In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
The polar ice caps have melted, and the earth is covered by water. The remaining people travel the seas, in search of survival. Several different societies exist. The Mariner falls from his customary and solitary existence into having to care for a woman and a young girl while being pursued by the evil forces of the Deacon. Written by
Robbie Smith <email@example.com>
Ginger Peterson, the film's location manager and a Hawaii resident herself, said that given the state's limited pool of local contractors, contractors proceeded to raise their fees on the production as they knew they were the only local ones available. These contractors ranged from catering to construction for the production. Peterson said "Companies knew they were the only games in town and took advantage." Given the film's notorious production and its effect on the locals, Peterson ended up moving out of Hawaii after filming wrapped, due to her affiliation with the film. See more »
When the seaplane is tied to the Mariner's trimaran by the harpoon cable, it is forced to fly in an ever-decreasing circle around the boat. The seaplane pilot leans out and shoots back along the fuselage, trying to sever the cable - so his line of fire is a tangent to the circle. Yet the shot hits the trimaran sail close to the Mariner - at the centre of the circle! Very bad geometry! See more »
This is my boat. I got it the way I like it. You take up space and you slow me down.
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The globe in the Universal logo morphs into a world with the ice melted and the continents submerged. See more »
it's a shame so many people spent their time running their mouths rather than watching the movie.
The story isn't new (what story is?) but its' well done, BIG color, BIG scenes,a touch of serious, a touch of humor, clear cut good guy, clear cut BAD guys with a few "grey guys" thrown in the middle.
Costner is always a variable. When the right script hits, no one is better, otherwise it's pretty much a monotone.
FORTUNATELY, this is the kind of script where the dead pan, monosyllabic Good Guy works just fine.
It's a shame the "experts" (i.e. the critics who create nothing) trashed this one. Even if it were the worst movie ever made, Costner would have been contributing more the "creative world" than ANY critic will in their entire lives. geoff beneze
66 of 88 people found this review helpful.
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