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Gaslight (1944)

 -  Crime | Drama | Film-Noir  -  May 1944 (USA)
7.9
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Ratings: 7.9/10 from 14,107 users  
Reviews: 103 user | 57 critic

Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.

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Title: Gaslight (1944)

Gaslight (1944) on IMDb 7.9/10

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Won 2 Oscars. Another 4 wins & 11 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
...
...
Barbara Everest ...
Emil Rameau ...
Edmund Breon ...
Halliwell Hobbes ...
Tom Stevenson ...
Heather Thatcher ...
Lawrence Grossmith ...
Jakob Gimpel ...
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Storyline

Paula's aunt, Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt, finds the body. Police fail to find the killer, and Paula is sent away to school. Ten years later, Paula returns to London with her new husband. They take up residence in her aunt's house, which she has inherited. Paula is increasingly isolated by her husband but does come to the attention of an admirer of her aunt, Mr. Brian Cameron. Written by Sandra Douglass <skayd@lib.ksu.edu

Plot Summary | Plot Synopsis

Taglines:

M-G-M's melodrama See more »


Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

May 1944 (USA)  »

Also Known As:

Das Haus der Lady Alquist  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first time Ingrid Bergman met Charles Boyer was the day they shot the scene where they meet at a train station and kiss passionately. Boyer was the same height as Bergman, and in order for him to seem taller, he had to stand on a box, which she kept inadvertently kicking as she ran into the scene. Boyer also wore shoes and boots with 2-inch heels throughout the movie. See more »

Goofs

When Gregory tells Paula his watch is gone, their shoulder-to-shoulder position changes several times. See more »

Quotes

Gregory Anton: I don't ask you to understand me. Between us all the time were those jewels, like a fire - a fire in my brain that separated us - those jewels which I wanted all my life. I don't know why... Goodbye, Paula.
See more »

Connections

Referenced in Remington Steele: Illustrated Steele (1985) See more »

Soundtracks

Die Fledermaus: Waltz
(1874) (uncredited)
Music by Johann Strauß
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A good suspense film that could have been great.
19 August 1999 | by (United States) – See all my reviews

Ingrid Bergman plays Paula, an orphaned Victorian-era Londoner whose opera-singer aunt is murdered at the beginning of the movie. She moves to Italy to follow in her aunt's footsteps as a diva, but falls in love and returns to London with her new husband (Boyer) to live in her aunt's empty house. There, she becomes the victim of a carefully-orchestrated campaign to drive her insane.

GASLIGHT is richly atmospheric, mostly well-acted, and beautifully photographed. There are chills aplenty as seemingly innocent people grow progressively creepier, and the movie is well-paced with each successive scene increasing Paula's terror. The climax is tense and has a certain poetic justice to it.

The chief flaw in the movie is that we are clearly shown from the beginning that Paula is the victim of a third party and is not insane. Thus we cannot share the doubts and terror that she feels. We are not, like her, wondering if we can trust our senses, but merely wondering who is doing this to her. And the latter question isn't very challenging to answer. With a little more subtlety, Cukor could have left us as much in the dark as Paula about why she is experiencing so many strange phenomena, and made this effective little film into a true masterwork of suspense. As it is, GASLIGHT is good, but fails to achieve its potential to match such classics as REBECCA or VERTIGO.

Bergman and Boyer make a very dynamic on-screen duo. The film does suffer from Joseph Cotten, whose apple-pie American accent makes for a very unconvincing Scotland Yard inspector. Angela Lansbury is delightfully saucy in her film debut as a Cockney maidservant. Dame May Whitty provides effective comic relief.

GASLIGHT is well worth a rental at any price, so long as your expectations aren't overly high.

Rating: *** (out of ****).


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