The Beatles‘ “Hey Jude” is arguably the Fab Four’s signature song and Queen’s “Bohemian Rhapsody” is undeniably Queen’s signature song. While the two hits sound so different from each other, they have a major similarity. The tunes also have something in common with David Bowie’s “Life on Mars?”
The Beatles’ ‘Hey Jude’ and Queen’s ‘Bohemian Rhapsody’ feature the same piano
According to Rolling Stone, Paul McCartney played the Bechstein piano at London’s Trident Studios on “Hey Jude.” That piano has had quite a history! It was also used on Queen’s “Bohemian Rhapsody,” Bowie’s “Life on Mars?,” and Elton John’s “Levon.”
The two bands used that piano in wildly different ways. In “Hey Jude,” it sounds warm and inviting, like the tune as a whole. In contrast, the piano riffs in “Bohemian Rhapsody” sound nervous, desperate, and sad. They fit with the song’s theme of murder.
The Beatles’ ‘Hey Jude’ and Queen’s ‘Bohemian Rhapsody’ feature the same piano
According to Rolling Stone, Paul McCartney played the Bechstein piano at London’s Trident Studios on “Hey Jude.” That piano has had quite a history! It was also used on Queen’s “Bohemian Rhapsody,” Bowie’s “Life on Mars?,” and Elton John’s “Levon.”
The two bands used that piano in wildly different ways. In “Hey Jude,” it sounds warm and inviting, like the tune as a whole. In contrast, the piano riffs in “Bohemian Rhapsody” sound nervous, desperate, and sad. They fit with the song’s theme of murder.
- 12/7/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
"Psycho" not only left cinema forever changed, but also one of its stars, Janet Leigh. The late actress had an incredible career, starring in classics such as "Little Women" (the 1949 version) and "Scaramouche," but her most iconic role is probably Marion Crane in Alfred Hitchcock's 1960 film.
This cinematic milestone is known not only for its twist ending, but also another major twist in the middle! Caution, 61-year-old spoilers ahead, but the film's assumed protagonist was killed off halfway through "Psycho," which came as a huge shock to audiences. The first half of the movie follows Marion Crane, who is on the lam after stealing money from her boss...
The post How Psycho Changed Janet Leigh Forever appeared first on /Film.
This cinematic milestone is known not only for its twist ending, but also another major twist in the middle! Caution, 61-year-old spoilers ahead, but the film's assumed protagonist was killed off halfway through "Psycho," which came as a huge shock to audiences. The first half of the movie follows Marion Crane, who is on the lam after stealing money from her boss...
The post How Psycho Changed Janet Leigh Forever appeared first on /Film.
- 12/16/2021
- by Jamie Gerber
- Slash Film
Films by Charlie Chaplin, Cecil B. DeMille, and Buster Keaton are among the “hundreds of thousands” of books, musical scores, and motion pictures that will enter the public domain on January 1, according to The Atlantic. All of the works were first made available to audiences in 1923, four years before the introduction of talkies. Due to changed copyright laws, this will be the largest collection of material to lose its copyright protections since 1998.
Artists looking to incorporate black-and-white era throwbacks into their modern creations will have lots of new options. The Atlantic consulted unpublished research from Duke University School of Law’s Center for the Study of the Public Domain, which shared with IndieWire a list of 35 films that will soon become available to all.
“Our list is therefore only a partial one; many more works are entering the public domain as well, but the relevant information to confirm this may...
Artists looking to incorporate black-and-white era throwbacks into their modern creations will have lots of new options. The Atlantic consulted unpublished research from Duke University School of Law’s Center for the Study of the Public Domain, which shared with IndieWire a list of 35 films that will soon become available to all.
“Our list is therefore only a partial one; many more works are entering the public domain as well, but the relevant information to confirm this may...
- 4/9/2018
- by Jenna Marotta
- Indiewire
Los Angeles – We can’t rebuild him, but we can honor him. Richard Anderson, best known for portraying Oscar Goldman, the aide de camp of Steve Austin (Lee Majors) in “The Six Million Man,” died on August 31st, 2017 at age 91. The versatile character actor was one of the few remaining performers that came up through the old studio system, in this case the dream factory known as Metro-Goldwyn-Mayer.
Richard Anderson in Chicago, 2010
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
Richard Anderson was born in New Jersey, and was an Army veteran of World War II. He started out in the mailroom at MGM shortly after the end of the war, and became a contract player for the studio after Cary Grant took an interest in his career. His major film debut was “The Magnificent Yankee” (1950), followed by “Scaramouche” (1952) and “Forbidden Planet” (1956). He made 24 films for MGM. His...
Richard Anderson in Chicago, 2010
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
Richard Anderson was born in New Jersey, and was an Army veteran of World War II. He started out in the mailroom at MGM shortly after the end of the war, and became a contract player for the studio after Cary Grant took an interest in his career. His major film debut was “The Magnificent Yankee” (1950), followed by “Scaramouche” (1952) and “Forbidden Planet” (1956). He made 24 films for MGM. His...
- 9/2/2017
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Ronald Colman: Turner Classic Movies' Star of the Month in two major 1930s classics Updated: Turner Classic Movies' July 2017 Star of the Month is Ronald Colman, one of the finest performers of the studio era. On Thursday night, TCM presented five Colman star vehicles that should be popping up again in the not-too-distant future: A Tale of Two Cities, The Prisoner of Zenda, Kismet, Lucky Partners, and My Life with Caroline. The first two movies are among not only Colman's best, but also among Hollywood's best during its so-called Golden Age. Based on Charles Dickens' classic novel, Jack Conway's Academy Award-nominated A Tale of Two Cities (1936) is a rare Hollywood production indeed: it manages to effectively condense its sprawling source, it boasts first-rate production values, and it features a phenomenal central performance. Ah, it also shows its star without his trademark mustache – about as famous at the time as Clark Gable's. Perhaps...
- 7/21/2017
- by Andre Soares
- Alt Film Guide
Richard Fleischer's Viking saga is a great star showcase: for the grinning one-eyed Kirk Douglas, sullen one-handed Tony Curtis and the heavy-breathing, two-breasted Janet Leigh. Jack Cardiff gives us the fjords of Norway, lean and mean Viking ships, and a brain-bashing acrobatic castle assault designed to out-do Burt Lancaster. With Ernest Borgnine ("Ohhh-dinnnn!!"), James Donald and Alexander Knox. And as the old song goes, it don't mean a thing if it ain't got Frank Thring. The Vikings Blu-ray Kl Studio Classics 1958 / Color / 2:35 widescreen / 114 min. / Street Date March 8, 2016 / available through Kino Lorber / 29.95 Starring Kirk Douglas, Tony Curtis, Ernest Borgnine, Janet Leigh, James Donald, Alexander Knox, Maxine Audley, Frank Thring. Cinematography Jack Cardiff Production Designer Harper Goff Film Editor Hugo Williams Original Music Mario Nascimbene Written by Calder Willingham adapted by Dale Wasserman from a novel by Edison Marshall Produced by Jerry Bresler Directed by Richard Fleischer
Reviewed by Glenn Erickson...
Reviewed by Glenn Erickson...
- 2/16/2016
- by Glenn Erickson
- Trailers from Hell
Rex Ingram in 'The Thief of Bagdad' 1940 with tiny Sabu. Actor Rex Ingram movies on TCM: Early black film performer in 'Cabin in the Sky,' 'Anna Lucasta' It's somewhat unusual for two well-known film celebrities, whether past or present, to share the same name.* One such rarity is – or rather, are – the two movie people known as Rex Ingram;† one an Irish-born white director, the other an Illinois-born black actor. Turner Classic Movies' “Summer Under the Stars” continues today, Aug. 11, '15, with a day dedicated to the latter. Right now, TCM is showing Cabin in the Sky (1943), an all-black musical adaptation of the Faust tale that is notable as the first full-fledged feature film directed by another Illinois-born movie person, Vincente Minnelli. Also worth mentioning, the movie marked Lena Horne's first important appearance in a mainstream motion picture.§ A financial disappointment on the...
- 8/12/2015
- by Andre Soares
- Alt Film Guide
The Sea Hawk
Written by Howard Koch and Seton I. Miller
Directed by Michael Curtiz
U.S.A., 1940
Under the Warner Brothers banner, Errol Flynn leaps, bounds and rouses hearts to the tune of Erich Wolfgang Korngold’s winning score and the direction of taskmaster Michael Curtiz. Following on the coattails of Captain Blood (1935) and The Adventures of Robin Hood (1938), it’s easy to dismiss The Sea Hawk (1940) as just a studio swashbuckler, another outing of a tried and true formula that Bosley Crowther called, “an overdressed ‘spectacle’ film which derives much more from the sword than the pen.” Admittedly, this loose adaptation owes more to the seafaring adventures of Sir Francis Drake than the original Rafael Sabatini novel of the same name, but it owes even more to the politics surrounding its production. On closer examination, the film stands as a testament not only to Flynn in his booming...
Written by Howard Koch and Seton I. Miller
Directed by Michael Curtiz
U.S.A., 1940
Under the Warner Brothers banner, Errol Flynn leaps, bounds and rouses hearts to the tune of Erich Wolfgang Korngold’s winning score and the direction of taskmaster Michael Curtiz. Following on the coattails of Captain Blood (1935) and The Adventures of Robin Hood (1938), it’s easy to dismiss The Sea Hawk (1940) as just a studio swashbuckler, another outing of a tried and true formula that Bosley Crowther called, “an overdressed ‘spectacle’ film which derives much more from the sword than the pen.” Admittedly, this loose adaptation owes more to the seafaring adventures of Sir Francis Drake than the original Rafael Sabatini novel of the same name, but it owes even more to the politics surrounding its production. On closer examination, the film stands as a testament not only to Flynn in his booming...
- 4/17/2015
- by Diana Drumm
- SoundOnSight
Warning; this post is long... if you watch all the links, you'll have an hour of entertainment.
When I was 10, my school screened a 16 mm print of the The Mark of Zorro - 1940 version, starring the dashing Tyrone Power. The clash of steel, the dynamic yet graceful athleticism of the hero as he righted wrongs, attracted me, as it did many boys of my age... I wanna do that. Luckily my next school offered fencing lessons from an instructor at the nearby Sandhurst Military Academy, and my inner Basil Rathbone was set free to ultimately Captain the school team. I saw every sword fighting movie I could and still do. Yet the only duel I have ever filmed had to be shot in 3 hours... The history of the genre could fill many volumes, but here is a short introduction to Sword Cinema.
La physician reverts to childhood - La filmmaker never left…...
When I was 10, my school screened a 16 mm print of the The Mark of Zorro - 1940 version, starring the dashing Tyrone Power. The clash of steel, the dynamic yet graceful athleticism of the hero as he righted wrongs, attracted me, as it did many boys of my age... I wanna do that. Luckily my next school offered fencing lessons from an instructor at the nearby Sandhurst Military Academy, and my inner Basil Rathbone was set free to ultimately Captain the school team. I saw every sword fighting movie I could and still do. Yet the only duel I have ever filmed had to be shot in 3 hours... The history of the genre could fill many volumes, but here is a short introduction to Sword Cinema.
La physician reverts to childhood - La filmmaker never left…...
- 8/2/2014
- by Brian Trenchard-Smith
- Trailers from Hell
Mickey Rooney dead at 93: Four-time Oscar nominee, frequent Judy Garland co-star may have had the longest film career ever (photo: Mickey Rooney ca. 1940) Mickey Rooney, four-time Academy Award nominee and one of the biggest domestic box-office draws during the studio era, died of "natural causes" on Sunday, April 6, 2014, at his home in the Los Angeles suburb of North Hollywood. The Brooklyn-born Rooney (as Joseph Yule Jr., on September 23, 1920) had reportedly been in ill health for some time. He was 93. Besides his countless movies, and numerous television and stage appearances, Mickey Rooney was also known for his stormy private life, which featured boozing and gambling, some widely publicized family infighting (including his testifying in Congress in 2011 about elder abuse), his filing for bankruptcy in 1962 after having earned a reported $12 million (and then going bankrupt again in 1996), his eight marriages — including those to actresses Ava Gardner, Martha Vickers, and Barbara Ann Thomason...
- 4/9/2014
- by Andre Soares
- Alt Film Guide
Anne Marie here with some sad news. Hollywood beauty Eleanor Parker passed away early this week at age 91. Though Parker is best known for her iconic turn as the Countess in The Sound Of Music, she actually had a long and diverse career that included war films, B movies, swashbucklers, film noir, and three Best Actress nominations.
Eleanor Parker started as a bit player at Warner Brothers in the 1940s. At first, she bumped around in B movies and film noir, such as Between Two Worlds. But from the start she was willing to take risks. In 1946, she starred in a remake of the infamous Bette Davis vehicle Of Human Bondage opposite Paul Henreid. Both the film and her performance continue to garner mixed reviews, but no one could accuse her of taking the easy road.
The 1950s saw Eleanor Parker's star rise rapidly. In 1952, she starred in the...
Eleanor Parker started as a bit player at Warner Brothers in the 1940s. At first, she bumped around in B movies and film noir, such as Between Two Worlds. But from the start she was willing to take risks. In 1946, she starred in a remake of the infamous Bette Davis vehicle Of Human Bondage opposite Paul Henreid. Both the film and her performance continue to garner mixed reviews, but no one could accuse her of taking the easy road.
The 1950s saw Eleanor Parker's star rise rapidly. In 1952, she starred in the...
- 12/11/2013
- by Anne Marie
- FilmExperience
Versatile actor best known for her roles in The Sound of Music and Of Human Bondage
In the Hollywood of the 1940s and 50s, when typecasting was an essential constituent of stardom, Eleanor Parker, who has died aged 91, never gained the recognition she deserved, because she refused to be pigeonholed. "It means I've been successful in creating the characters that I've portrayed – that I'm not just a personality who is seen in a variety of roles." Dana Andrews, her co-star in Madison Avenue (1962), called her "the least heralded great actress".
The 1957 film Lizzie is almost a reflection of her career. Parker plays three separate and distinct characters harboured inside one woman – the shy, self-effacing Elizabeth; the wanton, raunchy Lizzie; and the "normal" Beth – and switches brilliantly from one to the other. Parker was always able to be convincing in these three sorts of characters. She was naive as the girl...
In the Hollywood of the 1940s and 50s, when typecasting was an essential constituent of stardom, Eleanor Parker, who has died aged 91, never gained the recognition she deserved, because she refused to be pigeonholed. "It means I've been successful in creating the characters that I've portrayed – that I'm not just a personality who is seen in a variety of roles." Dana Andrews, her co-star in Madison Avenue (1962), called her "the least heralded great actress".
The 1957 film Lizzie is almost a reflection of her career. Parker plays three separate and distinct characters harboured inside one woman – the shy, self-effacing Elizabeth; the wanton, raunchy Lizzie; and the "normal" Beth – and switches brilliantly from one to the other. Parker was always able to be convincing in these three sorts of characters. She was naive as the girl...
- 12/11/2013
- by Ronald Bergan
- The Guardian - Film News
Most people probably know versatile character actress Eleanor Parker, who died on December 9 at age 91, from classic big-screen musical "The Sound of Music." She played the platinum blonde Baroness, who isn't slow to pick up on Christopher Plummer's Captain Von Trapp's true feelings for governess Maria (Julie Andrews). TCM is rolling out an entire Parker retrospective to celebrate her career on December 17, so viewers can become better acquainted, or reacquainted, with her body of work. Check out the lineup, below, plus an obit roundup.The following is a complete schedule of TCM's tribute to Eleanor Parker:Tuesday, Dec. 176 a.m. – The Very Thought of You (1944)7:45 a.m. – Of Human Bondage (1946)9:45 a.m – The Woman in White (1948)11:45 p.m. – Caged (1950)1:30 p.m. – Scaramouche (1952)3:30 p.m. – Interrupted Melody (1955)5:15 p.m. – Home from the Hill (1960)Here's TCM's obit:a remarkably versatile leading lady of the 1940s and '50s,...
- 12/10/2013
- by Beth Hanna
- Thompson on Hollywood
Actress Eleanor Parker has died, aged 91.
The American star - best known for playing Baroness Elsa von Schrader in The Sound of Music - passed away on Monday (December 9) due to complications from pneumonia in Palm Springs, California.
Parker was nominated for three Oscars in 1951, 1952 and 1956.
Co-star Christopher Plummer described her as "one of the most beautiful ladies I have ever known - both as a person and as a beauty".
"I hardly believe the sad news, for I was sure she was enchanted and would live forever," he said.
Eleanor Parker's breakthrough role was in 1950s prison drama Caged, earning her her first Best Actress Oscar nomination.
She received a second nod the following year as Kirk Douglas's wife in Detective Story, while she was also recognised for her role in 1955's Interrupted Melody.
She also appeared in several other successful films including Scaramouche, Valley of the Kings and The Naked Jungle.
The American star - best known for playing Baroness Elsa von Schrader in The Sound of Music - passed away on Monday (December 9) due to complications from pneumonia in Palm Springs, California.
Parker was nominated for three Oscars in 1951, 1952 and 1956.
Co-star Christopher Plummer described her as "one of the most beautiful ladies I have ever known - both as a person and as a beauty".
"I hardly believe the sad news, for I was sure she was enchanted and would live forever," he said.
Eleanor Parker's breakthrough role was in 1950s prison drama Caged, earning her her first Best Actress Oscar nomination.
She received a second nod the following year as Kirk Douglas's wife in Detective Story, while she was also recognised for her role in 1955's Interrupted Melody.
She also appeared in several other successful films including Scaramouche, Valley of the Kings and The Naked Jungle.
- 12/10/2013
- Digital Spy
Jessica Herndon, AP Film Writer
Los Angeles (AP) - Eleanor Parker, who was nominated for Academy Awards three times for her portrayals of strong-willed women and played a scheming baroness in "The Sound of Music," has died at 91.
Family friend Richard Gale said Parker died Monday morning due to complications from pneumonia. "She passed away peacefully, surrounded by her children at a medical facility near her home in Palm Springs," Gale added.
Parker was nominated for Oscars in 1950, 1951 and 1955, but then saw her career begin to wane in the early 1960s. Her last memorable role came in 1965's "The Sound of Music," in which she played the scheming baroness who loses Christopher Plummer to Julie Andrews.
"Eleanor Parker was and is one of the most beautiful ladies I have ever known," said Plummer in a statement. "Both as a person and as a beauty. I hardly believe the sad news...
Los Angeles (AP) - Eleanor Parker, who was nominated for Academy Awards three times for her portrayals of strong-willed women and played a scheming baroness in "The Sound of Music," has died at 91.
Family friend Richard Gale said Parker died Monday morning due to complications from pneumonia. "She passed away peacefully, surrounded by her children at a medical facility near her home in Palm Springs," Gale added.
Parker was nominated for Oscars in 1950, 1951 and 1955, but then saw her career begin to wane in the early 1960s. Her last memorable role came in 1965's "The Sound of Music," in which she played the scheming baroness who loses Christopher Plummer to Julie Andrews.
"Eleanor Parker was and is one of the most beautiful ladies I have ever known," said Plummer in a statement. "Both as a person and as a beauty. I hardly believe the sad news...
- 12/9/2013
- by The Associated Press
- Moviefone
Ramon Novarro and Greta Garbo in ‘Mata Hari’: The wrath of the censors (See previous post: "Ramon Novarro in One of the Best Silent Movies.") George Fitzmaurice’s romantic spy melodrama Mata Hari (1931) was well received by critics and enthusiastically embraced by moviegoers. The Greta Garbo / Ramon Novarro combo — the first time Novarro took second billing since becoming a star — turned Mata Hari into a major worldwide blockbuster, with $2.22 million in worldwide rentals. The film became Garbo’s biggest international success to date, and Novarro’s highest-grossing picture after Ben-Hur. (Photo: Ramon Novarro and Greta Garbo in Mata Hari.) Among MGM’s 1932 releases — Mata Hari opened on December 31, 1931 — only W.S. Van Dyke’s Tarzan, the Ape Man, featuring Johnny Weissmuller and Maureen O’Sullivan, and Edmund Goulding’s all-star Best Picture Academy Award winner Grand Hotel (also with Garbo, in addition to Joan Crawford, John Barrymore, Wallace Beery, and...
- 8/9/2013
- by Andre Soares
- Alt Film Guide
Ramon Novarro: Silent movie star proves he can talk and sing (See previous post: "Ramon Novarro: Mexican-Born Actor Was First Latin American Hollywood Superstar.") On Ramon Novarro Day, Turner Classic Movies’ first Novarro movie is Rex Ingram’s The Prisoner of Zenda (1922), a stately version of Edward Rose’s play, itself based on Anthony Hope’s 1897 novel: in the Central European kingdom of Ruritania, a traveling Englishman takes the place of the kidnapped local king-to-be-crowned. A pre-Judge Hardy Lewis Stone has the double role, while Novarro plays the scheming Rupert of Hentzau. (Photo: Ramon Novarro ca. 1922.) Despite his stage training, Stone is as interesting to watch as a beach pebble; Novarro, for his part, has a good time hamming it up in his first major break — courtesy of director Rex Ingram, then looking for a replacement for Rudolph Valentino, with whom he’d had a serious falling out...
- 8/8/2013
- by Andre Soares
- Alt Film Guide
Eleanor Parker today: Beautiful as ever in Scaramouche, Interrupted Melody Eleanor Parker, who turns 91 in ten days (June 26, 2013), can be seen at her most radiantly beautiful in several films Turner Classic Movies is showing this evening and tomorrow morning as part of their Star of the Month Eleanor Parker "tribute." Among them are the classic Scaramouche, the politically delicate Above and Beyond, and the biopic Interrupted Melody, which earned Parker her third and final Best Actress Academy Award nomination. (Photo: publicity shot of Eleanor Parker in Scaramouche.) The best of the lot is probably George Sidney’s balletic Scaramouche (1952), in which Eleanor Parker plays one of Stewart Granger’s love interests — the other one is Janet Leigh. A loose remake of Rex Ingram’s 1923 blockbuster, the George Sidney version features plenty of humor, romance, and adventure; vibrant colors (cinematography by Charles Rosher); an elaborately staged climactic swordfight; and tough dudes...
- 6/18/2013
- by Andre Soares
- Alt Film Guide
Today, it seems audiences know "Bye Bye Birdie" only from the prominent mention of it on "Mad Men," when the Sterling Cooper agency tried to copy Ann-Margret's minimalist opening number for a diet soda commercial. But when the movie musical premiered 50 years ago (on April 4, 1963), it was a huge smash. It made an instant star out of the Swedish-born actress, as well as boosting the fame of co-stars Dick Van Dyke and Paul Lynde. Based on the Broadway hit musical, "Bye Bye Birdie" was seen as a trenchant pop cultural satire at the time. Everyone knows that Conrad Birdie, the hip-swiveling rocker who is drafted into the Army, and who stages a publicity stunt on the Ed Sullivan show by agreeing to kiss a teen fan before reporting for duty, is inspired by Elvis Presley, who had to put his career on hold in 1958 when he was drafted. But...
- 4/4/2013
- by Gary Susman
- Moviefone
By Todd Garbarini
Normal 0 false false false En-us X-none X-none
Bye Bye Birdie (1963) is an exuberant, squeaky clean musical comedy from Columbia Pictures that is based upon the 1960 Broadway musical of the same name. It is also extremely dated by today’s standards and flat-out corny at times. Overall, however, it is a fun ride that sports a good number of memorable musical interludes, the title song easily giving the viewer a severe case of earworm. Director George Sidney was no stranger to musicals as he was also responsible for Ziegfeld Follies (1945), The Harvey Girls (1946), Holiday in Mexico (1946), Annie Get Your Gun (1950), Showboat (1951) and Scaramouche (1952). Here, he brings to the screen the story of Kim MacAfee (twenty-two year-old Ann-Margret in her breakout performance) as a high school girl who becomes the envy of her peers when she is given the opportunity to kiss teen rock idol Conrad Birdie on the...
Normal 0 false false false En-us X-none X-none
Bye Bye Birdie (1963) is an exuberant, squeaky clean musical comedy from Columbia Pictures that is based upon the 1960 Broadway musical of the same name. It is also extremely dated by today’s standards and flat-out corny at times. Overall, however, it is a fun ride that sports a good number of memorable musical interludes, the title song easily giving the viewer a severe case of earworm. Director George Sidney was no stranger to musicals as he was also responsible for Ziegfeld Follies (1945), The Harvey Girls (1946), Holiday in Mexico (1946), Annie Get Your Gun (1950), Showboat (1951) and Scaramouche (1952). Here, he brings to the screen the story of Kim MacAfee (twenty-two year-old Ann-Margret in her breakout performance) as a high school girl who becomes the envy of her peers when she is given the opportunity to kiss teen rock idol Conrad Birdie on the...
- 10/17/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Survivor: One World Preview
Airs Wednesdays at 8pm (Et) on CBS
Premieres on February 15
After 23 seasons, it’s remarkable to see how Survivor continues to re-invent itself with each new outing. The formula was starting to grow a bit tired a few years ago but was re-invigorated by the unpredictable “Heroes vs. Villains” in the fall of 2010. That all-star season was the show’s 20th and revealed that the cast remains the most important part of this competitive reality juggernaut. It’s hard to predict which groups of players will actually make great TV. Host Jeff Probst will try to get everything he can out of the contestants at Tribal Council, but he can only do so much. The big moves and crazy outbursts that keep fans coming back have that aura of surprise that pervades the best Survivor seasons.
Will Survivor: One World reach that classic status? It has...
Airs Wednesdays at 8pm (Et) on CBS
Premieres on February 15
After 23 seasons, it’s remarkable to see how Survivor continues to re-invent itself with each new outing. The formula was starting to grow a bit tired a few years ago but was re-invigorated by the unpredictable “Heroes vs. Villains” in the fall of 2010. That all-star season was the show’s 20th and revealed that the cast remains the most important part of this competitive reality juggernaut. It’s hard to predict which groups of players will actually make great TV. Host Jeff Probst will try to get everything he can out of the contestants at Tribal Council, but he can only do so much. The big moves and crazy outbursts that keep fans coming back have that aura of surprise that pervades the best Survivor seasons.
Will Survivor: One World reach that classic status? It has...
- 2/11/2012
- by Dan Heaton
- SoundOnSight
Linda Darnell, Ann Sothern, Jeanne Crain, A Letter to Three Wives DGA Awards vs. Academy Awards Pt.2: Foreign, Small, Controversial Movies Have Better Luck at the Oscars Since pre-1970 Directors Guild Award finalists often consisted of more than five directors, it was impossible to get an exact match for the DGA's and the Academy's lists of nominees. In the list below, the years before 1970 include DGA finalists (DGA) who didn't receive an Academy Award nod and, if applicable, those Academy Award-nominated directors (AMPAS) not found in the — usually much lengthier — DGA list. The label "DGA/AMPAS" means the directors in question received nominations for both the DGA Award and the Academy Award. The DGA Awards vs. Academy Awards list below goes from 1948 (the DGA Awards' first year) to 1952. Follow-up posts will cover the ensuing decades. The number in parentheses next to "DGA" indicates that year's number of DGA finalists if other than five.
- 1/10/2012
- by Andre Soares
- Alt Film Guide
Diane Kruger as Marie Antoinette, Farewell, My Queen The world premiere of Les Adieux à la reine / Farewell, My Queen will open the 2012 Berlin Film Festival next February 9. Directed by Benoît Jacquot (Tosca, Villa Amalia, Deep in the Woods), Farewell, My Queen stars Inglourious Basterds' Diane Kruger (as Marie Antoinette), Midnight in Paris' Léa Seydoux, and Army of Crime's Virginie Ledoyen. Adapted by Jacquot and Gilles Taurand from Chantal Thomas’ novel, Farewell, My Queen is set during the first days of the French Revolution, as seen from the perspective of the servants at Versailles. The synopsis below is from the Berlin Film Festival website: Versailles in July 1789. Unrest is growing in the court of King Louis the XVI (Xavier Beauvois). The people are rebelling — a revolution is imminent. Behind the facades of the royal palaces, everyone is thinking of fleeing, including Queen Marie Antoinette (Diane Kruger) and her entourage.
- 1/4/2012
- by Andre Soares
- Alt Film Guide
Ramon Novarro swimming in his Los Feliz Hills house Lloyd Wright's Samuel-Novarro House is back in the market, as per Curbed Los Angeles. Located in the Los Feliz Hills, the eastern section of the Hollywood Hills, the house was designed by Frank Lloyd Wright's son Lloyd Wright in the late 1920s. In order to pay for Wright's services, personal secretary Louis Samuel embezzled money from the financial holdings of his boss, Hollywood star Ramon Novarro (photo), to gamble in the stock market. Novarro had had such confidence in Samuel that he had given his former dance classmate/intimate companion power of attorney over his financial affairs. The market crash in late 1929 and the extended bear market that followed wiped out Samuel's investments. As I wrote in Beyond Paradise: The Life of Ramon Novarro, upon discovering he didn't have enough funds to buy a new car, "the star who had...
- 11/3/2011
- by Andre Soares
- Alt Film Guide
Action films should regress to an epoch when swords were as prevalent as guns, or forward to a time when firearms don't work
Another year, another musketeers movie. What a shame no one thought of rereleasing Richard Lester's two-parter, or even the MGM version with Gene Kelly. But no, swashbuckling on its own is no longer deemed enough to hold the attention of today's fidgety kids, so Paul Ws Anderson gussies up his The Three Musketeers with 3-D, slo-mo and ninja skills. Phew! No danger of us getting bored there, then!
I love swordfights and want to see more of them, preferably not obscured by bells and whistles. Lester's Musketeer films have some cracking examples, mostly lighthearted, though slapstick gives way to a deadly serious duel towards the end, which goes on for so long that Michael York and Christopher Lee end up tottering with exhaustion.
That fight choreographer,...
Another year, another musketeers movie. What a shame no one thought of rereleasing Richard Lester's two-parter, or even the MGM version with Gene Kelly. But no, swashbuckling on its own is no longer deemed enough to hold the attention of today's fidgety kids, so Paul Ws Anderson gussies up his The Three Musketeers with 3-D, slo-mo and ninja skills. Phew! No danger of us getting bored there, then!
I love swordfights and want to see more of them, preferably not obscured by bells and whistles. Lester's Musketeer films have some cracking examples, mostly lighthearted, though slapstick gives way to a deadly serious duel towards the end, which goes on for so long that Michael York and Christopher Lee end up tottering with exhaustion.
That fight choreographer,...
- 10/14/2011
- by Anne Billson
- The Guardian - Film News
Alice Terry, Ramon Novarro in Rex Ingram's Scaramouche Ramon Novarro is back for the fourth and last installment of Turner Classic Movies' Sunday evening celebration of the 100 years of the Mexican Revolution. Tonight, Novarro's vehicle is Scaramouche (1923), one of his most prestigious critical and box-office hits, and one featuring another revolution, the one in France back in the late 18th century. Directed by Rex Ingram, and co-starring Alice Terry and Lewis Stone, Scaramouche was the vehicle that turned Novarro into a top box-office attraction — though official star billing would only come two years later, with the release of The Midshipman. Ingram's version of Scaramouche is also much closer to Rafael Sabatini's highly political — and at times quite subversive — novel than the fluffier but equally entertaining 1952 release directed by George Sidney and starring Stewart Granger in the title role. The information below about Scaramouche is from my [...]...
- 9/27/2010
- by Andre Soares
- Alt Film Guide
The late actor was celebrated for her beauty and talent, but she had a streak of mischief that made her unforgettable
Jean Simmons was only 12 years older than me, and as I grew up I cut out a lot of pictures of her from magazines like Picturegoer and the Sunday papers. Can you credit that in those days – the late 40s and the early 50s – there were Sunday papers in Britain (such as the Pictorial, the Graphic, the Dispatch) that ran pictures of pretty movie stars in their underwear or swimsuits?
Well, Jean was pretty; I believe the captions also added that she was "saucy" (and I supposed they knew). The big picture for Jean's fans, who had scissors and a scrapbook ready, was The Blue Lagoon. That was 1949, and it had Jean and Donald Houston washed up on a desert island, doing their best for clothes and falling in love.
Jean Simmons was only 12 years older than me, and as I grew up I cut out a lot of pictures of her from magazines like Picturegoer and the Sunday papers. Can you credit that in those days – the late 40s and the early 50s – there were Sunday papers in Britain (such as the Pictorial, the Graphic, the Dispatch) that ran pictures of pretty movie stars in their underwear or swimsuits?
Well, Jean was pretty; I believe the captions also added that she was "saucy" (and I supposed they knew). The big picture for Jean's fans, who had scissors and a scrapbook ready, was The Blue Lagoon. That was 1949, and it had Jean and Donald Houston washed up on a desert island, doing their best for clothes and falling in love.
- 1/27/2010
- by David Thomson
- The Guardian - Film News
British-born film star known for her roles in Great Expectations and Spartacus
Jean Simmons, who has died aged 80, had a bounteous moment, early in her career, when she seemed the likely casting for every exotic or magical female role. It passed, as she got out of her teens, but then for the best part of 15 years, in Britain and America, she was a valued actress whose generally proper, if not patrician, manner had an intriguing way of conflicting with her large, saucy eyes and a mouth that began to turn up at the corners as she imagined mischief – or more than her movies had in their scripts. Even in the age of Vivien Leigh and Elizabeth Taylor, she was an authentic beauty. And there were always hints that the lady might be very sexy. But nothing worked out smoothly, and it is somehow typical of Simmons that her most astonishing...
Jean Simmons, who has died aged 80, had a bounteous moment, early in her career, when she seemed the likely casting for every exotic or magical female role. It passed, as she got out of her teens, but then for the best part of 15 years, in Britain and America, she was a valued actress whose generally proper, if not patrician, manner had an intriguing way of conflicting with her large, saucy eyes and a mouth that began to turn up at the corners as she imagined mischief – or more than her movies had in their scripts. Even in the age of Vivien Leigh and Elizabeth Taylor, she was an authentic beauty. And there were always hints that the lady might be very sexy. But nothing worked out smoothly, and it is somehow typical of Simmons that her most astonishing...
- 1/24/2010
- by David Thomson
- The Guardian - Film News
Speaking as a member of Film Preservation Associates, the team that brought King Vidor's Bardelys the Magnificent (1926) "back to life" after it's having been believed lost for 70 years, David Shepard historicized that the film was based on a novel by Rafael Sabatini, a prolific author whose other work includes Scaramouche, The Sea Hawk and Captain Blood. MGM bought the story rights to Bardelys the Magnficent for 10 years and produced the successful filmic adaptation Bardelys the Magnificent.
By contract, in 1936 MGM had to either repurchase the rights for an additional charm or destroy the film. As nothing could have been deader than a silent film in 1936, MGM elected to duly destroy the negative (although MGM actually renewed the copyright for the movie in 1953). Except for a short fragment included in another Vidor film Show People (1928), nothing of Bardelys was thought to remain until 2007 when Shepard's French film partners...
By contract, in 1936 MGM had to either repurchase the rights for an additional charm or destroy the film. As nothing could have been deader than a silent film in 1936, MGM elected to duly destroy the negative (although MGM actually renewed the copyright for the movie in 1953). Except for a short fragment included in another Vidor film Show People (1928), nothing of Bardelys was thought to remain until 2007 when Shepard's French film partners...
- 7/14/2009
- by Michael Guillen
- Screen Anarchy
Mel Ferrer, whose career as a performer, director, producer and writer spanned six decades, has died at age 90.
Ferrer died Monday at his ranch near Santa Barbara, family spokesman Mike Mena said.
"It's a sad occasion, but he did live a long and productive life," Mena said Tuesday.
He appeared in more than 100 films and made-for-television movies, directed nine films and produced nine more.
Ferrer's most impressive film role came in 1953 in "Lili." He played a disabled carnival puppeteer with whom a French orphan (played by Leslie Caron) falls in love.
On the big screen, Ferrer was most recognizable for his performance as Prince Andrei in "War and Peace" in 1956 with Audrey Hepburn and Henry Fonda. He was paid the then princely sum of $100,000. He appeared in "The Sun Also Rises" alongside Ava Gardner, Tyrone Power and Errol Flynn.
Ferrer was often cast in big pictures during the late '...
Ferrer died Monday at his ranch near Santa Barbara, family spokesman Mike Mena said.
"It's a sad occasion, but he did live a long and productive life," Mena said Tuesday.
He appeared in more than 100 films and made-for-television movies, directed nine films and produced nine more.
Ferrer's most impressive film role came in 1953 in "Lili." He played a disabled carnival puppeteer with whom a French orphan (played by Leslie Caron) falls in love.
On the big screen, Ferrer was most recognizable for his performance as Prince Andrei in "War and Peace" in 1956 with Audrey Hepburn and Henry Fonda. He was paid the then princely sum of $100,000. He appeared in "The Sun Also Rises" alongside Ava Gardner, Tyrone Power and Errol Flynn.
Ferrer was often cast in big pictures during the late '...
- 6/3/2008
- by By Duane Byrge
- The Hollywood Reporter - Movie News
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