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Tosca (2001)

7.5
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Ratings: 7.5/10 from 317 users   Metascore: 70/100
Reviews: 14 user | 17 critic | 18 from Metacritic.com

Benoit Jacquot reinvents the way we view opera in this magnificent production of Puccini's story of Tosca's love for the painter Cavaradossi and the intervention of Scarpia.

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(libretto), (libretto), 1 more credit »
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Title: Tosca (2001)

Tosca (2001) on IMDb 7.5/10

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Cast

Cast overview, first billed only:
Angela Gheorghiu ...
Roberto Alagna ...
...
David Cangelosi ...
Sorin Coliban ...
Enrico Fissore ...
Maurizio Muraro ...
Gwynne Howell ...
James Savage-Hanford ...
Karl-Heinz Rogosch ...
Tax judge
Bernd Selle ...
Antonio Agliuzzi ...
Henchman
Oktay Ovali ...
Henchman
Roger Claas ...
Henchman
Florian Schulz ...
Soldier
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Storyline

Benoit Jacquot reinvents the way we view opera in this magnificent production of Puccini's story of Tosca's love for the painter Cavaradossi and the intervention of Scarpia.

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Genres:

Musical | Drama

Certificate:

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Details

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Release Date:

14 November 2001 (France)  »

Also Known As:

Tosca  »

Box Office

Budget:

FRF 53,000,000 (estimated)

Opening Weekend:

$1,409 (USA) (28 March 2003)

Gross:

$63,751 (USA) (28 March 2003)
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Connections

Version of The Metropolitan Opera Presents: Tosca (1978) See more »

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User Reviews

 
More involving than most stage performances
16 July 2002 | by (New York) – See all my reviews

Tosca is more involving in this film version than in most stage performances. That is astounding. Usually, close-ups of opera performances spoil the effect of the music. The acting and looks of most singers detract from their musical performance. Also, melodrama is out and out funny when it's filmed realistically. But in this film the three leads are fine actors and look their parts. Gheorghiu is physically a magnificent diva. It helps that the lip-synching stops at times. For example Tosca and Caravadossi embrace and kiss while the singing continues, as if in their thoughts. They look right and it sounds right. Black and white video of the taping is occasionally intercut with the full color performance. This is jarring but adds to the magic of the final performance, which seemss effortless. Instead of filming the opera realistically the scenes are made theatrical and larger than life by using impressionistic backgrounds. It feels like a stage performance - only you can see everything perfectly. Wonderful! The film makes me want to hear the opera again. The sound system at the movie theater was no substitute for the real thing or for a CD. But I know that the images from this movie will flash up next time I listen.


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