7.9/10
17,627
118 user 60 critic

Gaslight (1944)

Passed | | Crime, Drama, Film-Noir | May 1944 (USA)
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.

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(screenplay), (screenplay) | 2 more credits »
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Won 2 Oscars. Another 2 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
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Barbara Everest ...
Emil Rameau ...
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Halliwell Hobbes ...
Tom Stevenson ...
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Lawrence Grossmith ...
Jakob Gimpel ...
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Storyline

Paula's aunt, Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt, finds the body. Police fail to find the killer, and Paula is sent away to school. Ten years later, Paula returns to London with her new husband. They take up residence in her aunt's house, which she has inherited. Paula is increasingly isolated by her husband but does come to the attention of an admirer of her aunt, Mr. Brian Cameron. Written by Sandra Douglass <skayd@lib.ksu.edu

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Strange drama of a captive sweetheart! See more »


Certificate:

Passed | See all certifications »

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Details

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Release Date:

May 1944 (USA)  »

Also Known As:

Das Haus der Lady Alquist  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

George Cukor suggested that Ingrid Bergman study the patients at a mental hospital to learn about nervous breakdowns. She did, focusing on one woman in particular, whose habits and physical quirks became part of the character. See more »

Goofs

The guide in the Tower of London is incorrectly shown as wearing the uniform of the Chelsea pensioners instead of the Yeoman guard. See more »

Quotes

Paula Alquist Anton: Yes, that's it.
[throws the knife away]
Paula Alquist Anton: I am mad. I'm always losing things and hiding things and I can never find them, I don't know where I've put them.
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Crazy Credits

The opening and closing credits are displayed over a background of a burning gaslight. If you look at the shadow on the wallpaper, you see a man strangling a woman. See more »

Connections

Version of Angel Street (1946) See more »

Soundtracks

Piano Sonata No. 8 in C minor, Op. 13 (Pathetique)
(1798) (uncredited)
Written by Ludwig van Beethoven
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User Reviews

 
A great film!
17 October 2002 | by (Saint Paul, MN) – See all my reviews

Ingrid Bergman experiences the murder of the aunt who has raised her. Ten years later, she returns to the house in which it happened with her new husband (Charles Boyer). Something is wrong, though, as her husband, once so kind to her, grows cold and cruel. Furthermore, Bergman begins to lose things, misplace things, and develop a case of kleptomania, or at least that's her husband's explanation. Boyer convinces his wife that she is going insane, that she is sick, and she becomes little more than a shut-in. She becomes paranoid, especially at her maids (the younger of which is played by Angela Lansbury in her first film role). Meanwhile, Joseph Cotten, a detective, gets an inkling that something is up in that household, and that it might be related to the aunt's murder. Gaslight is a very atmospheric film. The black and white cinematography is full of shadows, and there are interesting things going on in the focus. The music is also quite excellent, and very original. Classical music is also used to great effect. The plot is great, although maybe a tiny bit predictable (it didn't harm my enjoyment of the film whatsoever). The performances are top-notch, although Cotten doesn't add much to the picture. I mean, he's good, but his role perhaps isn't the one the original playwright or the screenwriters were most interested in. Anyone probably could have done just as well. Bergman's performances is to be counted amongst her best. Charles Boyer, an actor with whom I am unfamiliar, is so wicked in the film. You hate him, but you've got to admit it's an effective performance! And I can't finish without praising Angela Lansbury. Dame May Whitty also has a nice supporting role, although the role - the comic relief - is sometimes used at a bad time. I don't think, for instance, she should have come back in during the final sequence. Anyway, little flaws don't detract much from this masterpiece. Bravo, Mr. Cukor! 10/10.


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