimensionality to a family film that has 3D technology. Some of the dimensions he's included which don't always make into Hollywood blockbusters are an imaginative and original concept, thematic unity and resonance and deft homage to film itself, in the story of Georges Méliès, French film pioneer.
Saw the film in an advance screening and we were among the many there who were obviously not standard family film consumers. This being a Scorcese film is likely to bring lots of adults to Hugo and I would think many of them, like me, will feel the film stands up as entertainment for all age groups.
I especially enjoyed the resonance and intricacy of the theme of clocks, clockworks, animatronics and "the ghost in the machine"--our fear, in the post industrial age that perhaps we are just a rather complex machine, rather than a divine creation. This is all beautifully rendered cinematically. I doubt the little ones will be bewildered while older viewers can pick out levels and layers in the film.
Good fun and visually interesting throughout. The 3D is used in service of the story. I hope Hollywood is watching and notices that special effects are only special when they get the heart of the machine working, like Hugo's little man.
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