Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Lena Horne hated the ghetto setting for Hugh Martin and Ralph Blane's "Love" so much that she refused to make a commercial single, although she would use the song in her nightclub act several years later. Moreover, Miss Horne would supply her vocal intensity to a trio of renditions on LP: "Give the Lady What She Wants" (RCA Victor, 1958, reissued on a 2004 Japanese CD by BMG), sung to a samba rhythm arranged and conducted by her husband Lennie Hayton; "Lena Horne Sings Your Requests" (Charter/MGM Records, 1963, updated to CD in 1992 by the DRG label), this time the ditty propelled by a swinging tempo arranged and conducted by Marty Paich; then live as part of her legendary, Tony Award-winning performance in "Lena Horne: The Lady and Her Music," which played on Broadway at the Nederlander Theatre between May 12, 1981 and June 30, 1982 (Qwest/Warner Bros. LP, 1981, Qwest/WEA CD, 1995, conducted by Linda Twine, produced by Quincy Jones). See more »
During the "A Great Lady Has An Interview," Judy Garland is continuously pushing her hair back out of her face during the interview portion of the scene. However, when the musical part begins her hair is firmly fixed up off of her face and stays that way until the end of the number when her dance moves have obviously loosened it up enough to start falling in her face again. See more »
Florenz Ziegfeld Jr.:
Ah... Saturday, September twenty fifth. Another heavenly day. Ah, yes. Always a heavenly day.
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I have enjoyed reading the various postings about this movie, but found it somewhat depressing to find so many viewers have been obviously conditioned by present day "standards of talent." (and by that I mean there is no one today to fill the shoes of these musical giants). Speaking for myself, this was quite an amazing achievement in the form it was meant to be -- a "Review" -- not a musical with a storyline -- and I think it is only fair to judge it on those terms, rather than what you wished it would be. My opinion: most of the comedy numbers were OK, but one should remember that these numbers were directed at a 1946 audience, who appreciated this kind of gentle humor more than present day viewers. As for the musical numbers -- I don't think MGM ever mounted anything as lavish and, in particular, "This Heart of Mine". One posting said the storyline didn't make any sense (it certainly did to me), and more than one decried the inadequacy of Lucille Bremer as a dancer. Lucille Bremer was not only beautiful, but was an excellent dancer and for me, they were perfect together. "Limehouse Blues" (filmed on the "Dorian Gray" set) is one for the history books. Judy Garland looked beautiful and, in an early example, showed what a terrific range she possessed. The Technicolor was magnificent. By the way, contrary to what was posted, this was one of MGM's highest grosses of he 1940s.
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