When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
An elaborate adaptation of Dickens' classic tale of the French Revolution. Dissipated lawyer Sydney Carton defends emigre Charles Darnay from charges of spying against England. He becomes enamored of Darnay's fiancée, Lucie Manette, and agrees to help her save Darnay from the guillotine when he is captured by Revolutionaries in Paris. Written by
Marg Baskin <email@example.com>
This marked the last time that Ronald Colman agreed to shave his trademark mustache for a film. See more »
Sydney Carton attends Christmas Eve services ca. 1780 during which "Hark, the Herald Angels Sing" is sung to music by Felix Mendelssohn (1809-1847), and John Francis Wade's Latin hymn, "Adeste fideles," is sung in Frederick Oakley's (1802-1880) translation as "O Come, All Ye Faithful." See more »
It's a far, far better thing I do than I have ever done. It's a far, far better rest I go to than I have ever known.
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Faithful screen version of the classic Dickens tale...
A TALE OF TWO CITIES contains enough material for a four hour movie but amazingly David O. Selznick's production has managed to tell the epic tale in just a little over two hours. While there are many memorable characters, the ones that stay in the memory longest are Ronald Colman as Sydney Carton and the little seamstress (Isabel Jewell) who gets her courage from him before they go off to the guillotine and he utters those immortal words, "It's a far, far better thing I do..."
Edna May Oliver is just one of the pleasures among the supporting players. Donald Woods makes a handsome, if somewhat subdued, Charles Darnay and Blanche Yurka does an outstanding job as the bitter Madame Defarge. Basil Rathbone is excellent as the aristocratic Marquis St. Evremonde who is annoyed when his horse-driven carriage runs amok and kills a child, setting in motion the bitter Evremonde legacy of hate and mistrust among the French peasants.
The storming of the Bastille is awesome in its detail, as is all of the set decoration for interiors and exteriors which really captures the atmosphere of this turbulent time in history.
Probably Ronald Colman's finest hour--his world weary Sydney Carton becomes a highly sympathetic character by the time he is ready to assume another man's place. A memorable film.
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