Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
Mexico, 1840s. When the new Spanish Governor begins to grind the peasants under his heel, wealthy landowner Don Diego Vega follows in his late father's footsteps and becomes Zorro, the ... See full summary »
The Commandant is making life rough for the colonials in Spanish California. While trying to help, Zorro is charged with the murder of the new Governor, but in the end he triumphs over the evil Commandant.
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
In the 1840s, the foppish Don Diego de la Vega returns from Spain to his family in California to find that his father has been replaced as ruler of the region by the cruel Don Luis Quintero... See full summary »
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro. Written by
Ed Stephan <firstname.lastname@example.org>
This is the movie that a young Bruce Wayne goes to see on the night his parents are mugged and shot by Joe Chill. They are coming out of the movie and walking through an alley with Bruce is when they are mugged; this is what leads to Batman's creation. This fact is mentioned in the 1986 Frank Miller comic "The Dark Knight Returns", and in fact Bob Kane based the character of "The Dark Knight" on Zorro. See more »
When Diego dines with the Quinteros, Inez asks him to show them "the new dance steps." He and Lolita then dance together, but somehow the sheltered young Lolita knows the dance perfectly. This doesn't make sense if it contains "new dance steps" that even society-mad Inez doesn't know. See more »
To think that the boy that I helped to raise, the boy that I taught to hold a firm wrist behind a true point, has turned into a puppy! Bah!
Don Diego Vega:
Well,! Tsk, tsk, tsk! How vexatious!
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Opening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ... See more »
Director Rouben Mamoulian keeps the pace and excitement going in the wonderful 1940 "The Mark of Zorro" starring Tyrone Power, Basil Rathbone, Linda Darnell, Gale Sondergaard, Eugene Palette, and J. Edward Bromberg. All are excellent.
This is one of Power's best performances in one of his best films. He is hilarious in the role of the exhausted, foppish, bored Don Diego, who is always whining, brushing nonexistent dirt from his clothing and fanning himself with his handkerchief. That is, when he isn't sniffing it and remembering the smell of "...Ah! Musk!" The way he drags himself around, performing stupid magic tricks, getting the shakes when he hears about Zorro, which disgusts his father and his betrothed (young, beautiful Linda Darnell) is a riot! When he becomes Zorro, racing through the woods on his horse as his cape fans out in the wind and whipping that sword around to make the sign of a Z (yes, I'm a baby boomer and I remember the song) - he's commanding, dashing, and frightening. This is a bravura performance.
There are so many great action scenes in the film - the alcalde's men chasing Zorro, the jail break, and the greatest of all, for which the film is remembered - the sword fight between Power and Rathbone. I first saw this film as a child, and I never forgot that bit with the candle! Inspired! A brilliant and classic scene.
Power was the 5th highest box office draw in 1940, and The Mark of Zorro set him up for lots more swashbuckling. When you see Zorro, you can understand why.
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