Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
Paula's aunt, Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt, finds the body. Police fail to find the killer, and Paula is sent away to school. Ten years later, Paula returns to London with her new husband. They take up residence in her aunt's house, which she has inherited. Paula is increasingly isolated by her husband but does come to the attention of an admirer of her aunt, Mr. Brian Cameron. Written by
Sandra Douglass <firstname.lastname@example.org
Ingrid Bergman found the beginning love scene with Charles Boyer so uncomfortable, because the two had just met prior to filming the scene, that she refused to do any other such love scene with someone she had just met for the rest of her career. When a similar situation arose with Anthony Perkins while she was filming Goodbye Again (1961), she asked Perkins to kiss her privately in her dressing room to prepare for the scene, so she would not be embarrassed and flustered while kissing him on screen. See more »
When Paula finds the letter in her aunt's music score, Gregory crumples up the letter and jams it into his pocket. Later, when she finds the letter in Gregory's desk, it's neatly folded, with no evidence of crumpling. See more »
Gonna work on your tunes again tonight, sir? You're always working, aren't you?
Yes. What are you doing with your evening out?
Oh, I'm going to a music hall...
[starts to sing 'Up in a balloon']
I've never been to an English music hall.
Oh, you don't know what you've missed, sir...
And whom are you going to the music hall with?
A gentleman friend, sir.
Oh, now you know, Nancy, don't you, that gentlemen friends are sometimes inclined to take liberties with young ladies.
Oh no, sir, not with me. I...
[...] See more »
The opening and closing credits are displayed over a background of a burning gaslight. If you look at the shadow on the wallpaper, you see a man strangling a woman. See more »
George Cukor's 1944 Hollywood suspense flick "Gaslight" was originally made in 1940 in England under the title "Murder in Thorton Square". When the Hollywood producers got a hold of this hot commodity, they attempted to make the original film vanish from sight and memory by destroying many of the prints. Interesting how this particular tale parallels some of the mental manipulations employed in the film itself.
This tense, atmospheric film takes place in London in the 1870's several years after a murder shocked the residents of Thorton Square. Paula, the niece of the deceased woman, has inherited her aunt's house. Strange things start happening when she begins to occupy the place with her new husband. Through a steady thematic build we watch as she slowly loses her mind. "Gaslight" is a classic psychological thriller in the vein of the best Hitchcock with Ingrid Bergman, fresh off "Casablanca", stealing the show as the innocent victim of mental illness.
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