Hammond, owner of the town's stagecoach line and a leading citizen, is opposed to Idaho becoming a state, and kills Randolph Meredith, owner of the town's newspaper, for endorsing it. ... See full summary »
Spencer Gordon Bennet,
George J. Lewis,
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro. Written by
Ed Stephan <firstname.lastname@example.org>
The famous duel was staged by Hollywood fencing master Fred Cavens. Cavens specialized in staging duels that relied more on actual swordplay rather than the jumping on furniture and leaping from balconies that many film "duels" consisted of up until that point. Cavens' son, Albert Cavens, doubled for Tyrone Power in the fancier parts of the duel (mostly with his back to camera), such as the extended exchange with Esteban ending with Don Diego's sword smashing into the bookcase. Basil Rathbone, a champion fencer in real life, did not care for the saber (the weapon of choice in this film), but nevertheless did all of his own fencing. Fast fencing shots were undercranked to 18 or 20 frames per second (as opposed to the standard 24fps) and all the sound effects were post-synchronized. See more »
When the padre leaves the cell he has a pistol in his right hand. When he starts hitting the soldiers, he has a tree limb in his right hand. When the Alcade resigns, the padre escorts him the pistol is back in his right hand. See more »
To think that the boy that I helped to raise, the boy that I taught to hold a firm wrist behind a true point, has turned into a puppy! Bah!
Don Diego Vega:
Well,! Tsk, tsk, tsk! How vexatious!
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Opening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ... See more »
In Madrid, the talented aristocratic military swordsman and rider Diego Vega (Tyrone Power) returns to the Mexican California to reunite with his father, the Alcalde Don Alejandro Vega (Montagu Love), and his mother. When he arrives in Los Angeles, he finds that his father has been replaced by the tyrannous Alcalde Don Luis Quintero (J. Edward Bromberg) that oppresses the people with soaring taxes and violent punishment for those that can not afford and supported by the corrupt Captain Esteban Pasquale (Basil Rathbone) and his soldiers. Don Diego does not disclose his abilities with the sword and disguises pretending that he is a sophisticated fashionable gay, for the heartache of his father. However, when he secretly wears a mask and rides a black horse, he becomes the avenger Zorro that carves his mark for the fearfulness of his enemies.
"The Mark of Zorro" is the best Zorro of the cinema history in a time when the studios were concerned with the screenplay and acting and not CGI and sex scenes. The witty delightful story presents Tyrone Power as a fantastic the weak and fragile Don Diego Vega and the powerful Zorro, with totally different personalities. His ability as swordsman and rider is impressive in a perfect choreography of fights, recalling Errol Flynn in "The Adventures of Robin Hood" of two years before. Linda Darnell is so sweet and beautiful that seems to be the inspiration for the title of the novel of Vladimir Nabokov. J. Edward Bromberg and Basil Rathbone are the perfect villains, the first one coward and sleazy and the second arrogant and corrupt. My vote is ten.
Title (Brazil): "A Marca do Zorro" ("The Mark of Zorro")
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