Leo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. When he returns he is surprised to discover not only that his bride is not what she led him to ... See full summary »
Gregory La Cava
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May... See full summary »
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing ... See full summary »
Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is ... See full summary »
A swim teacher and a wealthy businessman are married after a brief courtship. A charming war hero falls in love with this newly-married woman, after her husband abandons her on their honeymoon for the sake of a business meeting.
From a December 13, 1944 recording session, Decca Records issued a disc of Fred Astaire singing and tapping to a spirited song which he had written for the picture, a number which wound up on the cutting-room floor - "If Swing Goes, I Go Too." On the flip side of the Decca 78, Mr. Astaire sang the romantic ballad which showcased him and Lucille Bremer in the movie, "This Heart of Mine" (music by Harry Warren, lyrics by Arthur Freed). Fred's two Decca sides, with an orchestra directed by Al Sack, have been brought back on a French CD box set entitled "Songs & Pictures 1928-1944," released by EPM Music. See more »
Towards the end of the "This Heart of Mine" number, as Astaire and Bremer begin to dance back to the palace, dancers in the background (screen left) are clearly struggling to stabilize some of the antler-tree props. See more »
Florenz Ziegfeld Jr.:
Ah... Saturday, September twenty fifth. Another heavenly day. Ah, yes. Always a heavenly day.
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I have enjoyed reading the various postings about this movie, but found it somewhat depressing to find so many viewers have been obviously conditioned by present day "standards of talent." (and by that I mean there is no one today to fill the shoes of these musical giants). Speaking for myself, this was quite an amazing achievement in the form it was meant to be -- a "Review" -- not a musical with a storyline -- and I think it is only fair to judge it on those terms, rather than what you wished it would be. My opinion: most of the comedy numbers were OK, but one should remember that these numbers were directed at a 1946 audience, who appreciated this kind of gentle humor more than present day viewers. As for the musical numbers -- I don't think MGM ever mounted anything as lavish and, in particular, "This Heart of Mine". One posting said the storyline didn't make any sense (it certainly did to me), and more than one decried the inadequacy of Lucille Bremer as a dancer. Lucille Bremer was not only beautiful, but was an excellent dancer and for me, they were perfect together. "Limehouse Blues" (filmed on the "Dorian Gray" set) is one for the history books. Judy Garland looked beautiful and, in an early example, showed what a terrific range she possessed. The Technicolor was magnificent. By the way, contrary to what was posted, this was one of MGM's highest grosses of he 1940s.
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