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Paul Whiteman and Orchestra
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The machine producing the bubbles for the finale was responsible for one of the greatest filming fiascoes in movie history. On the first day of filming the finale, the gas produced by the bubbles caused Vincente Minnelli's cameraman to faint, on top of a forty foot lift. While Minnelli struggled to stop his cameraman from falling, the bubbles continued to pour from the machine to such an extent that the fire brigade was called to turn it off. Even with the machine under control, the gas from the bubbles was a constant hazard. James Melton filmed with a wet handkerchief in his mouth to protect himself! See more »
During the "A Great Lady Has An Interview," Judy Garland is continuously pushing her hair back out of her face during the interview portion of the scene. However, when the musical part begins her hair is firmly fixed up off of her face and stays that way until the end of the number when her dance moves have obviously loosened it up enough to start falling in her face again. See more »
Florenz Ziegfeld Jr.:
Ah... Saturday, September twenty fifth. Another heavenly day. Ah, yes. Always a heavenly day.
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Ziegfeld Follies credits are in alphabetical order. That is why "Bunin" comes before "Charisse" See more »
When I first heard about this movie, & saw that the real Fanny Brice, Red Skelton, Judy Garland, & all the other greats from this era were in this, I knew I had to see it. I only wish the whole film lived up to the sum of its parts. The star power in this movie would blow anything over.
I think the fault here is that the film comes off as a lot of dis-jointed performances which while well-staged & good, have nothing to tie you to the film & stay interested in it. The great musicals such as 2006's DreamGirls have that kind of thing. As a result, the main interest for someone watching this is to take a DVD of it with a scene menu & go to you favorite performers part in it.
After seeing Streisand play Fanny Brice, it is interesting to see the real woman as she was versus Bab's portrayal of her. This film is lavish & MGM's Technicolor is great as usual. The film just doesn't flow very well which is a shame. It looks like no one wanted to hire good writers for a script.
MGM made this on the presumption that just the stars would put people in the theater seats. I bet it did in it's time, but I only wish it had been done better now.
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