A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe ... See full summary »
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death --- a quadruple amputee who has lost his arms, ... See full summary »
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro. Written by
Ed Stephan <firstname.lastname@example.org>
The famous duel was staged by Hollywood fencing master Fred Cavens. Cavens specialized in staging duels that relied more on actual swordplay rather than the jumping on furniture and leaping from balconies that many film "duels" consisted of up until that point. Cavens' son, Albert Cavens, doubled for Tyrone Power in the fancier parts of the duel (mostly with his back to camera), such as the extended exchange with Esteban ending with Don Diego's sword smashing into the bookcase. Basil Rathbone, a champion fencer in real life, did not care for the saber (the weapon of choice in this film), but nevertheless did all of his own fencing. Fast fencing shots were undercranked to 18 or 20 frames per second (as opposed to the standard 24fps) and all the sound effects were post-synchronized. See more »
The soldiers at the beginning of the film wager 10 Pesos. This is in Spain where the currency would be the Peseta not the Mexican Peso. See more »
Captain Esteban Pasquale:
Conditions have changed since you left, Don Diego. Your father resigned. Age, you know! Since then, the peons have become um... more industrious. As to the caballeros. they're encouraged to think of their own affairs. WE take care of the government!
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Opening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ... See more »
Director Rouben Mamoulian keeps the pace and excitement going in the wonderful 1940 "The Mark of Zorro" starring Tyrone Power, Basil Rathbone, Linda Darnell, Gale Sondergaard, Eugene Palette, and J. Edward Bromberg. All are excellent.
This is one of Power's best performances in one of his best films. He is hilarious in the role of the exhausted, foppish, bored Don Diego, who is always whining, brushing nonexistent dirt from his clothing and fanning himself with his handkerchief. That is, when he isn't sniffing it and remembering the smell of "...Ah! Musk!" The way he drags himself around, performing stupid magic tricks, getting the shakes when he hears about Zorro, which disgusts his father and his betrothed (young, beautiful Linda Darnell) is a riot! When he becomes Zorro, racing through the woods on his horse as his cape fans out in the wind and whipping that sword around to make the sign of a Z (yes, I'm a baby boomer and I remember the song) - he's commanding, dashing, and frightening. This is a bravura performance.
There are so many great action scenes in the film - the alcalde's men chasing Zorro, the jail break, and the greatest of all, for which the film is remembered - the sword fight between Power and Rathbone. I first saw this film as a child, and I never forgot that bit with the candle! Inspired! A brilliant and classic scene.
Power was the 5th highest box office draw in 1940, and The Mark of Zorro set him up for lots more swashbuckling. When you see Zorro, you can understand why.
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