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Gaslight (1944)

 -  Crime | Drama | Film-Noir  -  May 1944 (USA)
7.9
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Ratings: 7.9/10 from 13,925 users  
Reviews: 101 user | 56 critic

Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if means driving his wife insane.

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Title: Gaslight (1944)

Gaslight (1944) on IMDb 7.9/10

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Won 2 Oscars. Another 2 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
...
...
Barbara Everest ...
Emil Rameau ...
Edmund Breon ...
Halliwell Hobbes ...
Tom Stevenson ...
Heather Thatcher ...
Lawrence Grossmith ...
Jakob Gimpel ...
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Storyline

Paula's aunt, Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt, finds the body. Police fail to find the killer, and Paula is sent away to school. Ten years later, Paula returns to London with her new husband. They take up residence in her aunt's house, which she has inherited. Paula is increasingly isolated by her husband but does come to the attention of an admirer of her aunt, Mr. Brian Cameron. Written by Sandra Douglass <skayd@lib.ksu.edu

Plot Summary | Plot Synopsis

Taglines:

Strange drama of a captive sweetheart! See more »


Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

May 1944 (USA)  »

Also Known As:

Das Haus der Lady Alquist  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The very distinctive brass bed (with a swan's-neck design) that is in Ingrid Bergman's hotel room near the beginning of the film was also prominently featured in Judy Garland's bedroom in Meet Me in St. Louis (1944). See more »

Goofs

When Gregory tells Paula his watch is gone, their shoulder-to-shoulder position changes several times. See more »

Quotes

Paula Alquist Anton: [holding the brooch] I've found it at last, you see, but it doesn't help you, does it, and I'm trying to help you, aren't I, trying to help you to escape. How can a mad woman help her husband to escape?
See more »

Connections

Referenced in Death in Hollywood (1990) See more »

Soundtracks

Ballade No. 1 in G minor, Op. 23
(1835-36) (uncredited)
Music by Frédéric Chopin
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A great film!
17 October 2002 | by (Saint Paul, MN) – See all my reviews

Ingrid Bergman experiences the murder of the aunt who has raised her. Ten years later, she returns to the house in which it happened with her new husband (Charles Boyer). Something is wrong, though, as her husband, once so kind to her, grows cold and cruel. Furthermore, Bergman begins to lose things, misplace things, and develop a case of kleptomania, or at least that's her husband's explanation. Boyer convinces his wife that she is going insane, that she is sick, and she becomes little more than a shut-in. She becomes paranoid, especially at her maids (the younger of which is played by Angela Lansbury in her first film role). Meanwhile, Joseph Cotten, a detective, gets an inkling that something is up in that household, and that it might be related to the aunt's murder. Gaslight is a very atmospheric film. The black and white cinematography is full of shadows, and there are interesting things going on in the focus. The music is also quite excellent, and very original. Classical music is also used to great effect. The plot is great, although maybe a tiny bit predictable (it didn't harm my enjoyment of the film whatsoever). The performances are top-notch, although Cotten doesn't add much to the picture. I mean, he's good, but his role perhaps isn't the one the original playwright or the screenwriters were most interested in. Anyone probably could have done just as well. Bergman's performances is to be counted amongst her best. Charles Boyer, an actor with whom I am unfamiliar, is so wicked in the film. You hate him, but you've got to admit it's an effective performance! And I can't finish without praising Angela Lansbury. Dame May Whitty also has a nice supporting role, although the role - the comic relief - is sometimes used at a bad time. I don't think, for instance, she should have come back in during the final sequence. Anyway, little flaws don't detract much from this masterpiece. Bravo, Mr. Cukor! 10/10.


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