Leo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. When he returns he is surprised to discover not only that his bride is not what she led him to ... See full summary »
Gregory La Cava
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May... See full summary »
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing ... See full summary »
Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is ... See full summary »
Ellen Hallit is in love with her playboy boss, Douglas Morrison, but is too timid to do anything about it. To help her, her roommate Chris decides to step in, and devises a plan. Chris ... See full summary »
The initial version previewed at the Fox Westwood Village Theatre in Los Angeles on November 1, 1944 ran two hours and 53 minutes. See more »
Towards the end of the "This Heart of Mine" number, as Astaire and Bremer begin to dance back to the palace, dancers in the background (screen left) are clearly struggling to stabilize some of the antler-tree props. See more »
Florenz Ziegfeld Jr.:
Ah... Saturday, September twenty fifth. Another heavenly day. Ah, yes. Always a heavenly day.
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Ziegfeld Follies credits are in alphabetical order. That is why "Bunin" comes before "Charisse" See more »
When I first heard about this movie, & saw that the real Fanny Brice, Red Skelton, Judy Garland, & all the other greats from this era were in this, I knew I had to see it. I only wish the whole film lived up to the sum of its parts. The star power in this movie would blow anything over.
I think the fault here is that the film comes off as a lot of dis-jointed performances which while well-staged & good, have nothing to tie you to the film & stay interested in it. The great musicals such as 2006's DreamGirls have that kind of thing. As a result, the main interest for someone watching this is to take a DVD of it with a scene menu & go to you favorite performers part in it.
After seeing Streisand play Fanny Brice, it is interesting to see the real woman as she was versus Bab's portrayal of her. This film is lavish & MGM's Technicolor is great as usual. The film just doesn't flow very well which is a shame. It looks like no one wanted to hire good writers for a script.
MGM made this on the presumption that just the stars would put people in the theater seats. I bet it did in it's time, but I only wish it had been done better now.
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