Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Lena Horne hated the ghetto setting for Hugh Martin and Ralph Blane's "Love" so much that she refused to make a commercial single, although she would use the song in her nightclub act several years later. Moreover, Miss Horne would supply her vocal intensity to a trio of renditions on LP: "Give the Lady What She Wants" (RCA Victor, 1958, reissued on a 2004 Japanese CD by BMG), sung to a samba rhythm arranged and conducted by her husband Lennie Hayton; "Lena Horne Sings Your Requests" (Charter/MGM Records, 1963, updated to CD in 1992 by the DRG label), this time the ditty propelled by a swinging tempo arranged and conducted by Marty Paich; then live as part of her legendary, Tony Award-winning performance in "Lena Horne: The Lady and Her Music," which played on Broadway at the Nederlander Theatre between May 12, 1981 and June 30, 1982 (Qwest/Warner Bros. LP, 1981, Qwest/WEA CD, 1995, conducted by Linda Twine, produced by Quincy Jones). See more »
Towards the end of the "This Heart of Mine" number, as Astaire and Bremer begin to dance back to the palace, dancers in the background (screen left) are clearly struggling to stabilize some of the antler-tree props. See more »
Florenz Ziegfeld Jr.:
Ah... Saturday, September twenty fifth. Another heavenly day. Ah, yes. Always a heavenly day.
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When I first heard about this movie, & saw that the real Fanny Brice, Red Skelton, Judy Garland, & all the other greats from this era were in this, I knew I had to see it. I only wish the whole film lived up to the sum of its parts. The star power in this movie would blow anything over.
I think the fault here is that the film comes off as a lot of dis-jointed performances which while well-staged & good, have nothing to tie you to the film & stay interested in it. The great musicals such as 2006's DreamGirls have that kind of thing. As a result, the main interest for someone watching this is to take a DVD of it with a scene menu & go to you favorite performers part in it.
After seeing Streisand play Fanny Brice, it is interesting to see the real woman as she was versus Bab's portrayal of her. This film is lavish & MGM's Technicolor is great as usual. The film just doesn't flow very well which is a shame. It looks like no one wanted to hire good writers for a script.
MGM made this on the presumption that just the stars would put people in the theater seats. I bet it did in it's time, but I only wish it had been done better now.
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