Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
Paula's aunt, Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt, finds the body. Police fail to find the killer, and Paula is sent away to school. Ten years later, Paula returns to London with her new husband. They take up residence in her aunt's house, which she has inherited. Paula is increasingly isolated by her husband but does come to the attention of an admirer of her aunt, Mr. Brian Cameron. Written by
Sandra Douglass <email@example.com
Charles Boyer's contract stipulated top billing. When David O. Selznick heard this (Ingrid Bergman was under contract to him at the time), he refused to loan MGM Bergman's services. It was only after much pleading from Bergman, who was very keen to work with Boyer, that Selznick finally relented. See more »
(at around 21 mins) When Gregory first plays the pianoforte the instrument is in tune despite its being in a deserted house for many years, and despite Paula's mentioning it would need to be tuned only moments before. See more »
For the last time, what do you want of me?
The jewels - and justice. How does it feel, Bauer, to have planned and killed and tortured for something and then to know it's been for nothing?
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Not being a big fan of older movies myself (for some reason I really don't know) I decided to go out on a recommendation and rent "Gaslight." And I must be honest, I was impressed.
When Paula was younger, her aunt with whom lived with in Thornton Square in London was murdered by a strangler roaming the streets. Paula goes to stay in Italy, and some time later, meets Gregory. She and Gregory plan to marry, and after they do, they move to London, back to the exact house Paula lived in.
Not too long after, Paula starts to become "forgettful," as Gregory tells her. In fact, he tells her a lot of things...and she believes him. Then things she knows she had put somewhere or remembered doing seem nonexistent, and Paula is left to wonder if her sanity is in check. Then, many times, she starts hearing footsteps, and the gaslights are going down a lot. Is Paula going crazy, or is she being haunted by her dead aunt's spirit...or is it something far more sinister?
I liked this movie a lot. Ingrid Bergman and Charles Boyet were amazing. Bergman portrays her character's emotions to the point that you feel the same way she does. And Boyet is pure evil in this one. Many times watching this, I was thinking, "He is so terrible to her!" It was so psychological, how everything eveloped. The best scene in the whole movie took place at the reception, when Gregory tells Paula he lost his watch, and then finds it in her purse. Then she bursts into tears, and it was so absolutely amazing how the scene was pulled off. In fact, it was so subtle it was scary. You wouldn't expect a missing watch found in her purse to be such a big deal, but it is such a strong scene.
The one thing I didn't like about this otherwise nearly flawless movie was the climax. It was just too dull to me, and the only part I really liked was Paula's wicked sarcasm towards Gregory while they're in the attic. She truly did deserve the Best Actress Oscar for her acting, but nothing could mask the fact that the climax was just too weak. If it had a bit of a touchup, this movie would be perfect.
All in all, I recommend this without hesitation. It is absolutely amazing, and I could watch it again and still enjoy it, and that is quite rare for me. So, I recommend you find this wherever you can and give it a chance. It's a classic.
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