Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by
Martin Scorsese and Christopher Lee are very good friends, but up until 2010 had never worked together. Lee's response when he was asked by Scorsese to appear in Hugo was: "It's about time!" See more »
Georges Méliès was a real person, but the credits state that all persons in the film are fictional. However, this is not unusual for fictionalized stories even when there are characters based on real historical figures. The character is "fictional" in the sense that the things that character does and says within the film are not necessarily claimed to be actual actions and words the real person did. See more »
A film adventure in every sense of the word. I was propelled into Martin Scorsese's cinematic mind in a film he made for his 12 year old daughter. Everything about it speaks of love of cinema. I wept, I must confess it right here and now. I really wept. Not just for the humanity of the story but by the heart and mind of the man behind the camera. This is the same man who gave us "Taxi Driver", "Raging Bull", "Goodfellas" Every detail enriches our experience. Dante Ferreti's production design is, monumental, costumes, photography and Howard Shore's score are, quite simply, breath taking. I'm running out of superlatives and I haven't yet mentioned Sacha Baron Cohen, priceless. There is moment in which our young protagonists sneak into a movie theater and sit in amazement watching Harold Lloyd hanging from the clock. For me, to see Lloyd in the big screen as part of Martin Scorsese's latest dream, is the highest and most moving point of my movie going year.
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