When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
An elaborate adaptation of Dickens' classic tale of the French Revolution. Dissipated lawyer Sydney Carton defends emigre Charles Darnay from charges of spying against England. He becomes enamored of Darnay's fiancée, Lucie Manette, and agrees to help her save Darnay from the guillotine when he is captured by Revolutionaries in Paris. Written by
Marg Baskin <firstname.lastname@example.org>
Actor Ronald Colman agreed to play the role of Sydney Carton with the sole condition that he not also be required to play the role of Charles Darnay, as was usually expected in adaptations of the Dickens novel. The plot of 'A Tale of Two Cities' turns on the physical resemblance between the two characters. Colman had long wanted to play Sidney Carton, and was even willing to shave off his beloved mustache to play the part. See more »
Sydney Carton attends Christmas Eve services ca. 1780 during which "Hark, the Herald Angels Sing" is sung to music by Felix Mendelssohn (1809-1847), and John Francis Wade's Latin hymn, "Adeste fideles," is sung in Frederick Oakley's (1802-1880) translation as "O Come, All Ye Faithful." See more »
[Madame DeFarge has come looking for Lucie and the child. Miss Pross bars her way out]
Oh no you don't!
Let me pass.
Never! I know what you want. I know what you're after. And thank heaven I'm put here to stop you - for stop you I will!
In the name of the Republic...
In the name of no one, you evil woman. You've killed many innocent people. No doubt you'll kill many more; but my ladybird you shall never touch.
No? Do you know who I am?
You might - from your appearance - be the wife of Lucifer; ...
[...] See more »
Rarely have I upgraded a film between viewings as much as I did this one. I saw it quite a while ago and thought it was so-so, but watched it again last week after re-acquiring the VHS....and wow, what an incredible movie! This has to be one of the finest movies of the 1930s.
Production-wise, with the big cast of extras, the photography, the superb acting and powerful story, I can't see how another film, with the exception of "Gone With The Wind," that featured all that this film boasts. Why it is not out on DVD as of this writing - June of 2006 - is a disgrace.
Starting with visuals, this movie reminded me in parts of a good film-noir with the shadows-and-light and great facial closeups. It's just beautifully filmed, and the big reason I'd want to view this on disc.
As for the acting, if ever a man looked and sounded like he was perfectly suited for a certain role, it has to be Ronald Colman playing "Sidney Carton." The anguished, reflective sorrowful looks alone made Colman memorable in this role. It's hard to picture anyone else doing a better job as the man who has no esteem, finds love, is greatly disappointed but then does the most noble thing any human being can do for another, giving up his own for a friend. It's fitting you get Scripture at the end of this film, and in earlier parts of the story as Colman plays a role in which Jesus himself describes how best to show one's love for someone. This is a very spiritual film, by the way, which may turn off some people but was an inspiration to this reviewer.
Almost as riveting as Colman was Blance Yurka. Hers is a not a familiar screen name but apparently she was a big success on the stage during her era. As "Madame DeFarge," Yurka plays on the most vengeful and frightening female figures I've ever seen on film. Too bad she wasn't seen in more movies; she had the charisma for the silver screen.
Meanwhile, Elizabeth Allan as the female lead ("Lucy Manette") and Donald Woods as the other male interest ("Charles Darnay") do well in their leading roles. Three other supporting players also are notable for their standout performances: Edna Mae Oliver as Lucy's protective maid/companion "Miss Pross;" Basil Rathbone as the evil French Aristocrat "Marquis St. Evremonde" and Henry B. Walthall as "Dr. Manette."
This Charles Dickens story couldn't have been translated any better to the big screen that what you see here.
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