Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like the Starretts, whose land Ryker wants. When Shane beats up Ryker's man Chris, Ryker tries to buy him. Then Shane and Joe take on the whole Ryker crew. Ryker sends to Cheyenne for truly evil gunslinger Wilson. We wonder about Shane's relation to Joe's wife Marian. Shane must clear out all the guns from the valley before he can ride off with Joey hollering "Shane ... Shane ... Come Back!" Written by
Ed Stephan <email@example.com>
In the face-off between Wilson (Jack Palance) and Torrey (Elisha Cook Jr., Torrey tells Wilson that he is "a low-down, lyin' Yankee". Although director George Stevens kept directing Palance at this point to smile--an expression of amused contempt at Cook--Palance continued take after take to show too much menace and not enough of a smile mixed in. Finally Stevens took Cook aside and whispered something to him. During the next take, Cook read his line, and added "and a son of a bitch, too!" This time, Stevens got his take. When Shane faces Wilson, Shane says, "You're a low-down Yankee liar". See more »
Prior to Shane and Joes fight, Shane flips the saddle bag up on his horse to tighten the saddle. The shot goes to a quick shot of Little Joey, then back to Shane. The saddle bag is back down and Shane is tightening the bridle on the front of the horse. See more »
I am little biased in favor of "Shane" because I was awed with this a young boy in the theater so it has some sentimental value. It certainly doesn't have the impact it did back then, but it will always be considered by many as one of the great classics in film history, certainly regarding Westerns.
These classics, particularly the westerns, were good vehicles in promoting values and definite good vs. evil stories. The evil here is personified by Jack Palance. He doesn't have many lines but he doesn't need them. His body language in this film spoke volumes, and he was one scary dude. Even the dog gets up and moves when Palance moves! However, an unsung role (eighth billing in the credits) in here was the one by Emile Meyer, who played the real villain in here, "Ryker." (Palance was just called in at the end.) A young Ben Johnson plays a member of his gang.
Alan Ladd, meanwhile, is the hero, the man who comes to the aid of family man Van Helflin, his wife Jean Arthur and young son Brandon De Wilde. The kid, De Wilde, steals the film and made himself into a young star with his role here. Whether feverishly chewing on his candy while witnessing Ladd fighting the bad guys or his plaintiff cries for "Shane!" at the end of the film, he made a memorable impression.
The only overdone part - as seen in so many old-time westerns - is the amount of punches people took, blow after blow, when in real life they would have knocked unconscious right off the bat! But, that's part of the genre, I guess.
"Shane" was a forerunner of many of western that copied its successful formula. This movie was so famous that a lot of newborns were named "Shane" for awhile.
"Powerful" is another adjective that describes this film - back then and still now. Great stuff!
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