In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
Chihiro and her parents are moving to a small Japanese town in the countryside and Chihiro is missing her old house. Chihiro's father makes a wrong turn and drives through a lonely land road with dead end in a tunnel. Her parents decide to stop the car and explore the area. They cross the tunnel and find an abandoned cultural theme park on the other side with a ghost town. When her parents sees a restaurant with smelling food but no staff, they decide to eat to pay later; however Chihiro refuses to eat and decides to visit the place. She meets the boy Haku that tells her that her parents and she are in danger and they must leave the place. She runs to the restaurant and finds that her parents have turned into pigs. Further, the place is a bathhouse of spirits, monsters, gods and ghosts owned by the witch Yubaba. Now Chihiro counts on Haku to save her parents and return to their world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This was the first film directed by Hayao Miyazaki in which a child character was actually voiced by a child. See more »
When Kamajii bangs the wheel to alert the Mushi-balls, a chopstick clearly falls down from the bowls. However, when he is cleaning off the dust only a minute later, there are two chopsticks again. See more »
[reading a card]
I'll miss you, Chihiro. Your best friend, Rumi.
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The credits have a series of still images from the film. The last image before the film fades is Chihiro's shoe in the river. See more »
Spirited Away is one of the most perfect movies I have ever seen. The least I can say about it is that there was not a single moment during it that my attention wasn't completely focused. The plot was fantastic and full-bodied. Each character was given so much personality, even the little soot spiders weren't treated as two-dimensional.
In a way the whole film felt like a dream, in that it is seamless. It flows, effortlessly, from scene to scene, from emotion to emotion - straight from terror and tragedy to comedy - without the subtle bump that wakes you up, that lets you know that the makers of the movie and the creator of the script had wanted you to be crying but now you really should be laughing. It was so LIFELIKE. Sometimes in real life the most grim moments contain honest elements of comedy that do not seem out-of-place. But trying to put that sort of convoluted emotion into a film creates a very thin line that too many have fallen off of.
There was no part of the film that felt fake, or rushed, or shaky; the intensity of the story line and the determination of the lead character was obvious throughout. More than causing interest, this movie made me FEEL. I was sucked into the drama. I can rarely say that a movie made me laugh and cry without feeling like an idiot, but the caliber of this picture is so high that I don't even feel embarrassed. I laughed. I cried. And you will too.
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